Well, for a start, this shall be the home for my Biographical Inventory of Books. After that, who knows?
Friday, January 31, 2025
Friday Foolishness
Thursday, January 30, 2025
Ollie's Owl
Wednesday, January 29, 2025
"Sure, I Bought a Code and Two Pair of Plans": Into the Archive
Well, Bless My Ash
I’ve been interested in the
career of ‘William Ashbless’ since at least the last years of high school; I
remember him being quoted in The Elfin Ship by James P. Blaylock. I
learned much more about him, first in Blaylock’s The Digging Leviathan
(1984) and then in The Anubis Gates (1983) by Tim Powers. They had
created Ashbless in their college years in the early 70’s and had unwittingly
had him as a major character in their novels, only finding it out when their
editor pointed it out to them. Ashbless has appeared in various degrees in more
of their works; Tim Powers in fact tries to mention him in one form or another
in all of his books (sometimes as Ceniza-Bendiga) as a form of good luck charm.
I’ve been trying to get all
of ‘Ashbless’s’ published works, and I have On Pirates, The William
Ashbless Memorial Cookbook, and Pilot Light. But one item has
eluded my grasp: Offering the Bicentennial Edition of the Complete Twelve
Hours of the Night: 1785–1985, a prospectus for a non-existent collection
of Ashbless poetry, published by Cheap Street Press in
1985. It is a tiny sliver of a thing, just a cover and a single sheet of paper,
and only 100 copies, printed up as a joke and handed out for free at the 1985
World Fantasy Convention. I’ve seen copies of it going out now for in excess of
$200, way out of my price range, especially for such a slight thing.
Still, I always kept looking
around for a copy I could afford, so curious was I about the work. Imagine my
surprise when I found it sold at an auction for $50. It was gone, of course,
but there were pictures of it, clear as a bell, at least the poem part of it. At
last, I could at least read it. I quickly downloaded the pictures and
transcribed the lines for easy reading. Then I transcribed the text describing
the proposed book, the description itself an interesting fiction. This was a
little more difficult as it was printed on dark, sometimes folded, pages. But
eventually I had the whole thing, more or less.
And now I faced a quandary.
I wanted to post the thing, to share it with anybody who might be in my same
position. After all, it had already been published, as it were, on the auction
website. It wasn’t the complete thing; there were still unguessable (well, kind of guessable) lacunae in
the text. And the value didn’t completely reside in the words, but mostly in
the artefact itself, with its history and provenance, signed by both authors
and William Ashbless himself (Powers and Blaylock both signing one part of his
name). To own such a thing people would still need to buy it. I don’t think
I’ll be doing any harm to any sellers, and certainly none to the authors, I hope; the
pamphlets have long since passed out of their profit-grasp, though I’m sure
they still have the copyright. If any one asks me, I will certainly remove it. Well, anyway, here it is, as far as I can tell.
The Twelve Hours of the
Night
"Yonder
the ebon sails approach, in sight
Of
hells made brighter by comparison;
Under
this dead men’s sky the sun god’s boat
Rocks
on the tide that surges blackly from
Eternity,
and ebbs dawnward despite
Rude parliaments
of ghosts upon the shore
Intent
on begging passage … What dread thing
Ghastly
in form, is this, though, rising up
Hideous
to behold, from this necrotic stream?
“Take me hence!’
cries Osiris, when the dire
Insatiable
serpent lifts its ovoid head –
No
more shall these shadows show obedience,
Though,
to this ungerminating king,
Howe’er
unhappily he wave his parts.
Even
as he cries, in fact, Apep the snake
Grabs
him upon the fundament; bites it
Right
off his body, then spits it aside.
“Oh no!” Osiris does
complain, and then
Osiris
is himself spat to the shore.
Vanquished
for now, grievous asunder bit,
Evolving
piecemeal, stoic Osiris lies
Knowing
it all before – and now content,
Implacable
through this undignified
Division,
to await reassembly."
