Fantastic Films October 1978 was the
first place I ever saw anything about the Ralph Bakshi production of The
Lord of the Rings. Also, by chance, it announced the coming film, Metamorphoses,
later renamed Winds of Change. It never had a wide release, so I never
saw it, though I was always interested in at as an animated film. With the
widespread net of YouTube, I was finally able to watch it in the last few
years.
Metamorphoses tried
to be the rock era's answer to Fantasia,
but its original run was critically reviled and closed as soon as it opened.
According to many of its crew, many problems with the production, music and
plotting were to blame.
“On May 3, 1979, it was
reissued under a new title, Winds of Change, with seven
minutes trimmed from the first cut of 89 minutes, with different (disco – dear
me) music and narration by Peter
Ustinov added. The five stories told in the film were
reshuffled and the main character renamed as ‘Wonder maker’. – Wikipedia.
As it turned out, it was probably
not worth a 45 year wait. I found the animation to be blurry and unfinished
looking, the character design a little too cartoony for the subject matter, and
the fact that Peter Ustinov (usually an excellent voice actor) had to carry the
entire movie as the only voice (including narrator, young boys, and all women) probably
didn’t do the film any favors. His work was much better in the next film.
“Grendel Grendel Grendel is
a 1981 Australian animated
film written,
directed and designed by Alexander
Stitt and starring Peter
Ustinov. It was based on John Gardner's
novel Grendel.
“Like Gardner's novel, the
film is a retelling of part of the epic poem Beowulf from
the monster Grendel's
point of view. Grendel (voiced by Ustinov) is by turns a thoughtful and
contemplative character and a rampaging monster who attacks the mead
hall of
an early Danish kingdom, biting the head off of one would-be defender.
“Stitt acquired the film
rights to Grendel in 1978, and work was commenced at Melbourne
Al et al. Studios the following year. The film was conceived as a coproduction
with producer Phillip Adams,
under the banner of Animation Australia. Although completed in 1981, it was not
released in US theatres until the spring of 1982. Because of its limited
appeal, broadcasting of the film was largely restricted to art theatres in
urban centres.” – Amazon.
Another movie I did not see
at the time; I did not even know it existed until years later and only watched
it recently (in fact just yesterday) on YouTube. It was a transfer from a 1984
videotape. At first, I did not much care for the style of the animation, but by
the end I had become quite engaged with the narrative. It was not, of course,
as metaphysically complicated as Gardner’s book, and Grendel was made a little
nicer and Beowulf a little worse; in other words, simplified for the big
screen. But Ustinov was a much better fit for the character, along with an
ensemble cast. One wonders what John Gardner’s relationship with the film was
like. I imagine he simply sold the rights. Since he died soon after the film
came out, he didn’t have much time to react to it.
So, connecting strands with my
recent reading: Peter Ustinov, John Gardner, Beowulf. All reaching back to at
least 1978.
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