Friday, April 26, 2024

Friday Fiction: Guest Writer, Mike Babel

 


THE CALF

 

     The smell of the rain hung heavy in the air. Papa and I walked down the dark, rutted cow path.

     "It would have to happen on a night like this," Papa said, spitting tobacco juice into the Johnson grass alongside the dusty path. He reached into the baggy pockets of his overalls, pulled out an old, long-handled flashlight and shone it into the weeds. "I sure was countin' on sellin' that calf," he said quietly.

     I nodded, glancing down at my watch. In half an hour Gail would be waiting for me on her porch, smelling sweet like Dove soap in her soft white sweater and her plain brown shoes, a bread wrapper full of popcorn for the drive-in popped and salted and ready for us to eat held under her arm.

     "How long do you think this is going to take?" I asked.

     The old man turned and looked at me. He was dressed in his old gray overalls, shiny and slick from wear, and the khaki baseball cap he had worn when he had pitched softball for Cordova Road High School many years ago. He looked at me and rubbed his chin, and I could hear the scrape of his whiskers against his old, hard hands. "I figure it'll take as long as it takes," he said, spitting tobacco juice into the silvery, moonlit path.

     "How did ya find out he was gone?" I asked, changing the subject.

     "Cow came up by the house at feedin' time lowin' all sad and I figured something must be wrong."

     The old man swung the flashlight from one side of the path to the other. "Then he didn't come in for feed at all and I went out callin' and he didn't come in ..." He seemed to spot something in the mesquite across the draw we had been following, squinted at it for a moment, then changed his mind and went on. "I was figurin' on paying off the tractor this year, too," he said.

     "Maybe he ain't dead," I said. "Maybe his head is just stuck in the fence boards or he got caught in the mud down by the creek or somethin'."

     "Maybe," the old man said, chewing his tobacco fast. "I hope like hell he ain't."

     Overhead, thunder broke the silence of the pasture as the dark clouds began to drift in. I glanced down at my watch. In fifteen minutes, Gail would be on her porch.

     We found the calf lying in the bend of the wash where it began to slope down to meet the creek. Papa shone the flashlight on its broad red back until he reached the shoulders where the typical blaze of Hereford white was.

     The beam of light glinted off of a pair of green, watery-looking eyes, then found the bloody, sharp-nosed face of a possum. The possum hissed once and was gone in a scuttle of toenails against the gravel of the wash.

     "Goddam varmint," Papa said, pulling the baseball cap from his head and crushing it in his hands.

     I slid down the gravel side of the wash and knelt down by the calf. Its neck was twisted at an impossible angle and it already had the curious, stiff-legged rigor mortis that cows always get when they die. The hole where the possum had been was wet and dark in the now faint moonlight.

     "Must have just broke his neck," I said, standing up and dusting off my hands on the side of my jeans.

     Papa squeezed his cap between his big hands and spit the whole wad of tobacco into the darkness. "Got three months of grain and two months of hay in him," he said. "And the son-of-a-bitch goes off and breaks his goddam neck."

     I could sense the slow anger building in the old man.

     "Yeah," I said noncommittally, glancing at my watch. Then the clouds sailed over the moon and the pasture was washed in deep, well-bottom darkness. I looked up the side of the wash at the old man. The iron-gray stubble on his chin and the tobacco juice shiny on his lips were the only light things in the darkness of his face.

     "Goddam," he said, crushing the cap between his big, hard old hands.

     I looked up at him. "Still going to be able to pay off the tractor?" I asked.

     "Don't know," he said.

     The pasture was silent, as if waiting for the storm overhead to break and get it over with.

     "We could get another one," I said. "We could buy one pretty cheap down at the auction in town Tuesday and have it raised up good and fat by spring."

     The old man shook his head. "Somethin' would happen. He would just fall in a wash again or the anthrax would get him or he would drown in the creek."

     "We could watch him real close, Papa," I said.

     He spit on the ground. "Somethin' would happen. Somethin' always happens when you're poor."

     As he stood there the rain broke, falling softly at first, then getting harder and drumming against the dried, packed dirt of the draw. For a moment Papa was silent, looking at nothing, and all I could hear was the sound of the rain in the Johnson grass and the faraway lowing of the cow and for that moment I was afraid.

