Thursday, April 25, 2024

Around This Time 2018: Writing Capitulation

 


This part of my diary covers the genesis and development of my short story Capitulation, published elsewhere in this blog. It may have some overlap with my last Diary post. I have edited out most bits not related to the writing. It ends on March 25 (today, six years ago).

4/19/18: I did have one new idea that I may as well record here, lest it be lost. No story yet, but time and characters. It's in the fifties, and a new Director has been appointed. The Bureau has been eclipsed, obscured, and ridiculed in the Atomic Age. It is a political appointment, a reward or sinecure; the new Director has neither experience nor belief. He is simply a 1950's politician: early 40's, ambitious, good at his core, dedicated to his career and playing the game, but naive outside his wheelhouse. The Secretary (who he at first treats as a secretary) is a dour, serious woman with plenty of experience; I cast her as a combination of Elsa Lanchester and Dorothy L. Sayers. Plain-looking, no nonsense, business-like, middle-50's. They are mutually suspicious, and she is especially contemptuous of his lack of vocation for their peculiar business. Their first adventure is them getting to know each other and the politician getting to know the reality of the Bureau.

And now it is even a little more developed than when I started making the note. I wonder what they could face.  Maybe HE'S a weirdness dampener. I should check the Files.

 

4/19/2018: Up very early and wrote an e-mail to John, in which I mentioned a fleeting, fugitive idea I had yesterday. This developed the idea even as I wrote it, then it started to snowball after I sent the message off. Wrote a few notes. I write more notes on and off through the day as 'Capitulation' continues to snowball. I see it so clearly as an old 50's movie. E-mail John again, telling him I have my new Bureau story, and he gives me his suggestions. In a kind of trance in the evening, dreaming up dialogue and plot points, dipping into TV shows, and playing WWF. I wonder if I can write the story (it seems so clear, except the 'Monster of the Week'!) in one day. The important parts are the characters and how they interact with the Bureau.

 

4/20/2018: Get up early in the morning, but not full of beans and buzzing like a bee. 6:30 AM. I e-mail John of my intent: to start new story, "Capitulation" and try to have a first draft by the end of the weekend. Start at 8 AM on the tale. Stop at about 12:30 PM (with breaks to eat breakfast and to ponder); have got through the heavy lifting (the beginning) and got Lovett to the Bureau. Much re-writing and polishing as I go, but managed these not-quite five satisfactory pages, and also more notes as I went along. Now I have to crank the machinery up to introduce Edna and the office. Managed to come up with my monster: a Gremlin. Not too original, but I have a few original things to say about them, I think, and it is 'period.'

 

4/21/2018: 1 PM, and I'm wide awake. To try to sleep or write? The hardest part of writing is starting up again; when I actually get going it can be engrossing.

Managed to sleep until about 6:30 AM, then after a bit settled down to write. Brought the story up to where Yorke leaves Lovett with the brief, so much introduction. Paused at 10:45 AM, almost 10 new pages done and some little re-writing. Shall I continue today? Who knows? But for now, a break. Ran the draft through the Natural Reader, and more re-writing, and at 1 PM, another pause. A restless, hungry pause.

Wrote from 5 to 6:30 PM, five new pages, up to the party invitation, and even managed to introduce the wife into the conversation. Despite Kameron coming in at 6 PM and talking at me. Very happy with this stretch. My writing was the only thing that redeemed the day. Finally, Susan and Andy returned at 10 PM, Kam left, and I curled up to sleep.

 

4/22/2018: Woke up at 3:30 AM, decided I was up for the day. Did the routine, then settled at the computer. Started at 5 AM with a little re-writing and note reading then settled down to it. A bit after 7 AM had finished the Tyrone/Barbara bit, about 4 1/2 new pages. Time for a break, and a run through the Reader.

About 10 AM had another go, the watcher part, and stopped about noon with Lovett unpacking his briefcase. So, a little over 4 pages.

Started about 4:45 PM and stopped at about 7:15 PM. Lovett's lunch until his judgement. 5 new pages. Considering for a while there I was only doing a page a day, I'm whizzing right along. I'm having fun and SEEING everything unfold, like an old movie. Let's hope I can keep it up.

Ate at 7 PM. I spent some time doing little tweaks to the story and a few notes, and, at 10 PM, I think that now I might call it a day. If I go by recent times, I'll probably get up early and start writing again.

4/23/2018: Got up at 2 AM from a dream, tried to lay down for a while till 3, then decided I was up for the day. Bible, shower, dressed, then went over notes, and did small rewrites. Started writing about 4 AM and stopped at 5:15 AM, having got to where the road trip is declared. About 3 1/2 pages. As a lark, introduced a young John as a senatorial page. That should be a hoot. Next phase (6 I think) ended at 7:30 AM.

