Monday, August 31, 2020

Chew on This


Baked Beans for Breakfast, by Ruth Chew. Illustrated by the Author.
The saga behind my ownership of BBFB is a long and involved one but it says much about my history and my psychology. I had developed a distaste for beans, or perhaps my dissatisfaction with them was only realized by the example of art, when I saw Donald’s reaction to them in an early “Disney Gold Key Digest”. I was Donald in our brotherly trinity of Mickey, Donald, and Goofy. The formulation and sudden resistance to beans was rather unfortunate, as they were a cheap staple at meals and one of Pop’s favorites. I remember for a while choking down the least number of beans possible, usually washed down with tea and little chewing. To me they tasted like “little bags of dirt”, and as soon as I could I refused to eat them altogether. As of late, I have modified my position. Anyway, as a joke, Mike persuaded Mom to send off for a copy of this Scholastic book from Weekly Reader (I think it was a bonus free book) as a burn on my bean-hate. I mean I’m sure Mom didn’t see it as a joke, but Mike knew how it would affect me. It came, and I was duly disgusted, but we certainly weren’t in the position to waste a book, so I dutifully sat down to try to read it. It wasn’t bad either, but it wasn’t my favorite kind of story with fantasy or talking animals or humor. It’s the story of a brother and sister who don’t want to spend the summer in Brooklyn with a babysitter who feeds them stewed tomatoes (which may be where I got my own early distaste for stewed tomatoes. Thanks, literature!) while their parents go to Paris, so they run away on their own to camp in the country. They use their own money to buy supplies (among them baked beans which they have for breakfast) and their wits to live off the land. There is a map. I have always liked maps in a book, and this was an early one. In the end there is a flood and the little island they are staying on is swamped and they escape on an improvised raft (shades of the Peanuts’ Ark playing, and that later episode in ‘Elf and Bear’!). Their escapade is discovered, but they get away with it. As I say, this was not one of my favored books. But it is all tied-up in my life story. This is a replacement copy for the old tattered original. Later released as “The Secret Summer.”
Ranking: Essential.



The Witch’s Buttons, Witch’s Broom, The Secret Tree-House, Magic in the Park, and The Wednesday Witch, By Ruth Chew, and Illustrated by the Author.

If I had come to Ruth Chew by any of her other books instead of “Baked Beans for Breakfast”, she might have been one of my favorite childhood authors. All her other books – and there are at least seven more than these five - are all about kids’ encounters with magic and witches, my old mania. Got these at a garage sale and found them fascinating, but not fascinating enough to read just yet.
Ranking: Keepers.



The Shadow Library







Short Commons After a Weekend Feast


Christmas: Vintage Holiday Graphics and Halloween: Vintage Holiday Graphics, both edited by Jim Heimann.
Taschen Icon books, crammed page after page with images that evoke memories of classic holiday celebrations, with historical interest for the changing ways of the festivities. Glorious to peruse.
Ranking: Essential.
File Code: Holiday. Art Books. Softcover.
The Adventures of Unc’ Billy Possum, by Thornton W. Burgess. Illustrations by Harrison Cady.

“Thornton W. Burgess's books were some of the first "chapter" books I read back in McQueeney Elementary back in the early Seventies. At the time a lot of their resources were a little elderly, recalling the Fifties and even the Forties (this goes for their teachers as well as their books), but provided an excellent grounding in the basics for all of that. Burgess's books with Cady's illustrations always strike that nostalgic note with me, and I was pleased to see them lovingly remembered and paid tribute to by John Crowley in his monumental Little, Big.” – Power of Babel. I used to have quite a few Burgess books, but I’ve sold most of them, as I realized I only wanted a few for nostalgia. Unc’ Billy is the one I most remembered, and this used edition, from the “Seguin Independent School District”, is just perfect for that purpose. [Although I can't find an image for the library re-binding cover of my copy, which inexplicably shows Bobby Coon wandering through the snow with a stick, rather than Unc' Billy Possum himself. This picture is close to the spirit, though.]
Ranking: Essential.
File Code: Children’s Book. Nostalgia. Hardback. 

The Shadow Library









Sunday, August 30, 2020

L. Frank Baum: Oz and Beyond


Little Wizard Stories of Oz, by L. Frank Baum. Illustrations by John R. Neill.
A Bantam Skylark book. “A set of six short stories written for young children by L. Frank Baum, the creator of the Oz books. The six tales were published in separate small booklets, "Oz books in miniature," in 1913, and then in a collected edition in 1914 with illustrations by John R. Neill. The stories were part of a project, by Baum and his publisher Reilly & Britton, to revitalize and continue the series of Oz books that Baum had written up to that date. The story collection effectively constitutes a fifteenth Oz book by Baum.” – Wikipedia. This edition: 1988.
Ranking: Essential.
File Code: Children’s Book. Softcover.