     Then he put the cap back on his head and stuck his chin into the rain. "Guess we better go back up to the house and get a rope and the pickup," he said, hunching his shoulders against the rain. "We got to pull him out of there or he'll wash into the creek and foul the water and kill the rest of 'em. We'll need the big rope at least, maybe some chains. Reckon he'll be pretty stiff and hard to move by now."

     I bit down hard against my teeth and he turned suddenly towards me. "Less you got somethin' else to do?" he said.

     I thought of Gail and of the wildflower-shampoo smell of her hair and the soft place where her neck curved to meet her shoulder where my hand fit just right and of the salty taste of the popcorn. Then I looked at Papa, small and old against the rain.

     "Naw," I said. "I ain't got nothin' else to do."

     We walked back to the house in the rain and it was very dark. Papa kept the flashlight off and in his pocket, and I thought about what I was going to tell Gail.

 

                   -- Mike Babel, ARENA 1980, PERSONA 1982                  Winner, Gates Thomas Award for Prose 
 

Notes

I figure Mike was trying to process his complicated feelings about Pop, our father's fatalism and his discouraging outlook on life, his lack of vision or any interest in his children's future. Pop had made his own way in life and expected us to do the same. He had to actually struggle against his own father, and had no other pattern to measure fatherhood against. Mike was desperately trying to come to terms with him, to some understanding. I wonder what both of their lives would have been like if they could have come to some sort of peace earlier.   


Thursday, April 25, 2024

Playing with Dollies: The Shadow Toybox




Back in the day, when I was still an actual child (say the mid-Seventies), we managed to get our hands on exactly one MEGO Oz doll, the Cowardly Lion. I, of course, would have preferred the Tin Woodman. In time, the figure was nicknamed Otis, and lost most of his accoutrements, except his bodystocking. His remains remain to this day.

Later (say the late Eighties), when the Oz Multi Toys line rolled around, I had to get them (except for the girl Munchkins, and, maybe, the Winged Monkey? - hard to remember at this late date), despite my dissatisfaction with their dolly format. It was Oz! For the longest of time they were stored in the Old Toybox when I was still at Loop Drive. Sometime in the Nineties or early 2000's I gave them to Kelsey and Kaitlyn (still with their boxes), and now they are stored in Susan’s attic.

Much the same origin and fate apply to the Biken Express Seven Dwarfs, which I had to have, because, you know – Dwarfs. 

From the Shadow Library: A Man for All Seasons by Robert Bolt


  • The Duke of Norfolk: Oh, confound all this. I'm not a scholar, I don't know whether the marriage was lawful or not but dammit, Thomas, look at these names! Why can't you do as I did and come with us, for fellowship!
  • Sir Thomas More: And when we die, and you are sent to heaven for doing your conscience, and I am sent to hell for not doing mine, will you come with me, for fellowship?


 

I Have Hague Memories ... Gathered From the Niche

 














"Michael Hague (born September 8, 1948) is an American illustrator, primarily of children's fantasy books. Among the books he has illustrated classics such as The Wind in the Willows, The Wizard of Oz, The Hobbit and the stories of Hans Christian Andersen. He is known for the intricate and realistic detail he brings to his work, and the rich colors he chooses.

"Hague trained at the Art Center College of Design in Los Angeles. He lists his influences as the comics series Prince Valiant and the works of Disney, Japanese printmakers Hiroshige and Hokusai, and turn of the 20th century illustrators Arthur RackhamW. Heath RobinsonN. C. Wyeth and Howard Pyle." - Wikipedia.

He's also illustrated an armload of other books. But the weird little thing I'll always associate him with is this line of plushies done in 1980, available (but not bought) at our little local toy store Yellow Brick Road, based on his illustrations for The Wind in the Willows.


Around This Time 2018: Writing Capitulation

 


This part of my diary covers the genesis and development of my short story Capitulation, published elsewhere in this blog. It may have some overlap with my last Diary post. I have edited out most bits not related to the writing. It ends on April 25 (today, six years ago).