Started Phase 7 at approximately 10 AM and finished at 3:10 PM and shot it off to John. Now we play the waiting game. That's 16 new pages. My eyes are almost crossing with fatigue, and I keep typing the wrong words. Not mistakes, but whole real wrong words. Five days ago, I had the inkling of an idea, it snowballed for two days, I wrote it in three (technically four), and now it's as long as my longest story. I am spent. Now for rewrites.

Well, as of 10:20 PM John still hasn't called me; he didn't respond to my morning e-mail yet either. But then he may just be brewing up a reply. Made cucumber salad today, so you know it's Spring. Kind of zombied out through supper, but then I had started very early and was carried through the day in a sort of waking dream. I would look up from writing and notice hours had passed. Napped a little from 7-9 PM, then got up and washed dishes. I did things like calculated how many KB I did for each phase, how much I did each day, etc., mostly to kill time, but my mind is so fried had hard time keeping track of the math, but I think I have it pinned down. Now going to obsessively check my e-mail again.

I have a really bad feeling that I might die tonight without hearing what John thinks of this story [I'd been having some health problems].

 

4/24/2018: Got up about 7:30. Got e-mail from John about 8 AM saying he's still reading the story and will try to finish it at work, and that he'd call me later. Spent the day doing revisions on and off, still not quite able divert my mind to anything else. Ended up with a Capitulation 3.0, later re-titled 22 Capitulation in the Short Stories folder. My thoughts are still revolving around Capitulation. John called me just as I sat down to eat, 5:30 PM. We talked and he gave me a few notes: make the gremlin creepier, would a senator be able to head a bureau, I wrote Trevor instead of Tyrone -- twice! He seemed impressed with it, and I related all the trivia that went into its making. I told him I'd already shot him some re-writes.

It's a peculiar thing about working on my writing. When I do I seem to enter a kind of timeless zone where time passes without notice. This even goes for re-writing. Even when I'm doing something else, I'm off, preoccupied with the tale.

Getting ready to send Alan and Kenny the new stories, get some input. I hunger for more approval. 

 

4/25/2018: Spent day refining story, looking up ideas for new stories, partly by mining dream files. Rain really slopped things up, but the cool wet wind before the rain made the chinaberry blossom smell oh-so-sweet.


Wednesday, April 24, 2024

I Don't Belie-e-e-ve It!

 


I've been trying to find this image for almost forty years, but not knowing the artist I never did. But today, on Facebook, I saw a post about Geof Darrow and immediately recognized the line, though it was not of this picture. Forty years! Knowing the name I was able to track it down to Fantastic Films Volume 2, #2, 1979.

Wideo Wednesday: Cartoon Tunes


Songs from animated movies, cartoons, specials, and remixes that struck my peculiar fancy. As they are of a shorter nature, I couldn’t resist posting more than three. As far as I know, all the links are good.

https://www.youtube.com/watch?v=KnmQdHSRQ1U  Rick and Morty “I Am Alive”

https://www.youtube.com/watch?v=2CYaZFydbA4 Robin Hood Remix “Grow Fonder”

https://www.youtube.com/watch?v=iwqtKlwJjgc B.E.R. “The Night Begins to Shine” (Teen Titans Go)

https://www.youtube.com/watch?v=WWwiKjCli94 Phineas and Ferb, “Drusselstein Driving Test Waltz”

https://www.youtube.com/watch?v=IIjPP0x0ulE “Sweet Victory”, Band Geeks, Spongebob Squarepants

https://www.youtube.com/watch?v=8ZBR2n6uxQA Rankin/Bass “The Wind in the Willows” – The Weasels Play

https://www.youtube.com/watch?v=QLnrmH_xQgY  “Snoopy Come Home”, ‘It Changes’

https://www.youtube.com/watch?v=Ame0sCAj138 “Even a Miracle Needs a Hand” –‘Twas the Night Before Christmas

https://www.youtube.com/watch?v=R4vjJrGeh1c Cartoon Network Dragon Ball Z Theme

Tuesday, April 23, 2024

The Lord of the Rings: The Stairs of Cirith Ungol (Part One)


The Tale

After darkness falls on the Cross-roads, Gollum tugs at Frodo’s cloak, hissing with fear and impatient to get going. It is not a place to pause. They turn to the dark road to the east and leave the ring of trees, heading towards the mountains. The road rounds a great rock and then heads east again and starts to climb steeply.

Frodo and Sam trudge along. The burden of the Ring, lightened while they were in Ithilien, is getting heavier, bowing Frodo’s head as the way gets steeper. At last, when he looks up, there it is: the city of the Ringwraiths. The sight makes him cower.


Ahead, in a deep tilted valley of shadow, ‘high on a rocky seat upon the black knees of the Ephel Duath, stood the walls and tower of Minas Morgul.’ Though all is dark, it glows from within with a pale sickly corpse-light that illumines nothing. Windows gape like black eyes into the void. ‘[T]he topmost course of the tower revolved slowly, first one way and then another, a huge ghostly head leering into the night.’ Gollum silently pulls at the hobbits’ cloaks and urges them on down the road. They reluctantly follow.