-William
Ashbless
ANNOUNCING
"In
late December of this year the [International William Ashbless] Society will
publish the first complete [version of The Twelve Hours] of the Night, to
commemorate the [200th anniversary of its author’s] birth. This
historically important volume [has been anxiously anticipated by] scholars and
reviewers ever since its announcement [about 4 words, including ‘at’?] the
Society’s annual gathering in London.
ABOUT
THE BOOK
"This
deluxe edition will include an introduction [----------] and [--- --] annotations
by the noted historian and Ashbless [expert William Hastings]. Besides being a
published poet himself, [he is chairman of The] Eleventh Hour, the Los Angeles
chapter [of IWAS]. [This is an excerpt] from his insightful introduction:
"Lord
Byron once described the time [minor Romantic poet] [Ash]bless as “a damned
improbable character”, [and the details of] Ashbless’ life are hard to
establish. It [----------] born somewhere west of the Blue Ridge [ -----------]
Craig County Virginia, in late 1785, and [in 1810 moved to England] where he
spent most of the rest of his life. In 1811 he married Jacqueline Tichy, who
died in 1839; Ashbless [was killed in 1846], presumably by some enemy out of
his [colorful past]. Among [-----] his obscure works are The Twelve Hours of
the Night. [3 words]
An Account
of London Philosophers, and its companion volumes An Account of London Madmen
and An Account of London Scientists. There is some circumstantial evidence that
portions of these last [works] were actually written after his death, and
Stevenson, in a letter to Henry James, cites Mayhew as a possible collaborator.
His reasoning is [---in] at best.
"Included
in this version will be the notorious “suppressed two-dozen [lines]” Hazlitt
refers to in his essay “Two Inconsequential Poets.” First published in the PMLA
in 1940, these are the flimsy basis of scholar Brendan Doyle’s contention that
the science fiction writer Robert A. Heinlein may have borrowed from The Twelve
Hours of the Night to [con]struct his famous short story “By His Bootstraps.”
Brendan Doyle disappeared [under?] mysterious circumstances in England in 1983,
though, and whatever basis he had for this theory seems to have disappeared
with him.
"As a
footnote, and flying in the face of common sense and of the reliable [---]
account of Ashbless’ death in the Woolwich Marshes in [1846], there surfaced in
Los Angeles, California, between 1935 and 1940, a [po]et named, preposterously,
William Ashbless, who had clinging to [him] bits and pieces of evidence that
suggested that he was Ashbless the Ro[mantic] poet, prodigiously old. A
founding member of the Cahuenga [poets? school? school of poets?], his own literary reputation is, of
course, fairly solidly established, [---]ly on the strength of his Amazon Moon
sonnets and his long im[pene?]trable Rippling England Bleeds. He disappeared
beneath the city [-- Rancho? Pa]los Verdes twenty years ago after a series of
half understood misadventures.
"The
notion of the two men being one and the same is, of course, [---]ess, as almost
certainly, is the rumor that this false Ashbless has [resur]faced, and that a
collection of recent poems is to be published in [the P]aris Review next year."
William Hastings,
The Maze Shed
Eagle Rock,
California May, 1985
A
DESCRIPTION
"The
definitive edition will be printed in hand set types upon pure linen paper
handmade in France especially for the IWAS edition of The Twelve Hours of the
Night. This volume will be bound in three-quarter levant with vellum over
boards and vellum doublures. The books will be encapsulated in handcrafted
mahogany drop-back folding boxes. The binding was designed and executed by
world renowned binder Rummondo Hardcase whose fine bindings have been exhibited
in the Louvre.
"There
will be 100 copies of The Twelve Hours of the Night printed of which 90 copies
are available to the public for L500.00. Remittance or inquiries should
be directed to the nearest IWAS society chapter.
"Further
inquiries may be made of the nearest chapter or branch of the International
William Ashbless Society. I-W-A-S London/Los Angeles/Sydney. Printed in London."
