“In one of the first such [dystopian]
novels of the twentieth century, Robert Hugh Benson imagines a world where
belief in God has been replaced by secular humanism. Lord of the World describes
a world where Catholics are falling away, and priests and bishops are
defecting. Only a small remnant of the faithful remains. Julian Felsenburgh, a
mysterious and compelling figure arises, promising peace in exchange for blind
obedience. Those who resist are subjected to torture and execution. Soon the
masses are in Felsenburgh's thrall, and he becomes leader of the world. Into
this melee steps the novel's protagonist, Fr. Percy Franklin. Dauntless and
clear-sighted, Franklin is a bastion of stability as the Catholic Church in England
disintegrates around him. Benson's harrowing plot soon brings these two
charismatic men into a final apocalyptic conflict.” – Amazon.
This rather bald summation by Amazon does not do justice to
Lord of the World, but then it would be very hard indeed to do so. It
makes it sound like a simple work of propaganda of Christianity against
secularism; it is instead an almost prophetic analysis of much that happened in
the development of attitudes between 1907 (the date of publication) and 2007
(the approximate year the story takes place).
Besides of the ideological conflict between Franklin and
Felsenburgh (who appear to be somehow contrary doppelgangers of each other),
the ramifications of the new secular state are played out within the dynamics
of a single family. The husband, whose government job leads him gradually into
ever more bloody acts of persecution; the wife, whose natural humane instincts rebel
against the riots and conceptual demands of the state; and the husband’s mother,
a weak and vacillating woman who wavers between her old faith and the herd
instinct that is driving her to the secularly sanctioned suicide centers. There
is also a family friend, a priest who eventually apostatizes in the face of growing
governmental power. Through their eyes we see a glimpse of Felsenburgh’s
all-too feasible rise to dominance and the implications of his new world order.
The modern reader might find much to struggle with here. It starts rather slowly with a preface summarizing what happened during the century since 1907. The future science described has an almost steampunk aesthetic that might seem merely quaint. But as one progresses and catches the trick of Benson’s prose (over a hundred years old, and British at that – but that should be no problem for anyone who reads, say, H. G. Wells), one is drawn ever deeper into the almost breathless drama of a world swelling towards apocalypse.
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