4/19/18: I did have one new idea that I may as well record here, lest it be lost. No story yet, but time and characters. It's in the fifties, and a new Director has been appointed. The Bureau has been eclipsed, obscured, and ridiculed in the Atomic Age. It is a political appointment, a reward or sinecure; the new Director has neither experience nor belief. He is simply a 1950's politician: early 40's, ambitious, good at his core, dedicated to his career and playing the game, but naive outside his wheelhouse. The Secretary (who he at first treats as a secretary) is a dour, serious woman with plenty of experience; I cast her as a combination of Elsa Lanchester and Dorothy L. Sayers. Plain-looking, no nonsense, business-like, middle-50's. They are mutually suspicious, and she is especially contemptuous of his lack of vocation for their peculiar business. Their first adventure is them getting to know each other and the politician getting to know the reality of the Bureau.

And now it is even a little more developed than when I started making the note. I wonder what they could face.  Maybe HE'S a weirdness dampener. I should check the Files.

 

4/19/2018: Up very early and wrote an e-mail to John, in which I mentioned a fleeting, fugitive idea I had yesterday. This developed the idea even as I wrote it, then it started to snowball after I sent the message off. Wrote a few notes. I write more notes on and off through the day as 'Capitulation' continues to snowball. I see it so clearly as an old 50's movie. E-mail John again, telling him I have my new Bureau story, and he gives me his suggestions. In a kind of trance in the evening, dreaming up dialogue and plot points, dipping into TV shows, and playing WWF. I wonder if I can write the story (it seems so clear, except the 'Monster of the Week'!) in one day. The important parts are the characters and how they interact with the Bureau.

 

4/20/2018: Get up early in the morning, but not full of beans and buzzing like a bee. 6:30 AM. I e-mail John of my intent: to start new story, "Capitulation" and try to have a first draft by the end of the weekend. Start at 8 AM on the tale. Stop at about 12:30 PM (with breaks to eat breakfast and to ponder); have got through the heavy lifting (the beginning) and got Lovett to the Bureau. Much re-writing and polishing as I go, but managed these not-quite five satisfactory pages, and also more notes as I went along. Now I have to crank the machinery up to introduce Edna and the office. Managed to come up with my monster: a Gremlin. Not too original, but I have a few original things to say about them, I think, and it is 'period.'

 

4/21/2018: 1 PM, and I'm wide awake. To try to sleep or write? The hardest part of writing is starting up again; when I actually get going it can be engrossing.

Managed to sleep until about 6:30 AM, then after a bit settled down to write. Brought the story up to where Yorke leaves Lovett with the brief, so much introduction. Paused at 10:45 AM, almost 10 new pages done and some little re-writing. Shall I continue today? Who knows? But for now, a break. Ran the draft through the Natural Reader, and more re-writing, and at 1 PM, another pause. A restless, hungry pause.

Wrote from 5 to 6:30 PM, five new pages, up to the party invitation, and even managed to introduce the wife into the conversation. Despite Kameron coming in at 6 PM and talking at me. Very happy with this stretch. My writing was the only thing that redeemed the day. Finally, Susan and Andy returned at 10 PM, Kam left, and I curled up to sleep.

 

4/22/2018: Woke up at 3:30 AM, decided I was up for the day. Did the routine, then settled at the computer. Started at 5 AM with a little re-writing and note reading then settled down to it. A bit after 7 AM had finished the Tyrone/Barbara bit, about 4 1/2 new pages. Time for a break, and a run through the Reader.

About 10 AM had another go, the watcher part, and stopped about noon with Lovett unpacking his briefcase. So, a little over 4 pages.

Started about 4:45 PM and stopped at about 7:15 PM. Lovett's lunch until his judgement. 5 new pages. Considering for a while there I was only doing a page a day, I'm whizzing right along. I'm having fun and SEEING everything unfold, like an old movie. Let's hope I can keep it up.

Ate at 7 PM. I spent some time doing little tweaks to the story and a few notes, and, at 10 PM, I think that now I might call it a day. If I go by recent times, I'll probably get up early and start writing again.

4/23/2018: Got up at 2 AM from a dream, tried to lay down for a while till 3, then decided I was up for the day. Bible, shower, dressed, then went over notes, and did small rewrites. Started writing about 4 AM and stopped at 5:15 AM, having got to where the road trip is declared. About 3 1/2 pages. As a lark, introduced a young John as a senatorial page. That should be a hoot. Next phase (6 I think) ended at 7:30 AM.