Here is an interesting talk
that goes into the Ashbless phenomenon in more detail; his character seems to
have taken on a life of its own, spreading to other authors and works. I hope someday Powers and Blaylock will publish a complete collection of their work as Ashbless, including their student work. I hope it will be before either passes away, so 'Ashbless' has another chance to sign another book.
https://www.youtube.com/watch?v=GwWRNitEOAI
Tuesday, January 28, 2025
The Lord of the Rings: The Muster of Rohan (Part Four)
The Tale
The company come to the King’s
pavilion; a small tent for Merry has been pitched next to it. The Hobbit is
forgotten and left to himself in the general business of settling into camp. As
dark as the night becomes, the shadows of the Dwimorberg, the Haunted Mountain,
are darker still. Merry wonders about the name he has heard spoken.
‘The Paths of the Dead? What
does it all this mean? They have all left me now. They have all gone to some doom:
Gandalf and Pippin to war in the East; and Sam and Frodo to Mordor; and Strider
and Legolas and Gimli to the Paths of the Dead.’ Among these gloomy thoughts he
thinks (very Hobbit-like) that he is very hungry and wants something to eat,
but he is suddenly summoned to Theoden’s tent, to serve as squire at the King’s
meal.
In the tent a space with a
small table is curtained off, and there Theoden, Eomer, Eowyn, and Dunhere sit.
Merry waits next to the King’s stool, ready to serve, but Theoden is deep in
thought. Finally he looks up, smiles, and bids the hobbit sit next to him as
his guest, and maybe lighten his heart with tales.
But they all sit and eat and
drink quietly, calling for no tale. Their hearts seem heavy. At last Merry musters
the courage to ask the question that has been plaguing him: what are the Paths
of the Dead? Where has Aragorn gone?
Theoden can only sigh. At
last Eomer answers. Merry himself has walked on the first steps of the Paths of
the Dead. ‘Nay, I speak no words of ill-omen!’ The road they have climbed is
the approach to the door to the paths, away there in the Dimholt Woods. What
lies beyond no man knows. That’s where Aragorn has gone.
Theoden speaks. No man
really knows where it leads, but there are ancient legends. Tales say the Door
leads beneath the mountains to some forgotten end. But no one has ever searched for them, except one. Long ago, when Meduseld was first built, Brego,
the King then, held a great feast to hallow the Hall. Baldor, his son, made a
rash vow (there was probably a lot of drinking) to pass the Door of the Dead. He
did so a year later and was never seen again, never became king after his
father.
Folk say the Dead Men out of
the Dark Years guard the way and let no living man pass. But they themselves
come out sometime, riding down the stony road like shadows, at times ‘of great
unquiet and coming death.’
Eowyn says in a low voice
that in the moonless lights a little while ago ‘a great host in strange array' passed by in Harrowdale. Nobody knew where they came from, but they went up the
road and vanished into the hill, ‘as if they went to keep a tryst.’ Merry asks
why Aragorn would take such a way, but Eomer says if he hasn’t spoken to Merry
about this, no living person can guess. Eowyn says that he looked older than
when first she saw him, grimmer and older. ‘Fey I thought him, and like one
that the Dead call.’
Theoden notices that his niece
seems to need more comfort about the fate of this ‘guest.’ Aragorn is a kingly
man of high destiny. There is another tale of when the Eorlingas first came to
the country from the North, Brego and Baldor came up the Stair to the Door in
search of a strong place for times of refuge. At the Door they found an old man
sitting. He seemed like he had been tall and kingly once, but now as withered
as an old stone. They thought he was dead, but when they tried to pass him into
the Door, he spoke in a voice that seemed to come out of the ground.
“The way is shut … It was
made by those who are Dead, and the Dead keep it, until the time comes. The way
is shut.’ Baldor asks when that will be, but ‘the old man died in that hour and
fell upon his face’. No other word have they heard about the ‘dwellers’ since
that time. But maybe the time has come at last, and Aragorn may pass.
But how can anyone know if
the time has come, unless he dare the Paths, asks Eomer. And he himself wouldn’t
try it if all the hosts of Mordor were before him, and he were alone with nowhere
else to go. Alas for Aragorn, that such a mood should take him; isn’t there
enough war in the land and evil things abroad in the world without seeking them
under the earth?