The three come slowly to a white bridge passing over the stream winding through the valley towards the black mouth of the gate in the city walls.

The banks on either side are filled with pale white flowers that exude a sickening rotten smell; they are ‘beautiful and yet horrible of shape, like the demented forms in an uneasy dream.’ Carved figures stand at the head of the bridge, ‘human and bestial, but all corrupt and loathsome.’ The vapor rising off the stream beneath is deathly cold.

They are almost at the bridge when suddenly Frodo reels, mind darkening, and he stumbles toward it, as if drawn by some power. Sam and Gollum run after him and Sam grabs Frodo in his arms while Gollum whispers frantically that Master mustn’t go that way. And for once Sam agrees with him.

Frodo wrenches his gaze away from the pale city; the tower seems to fascinate him, like a snake to a bird, urging him to run forward to doom. As he pulls himself away the Ring resists him, tugging back, and for a moment his eyes go dark as he looks away from the ghastly tower.

Gollum, ‘crawling on the ground like a frightened animal’, is already fleeing into the gloom along the near bank of the stream, and Sam, guiding the stumbling Frodo, follows. They pass through a gap in the stone-wall by the waters and come to a faintly glowing path that fades winding up into darkness.

The hobbits trudge along side by side, with Gollum turning now and then to beckon them onward. His eyes gleam with a green-white light, ‘reflecting the noisome Morgul-sheen perhaps, or kindled by some answering mood within.’ As they rise above the poisonous vapors of the stream and the stench of the sickly flowers the hobbits’ heads clear, but now they are weary, limbs tired as if they had walked all night, from fighting the deadly allure of Morgul-vale.

At last, they must stop for a rest. They have climbed up to a bare lump of rock; from here their path turns up into the mountains, out of the immediate sight of the city. Frodo plunks himself down. He must rest before he attempts that climb. The Ring lies heavily on Frodo, and he is oppressed ‘as if a heavy spell was laid on his mind and body.’ Gollum grows frantic, ‘hissing behind his hand’ as if to keep the sound from unseen listeners in the air.’ This is not the best place to stop; if anyone comes to the bridge, they can see them!  Sam agrees, and Frodo wearily gets to his feet.

‘But it was too late.’

Bits and Bobs


Minas Morgul used to be Minas Ithil, the shining sister-city of Minas Anor (now Minas Tirith), but after being invested and corrupted by the Ringwraiths for centuries it has become a place of decay and delirium. Its wavering light lights nothing; its windows look into emptiness; it is the decaying skull of a city. It is the Tower of Black Sorcery (=Morgul), and as such exudes a spell-binding influence, a weariness and reluctance on those who get near to it, not unlike the ‘demonic oppression and obsession’ (steps down from full possession) of exorcism lore. It is particularly heavy on Frodo, who bears the Ring. One detail I always forget about Minas Morgul is that the top of the tower rotates.

The bridge into the Morgul-vale has figures ‘both bestial and human,’ but whether that means there are carvings of beasts and humans, or figures mingling aspects of the two, is ambiguous. For the LOTR movies, Alan Lee opted for creatures like Balrogs.

I tried to look up if a ‘stone-wall’ is any different than just a ‘stone wall’ but could find nothing.

“Noisome" has nothing to do with noise but means rather ‘having an extremely offensive smell; disagreeable; unpleasant.’ It is from the Middle English ‘noy’, a shortening of ‘annoy’. I remember seeing in an old Thor comic book the dragon Fafnir calling Thor a ‘noisome flea’, which in context obviously meant he made too much noise. This was corrected by a letter in the next issue.

Gollum’s extravagant efforts at stealth and silence show that he fears there might be unseen observers and listeners around and, considering that it is the city of the Ringwraiths, he’s probably not far wrong. Better to err on the side of caution. His terror even allows him to touch the Elven-cloaks in an effort to speed the hobbits along. Or perhaps their power is eclipsed by the dark sorcery of Morgul. 

Just before they pass out of the sight of the city, Frodo is overcome by a last blast of exhaustion, as if the spell of the tower (or is it the Ring?) is exerting a final effort. It delays them long enough for a new danger to begin.


 

Monday, April 22, 2024

Baum is the Bomb: Some Oz in the Archive

 


L. Frank Baum and his works have always been a part of my life. One of the earliest dreams I can remember is from when I was in 2nd Grade and involved Oz characters with the Yellow Brick Road rising up from the back playground of the school into the sky. Anyway, my latest reading prompted me to gather together my Oz and Oz-related media, and to show them all together. From editions of The Wizard of Oz:







To the Del Rey L. Frank Baum/Ruth Plumly Thompson series, with covers by Michael Herring:















To movies and specials:




To non-Oz Baum:







To non-Baum Oz:



To graphic Oz:












To visitors from Oz:



To Oz in the Shadow Library:








But nothing seems to capture the fine, free spirit of The Wizard of Oz (both book and 1939 movie).