Started Phase 7 at approximately 10 AM and finished at 3:10 PM and shot it off to John. Now we play the waiting game. That's 16 new pages. My eyes are almost crossing with fatigue, and I keep typing the wrong words. Not mistakes, but whole real wrong words. Five days ago, I had the inkling of an idea, it snowballed for two days, I wrote it in three (technically four), and now it's as long as my longest story. I am spent. Now for rewrites.

Well, as of 10:20 PM John still hasn't called me; he didn't respond to my morning e-mail yet either. But then he may just be brewing up a reply. Made cucumber salad today, so you know it's Spring. Kind of zombied out through supper, but then I had started very early and was carried through the day in a sort of waking dream. I would look up from writing and notice hours had passed. Napped a little from 7-9 PM, then got up and washed dishes. I did things like calculated how many KB I did for each phase, how much I did each day, etc., mostly to kill time, but my mind is so fried had hard time keeping track of the math, but I think I have it pinned down. Now going to obsessively check my e-mail again.

I have a really bad feeling that I might die tonight without hearing what John thinks of this story [I'd been having some health problems].

 

4/24/2018: Got up about 7:30. Got e-mail from John about 8 AM saying he's still reading the story and will try to finish it at work, and that he'd call me later. Spent the day doing revisions on and off, still not quite able divert my mind to anything else. Ended up with a Capitulation 3.0, later re-titled 22 Capitulation in the Short Stories folder. My thoughts are still revolving around Capitulation. John called me just as I sat down to eat, 5:30 PM. We talked and he gave me a few notes: make the gremlin creepier, would a senator be able to head a bureau, I wrote Trevor instead of Tyrone -- twice! He seemed impressed with it, and I related all the trivia that went into its making. I told him I'd already shot him some re-writes.

It's a peculiar thing about working on my writing. When I do I seem to enter a kind of timeless zone where time passes without notice. This even goes for re-writing. Even when I'm doing something else, I'm off, preoccupied with the tale.

Getting ready to send Alan and Kenny the new stories, get some input. I hunger for more approval. 

 

4/25/2018: Spent day refining story, looking up ideas for new stories, partly by mining dream files. Rain really slopped things up, but the cool wet wind before the rain made the chinaberry blossom smell oh-so-sweet.


Wednesday, April 24, 2024

I Don't Belie-e-e-ve It!

 


I've been trying to find this image for almost forty years, but not knowing the artist I never did. But today, on Facebook, I saw a post about Geof Darrow and immediately recognized the drawing 'line', though it was not of this picture. Forty years! Knowing the name I was able to track it down to Fantastic Films Volume 2, #2, 1979.

Wideo Wednesday: Cartoon Tunes


Songs from animated movies, cartoons, specials, and remixes that struck my peculiar fancy. As they are of a shorter nature, I couldn’t resist posting more than three. As far as I know, all the links are good.

https://www.youtube.com/watch?v=KnmQdHSRQ1U  Rick and Morty “I Am Alive”

https://www.youtube.com/watch?v=2CYaZFydbA4 Robin Hood Remix “Grow Fonder”

https://www.youtube.com/watch?v=iwqtKlwJjgc B.E.R. “The Night Begins to Shine” (Teen Titans Go)

https://www.youtube.com/watch?v=WWwiKjCli94 Phineas and Ferb, “Drusselstein Driving Test Waltz”

https://www.youtube.com/watch?v=IIjPP0x0ulE “Sweet Victory”, Band Geeks, Spongebob Squarepants

https://www.youtube.com/watch?v=8ZBR2n6uxQA Rankin/Bass “The Wind in the Willows” – The Weasels Play

https://www.youtube.com/watch?v=QLnrmH_xQgY  “Snoopy Come Home”, ‘It Changes’

https://www.youtube.com/watch?v=Ame0sCAj138 “Even a Miracle Needs a Hand” –‘Twas the Night Before Christmas

https://www.youtube.com/watch?v=R4vjJrGeh1c Cartoon Network Dragon Ball Z Theme