‘He paused, for at that
moment there was a noise outside, a man’s voice crying the name of Theoden, and
a challenge of the guard.’
Notes
Brego (‘ruler’) was the son of Eorl (‘earl’) and the second King of Rohan. Baldor recalls Balder, the doomed son of Odin in Norse mythology. It is Baldor’s skeleton Aragorn finds on the Paths of the Dead; his legs have apparently been broken by the ghosts so he could not escape. Brego was succeeded by his second son, Aldor (elder, alderman). Brego built Meduseld as the capitol of Rohan; it was ‘hallowed’ (made holy), or as we might say, inaugurated, by a great feast, when many oaths would be sworn and boasts would be made. Perhaps it was Baldor’s curiosity from their encounter with the Old King that led to his rash vow. Brego survives in the Jackson movies as a horse 'with a kingly name.'
- Ghost Hosts were seen as omens with
connection to the Wild Hunts or Furious Rides of folklore. But instead of
comprising completely supernatural beings they were seen as the human
dead, and their intent was not always evil. During the English Civil War
hosts were seen in the clouds that echoed a battle then being fought far
away; observers could actually identify combatants they knew. “A story
about a ghostly army that helped the British retreat during World War I
became popular in Britain after the war. The story claimed that a
British soldier called on Saint George for help, and then a ghostly army
appeared and held back the German forces. However, there are no
reliable contemporary eyewitness accounts to support this story. The
story may have originated from a short story written by Arthur Machen in
1914.”
Aragorn’s mood is several
times called fey, as it seems to the people of Rohan. “Fey: fey • \FAY\
• adjective. 1 : marked by a foreboding of death or calamity 2 a :
marked by an otherworldly air or attitude b : crazy, touched.” Fey is
related to the term fay, or fairy, and is a Scottish word denoting something
doomed or fated, and therefore partaking of a heedless nature, caring not for
consequences. In old folklore fairies were sometimes referred to as fata, or
fates; connections with Classical mythology and the Three Fates may have influenced
the trope of Three Fairy Godmothers. Perhaps its relationship to the word
fairy that has led it to be used as a term for effeminate or campy.
I think the image of the Old King before the Door of the Dead would make a fine illustration, but I can’t find one for it anywhere. If it ain’t in the movies, apparently, it ain’t anywhere. This scene in Theoden’s tent has the atmosphere of people gloomily telling ghost stories on the edge of doom.
Monday, January 27, 2025
Rest in Peace, Dame Joan
Having previously noted the
passing of Maggie Smith and Angela Lansbury, it is incumbent on me to also
speak of the passing of Joan Plowright, another great Dame of the British theatre.
Here is what Wikipedia has to say about her:
“Joan Ann Olivier, Baroness
Olivier (née Plowright; 28 October 1929 – 16
January 2025), commonly known as Dame Joan Plowright, was an
English actress whose career spanned over six decades. She received several
accolades including two Golden Globe Awards, an Olivier
Award, and a Tony Award as well as nominations for an Academy
Award, two BAFTA Awards, and a Primetime Emmy Award. She was made a Dame by Queen Elizabeth II in 2004.
“Plowright studied at
the Old Vic Theatre School[2] before
acting onstage at the Royal National Theatre where she met
her husband Laurence Olivier. She acted opposite him in
the John Osborne play The Entertainer on the West End in
1957 and on Broadway in 1958. She earned the Tony Award for Best Actress in a
Play for her A
Taste of Honey (1961). She won the Laurence
Olivier Award for Filumena (1978).
“She made her film debut in
an uncredited role in Moby Dick (1956). She later won
the Golden
Globe Award for Best Supporting Actress – Motion Picture and was
nominated for the Academy Award for Best
Supporting Actress for Enchanted April (1991). She
was BAFTA-nominated for her roles in The Entertainer (1960) and Equus (1977).
She also acted in the films Uncle Vanya (1963), Three Sisters (1970), Avalon (1990), Dennis the Menace (1993), 101 Dalmatians (1996), Jane Eyre (1996), Tea with Mussolini (1999), Bringing Down the House (2003)
and Mrs. Palfrey at the Claremont (2005).