Mother Goose in Prose, by L. Frank Baum. Illustrated by Maxfield Parrish.

A double whammy. Bought it while I was in college. Haven’t read it. Baum’s own inventions about stories behind the nursery rhymes.
File Code: Children’s Book. Short Stories. Hardback.
The Magical Monarch of Mo, by L. Frank Baum. Illustrations by Frank Ver Beck.
I read this book in college (freshman year? I got so much of my education – especially in Fantasy - from the college library), though in a 1947 edition, with pictures by Evelyn Copelman – who did the Dick and Jane readers of my grade school years! I knew when I read this book where Piers Anthony had got some of his story elements for the Sorcerer Humfrey in Xanth. There was even a prototypical “Planet of the Apes” episode where a Prince gets put into the zoo by a city of civilized monkeys. I got this Dover reprint years later. God bless Dover!
Ranking: Essential.
Queen Zixi of Ix, by L. Frank Baum. Illustrated by Frederick Richardson.
With an Introduction by Martin Gardener, the old Oz expert; it is a Dover reprint. Subtitled, “Or, The Story of the Magic Cloak”. Can’t say I’ve read it all the way through. Characters from this book later make their way into “The Road to Oz”, to visit Ozma on her birthday along with other important people from Baum’s franchises. So you see, I must have it for the Baum collection.
File Code: Children’s Book. Softcover.
The Sea Fairies, by L. Frank Baum. Illustrations by John R. Neill.
Starring more characters that later wandered into the Oz books. “When young Trot and her peg-legged sailor friend, Cap’n Bill, set out to explore a hidden cave along the ocean coast, they soon find themselves on a truly incredible adventure deep beneath the ocean waves, courtesy of some friendly mermaids.” – Back Cover Blurb. A Books of Wonder reprint.
Ranking: Essential to the Baum collection.
File Code: Children’s Book. Softcover.


The Shadow Library: Roald Dahl












I gave all my Roald Dahl books to my brother John, so I can still visit them if I ever want to. Not quite sure if that's the right cover for "Esio Trot".

Tolkien Treasury: Mint in Box










I have scads more Tolkien toys, oodles more action figures, but these are the ones that are still in their packaging.

Ruth Plumly Thompson in Oz















The Royal Book of Oz, Kabumpo in Oz, The Cowardly Lion of Oz, Grampa in Oz, The Lost King of Oz, The Hungry Tiger of Oz, The Gnome King of Oz, The Giant Horse of Oz, Jack Pumpkinhead of Oz, The Yellow Knight of Oz, Pirates in Oz, The Purple Prince of Oz, Ojo in Oz, Speedy in Oz, The Wishing Horse of Oz, by Ruth Plumly Thompson
“All titles are by Ruth Plumly Thompson, illustrated by John R. Neill, and published by Del Rey. After L. Frank Baum passed away, his publisher's saw no reason to let the cash-cow of Oz perish as well (now there's a character and title for you; The Cashcow of Oz!), so they tapped young author Ruth Plumly Thompson to carry on the books that were "Founded on and Continuing the Famous Oz Books of L. Frank Baum." Thompson took the Oz books in a different direction. She created fewer of Baum's eccentrics like the Scarecrow or Scraps the Patchwork Girl; she relied far more on traditional figures like knights, pirates, djinn, and talking animals. While Baum's heroes were mainly girls, Thompson's were mainly boys. There was also a large dollop of Ruritanian romance in Thompson's writing, as well as more of the ordinary boy-and-girl type romance that Baum tended to avoid in his original Oz books. Thompson stopped writing Oz books in the late '30's but published a couple more in the early '70's before she passed away in 1976. These books are in a peculiar format; although only slightly wider than an ordinary paperback, they are eight inches tall! For purposes of the catalog, I'm listing them as softcover. All cover paintings are by Michael Herring.” And three of them (‘Knight’, ‘Pirates’, and ‘Prince’) are in an even larger format, jammed right in the middle of the series. There were four more books planned to be published in this format (“Captain Salt in Oz”, “Handy Mandy in Oz”, “The Silver Princess in Oz”, and “Ozoplaning with the Wizard of Oz”) but apparently never were, although other recent editions are available … if I were being a completist. Except for an occasional mild ‘historical’ interest – I might point out “The Lost King” (I always wondered about Pastoria) - I don’t find the Thompson books very compelling. But perhaps I came to them too old.
File Code: Children’s Books. Novels. Series. Softcovers.