She also voiced roles for the children's films Dinosaur (2000) and Curious George (2006).
“On television she was
nominated for the Primetime
Emmy Award for Outstanding Supporting Actress in a Limited Series or Movie and
won the Golden
Globe Award for Best Supporting Actress – Series, Miniseries or Television Film for
her role in the HBO television
film Stalin (1992). She retired from acting
due to macular degeneration in 2014. She made
her final filmed appearance in the documentary Nothing Like a Dame (2018).”
In short, we are running out of British actresses of a certain age, classy nature, and stern adorability. Joan Plowright’s first movie appearance was an uncredited role as Starbuck’s wife in Moby Dick,
but the first place I ever saw her was as Viola in Twelfth Night.
She was appealing as the elderly widow Mrs. Fisher in Enchanted April, who finds a new life in making young friends.
She uplifted The Spiderwick Chronicles and was equally good in Tom’s Midnight Garden.
Come to think of it, she was equally good in these Fantasy films as a friend to the kids, a granny who hasn’t forgotten what it means to be young. I’m sure she’s equally good in more ‘serious’ roles, but this is how I mostly know her. I have Twelfth Night, Enchanted April, and The Spiderwick Chronicles on DVD, and I would really like to get Tom’s Midnight Garden (I’ve seen it on YouTube).
The 2018 BBC show, Nothing Like a Dame, sets up a conversation about acting and life between Joan Plowright, Maggie Smith, Judi Dench, and Eileen Atkins, all Dames of the British Empire.
2020 Diary: The Last Days of January
1/22/2020: Woke up way early
to the sound of dripping rain, and knew I was in for a gray one. Prayers,
catechism, Bible (got to the end of Acts), rosary. Had to do the ‘in and out of
the house’ and watch out for mud game all day. Made Kam eggs, bacon, and
biscuits. Gloom intensifies when I find out Terry Jones just passed away.
Napped – more like hibernated – from 11 AM to 2 PM. Made supper (pork chops,
sauerkraut, baked sweet potato, and parmesan green bean). And so on etc. with
ordinary details – ramen, Flintstones, DW shows. Some meditating on starting
Chapter Four.
1/23/2020: Read much as
taken. PCBR. Made Kam’s breakfast, got him off early (10:16 AM). Weather bright
and clear, but ground still muddy. Worked on notes for American Prometheus (AP,
from now on), and wrote about a page. Indications that the new Picard show
isn’t so good story-wise, no matter how pretty it looks or how many itches it
scratches. Made chili, noodles, and corn on the cob. Might as well note here
that for the past few weeks my neck has been really sore at the end of the day,
stretching down to between my shoulder blades. Arthritis? Meningitis?
1/24/2020: Up pretty early.
PCB. After wavering a bit, got dressed and left a little before 7 AM and went
to get Powerball. Came home; rosary, then Perry Mason at 8 AM. At 9 AM made
Kameron bacon and a grilled cheese. Started my ramen, then left it to soak to
await the exterminator at 9:40 AM. Got Kameron on the bus at 10:15 AM. Checked
the pool; not running so called Andy and he told me how to shut it off. Came in
and ate my ramen (with peas), watching the end of Monster Zero. Now 11:20
AM.
1/25/2020: Chinese New Year.
The Year of the Rat. PCBR. Went in and made omelet, and I think I’ve finally
got into the groove again as it turned out well. For lunch made my last box of
spaghetti. For supper had a ramen, corn, and ground turkey dish. All day
reading conflicting reports of how ST: Picard is, and I must say I’m
leaning toward the negative view, if only by the analysis of the appearance of
‘magical technology’ and ‘narrative’ over our old-fashioned ‘barely possible
tech’ and ‘story-telling’. Chill and gray weather. All day balancing ‘a dollar
for the collection tomorrow’ against ‘one package of cookies right now’
dilemma; the lateness of the hour has finally removed it from consideration.
Don’t really need it as food but have a yen for something sweet.
1/26/2020: Woke up about 1
AM from a dream; I think I have my next short story now: The Reunion. Got up to
write it down and worked on my Dream Diary a bit commenting on my dreams of
late. They have been different; even, measured, even when strange or full of
problems. Almost 2 AM now; must try to sleep again.
So up, PCB, and off to
church, where R. It was a graceful day. Came home. After Susan called to ask
about chili powder, I went in and got a slice of cheese and a nutty buddy. In
the evening Andy brought me a garippe; after I ate the meat (not a whole lot),
I made a broth from the bones. This was all the food I had today. Wrote about a
page today on “Reunion”. Read some ghost stories. Tried to sleep off most of my
waiting, but not really hungry per se.
1/27/2020: Up at 5:30 AM.
PCB; before 8 AM Andy asked me not to do my wash just yet, as the washing
machine is leaking, and brought me a banana. Listening to the GGACP eulogy
episode about those who passed away in 2019. Hearing everywhere about Kobe
Bryant and his daughter passing away in that helicopter accident. He was a
Catholic. Made Kameron an apple today for breakfast and had my ramen. Just as I
took him out to catch the bus the roofers came over. Checked the pool and
turned off the pump because it wasn’t working. Made the broccoli salad. About
1:30 PM started my wash and finished by 3:30 PM. Grassed the Chis twice, at 2
PM and 4 PM. Started a Lexicon for Bob’s Book 2 today; 4 pages. Made supper:
fish rings and couscous. Flintstones, some DS9 today, all the DW Shows. Made
Kam grilled cheese at 8 PM. Rosary. John sent a wonderful picture by Morgandy
today in the Maus style.
1/28/2020: Up at 6 AM (slept
late – ha!). Took a shower. PCBR. Went in at 9 AM, peeled Kam an apple. Made
ramen for my own breakfast; added an egg. Got Kam off to school at 10:10 AM.
Brought the recycle bin in. “Miss Angie”, Kam’s bus driver, came out and asked
if I could meet the bus Friday to take Kam’s food basket in. Sent Kris Jerome
information for my W-2.
Well! A day of dipping in on
House and DS9 and DW shows, and not much else (except reading some John Aubrey
on Wiltshire). At 1 PM I went in and got a ramen and the last crumbs of Fritos.
Started supper at 3:30 PM; sausage, cabbage, and taters. Kam home at 4 PM. Took
my food out and ate. A little before 5 PM the Rotts raised a ruckus, and I went
out to find a couple of bearded policemen coming out from behind the sheds.
Their car was drawn up in the driveway. They said they had been chasing a
fellow, that he was caught, and sorry to disturb me. After they left, I went
around and checked the garage, the ticket booth, and down by the creek, then
waited outside till past 6 PM to tell Susan and Andy what had happened. In the
meantime, watched the sun go down and the trees blowing in the evening wind,
and two raccoons coming from opposite sides of the yard to meet in the middle
in the tree over the shed to have a fight. Came in and worried about petting
the cats after they had got their medication (flea spots). Bed about 10 PM.
1/29/2020: Woke up about 4
AM from a rather purgatorial dream of wandering a parking lot through the
night, waiting for the sun to rise or to get a ride. Felt glum, so decided I
was up and started to say my prayers. I almost immediately felt better, and only
got better and better as I read the Catechism (and finished it!), then a couple
of chapters in the Bible (Romans). It’s now about 5:20 AM and I’m dressed and
ready to give writing a shot.
I brought Chapter 4 (The
American Prometheus – hereinafter AP) up to page 5 today. Kam off to school, no
problems. Breakfast- ramen with an egg. Lunch – made a sort of stew with a
little chunk of meat out of the freezer, leftover cabbage and taters, and made
a gravy with milk and flour. It was delicious. At supper made pork chops and
brussels sprouts, baked sweet potato, and parmesan-encrusted green beans. Swept
the kitchen porch. Kam went to church and when he came back had eaten snacks
and didn’t want supper. Continue to read Aubrey. Bed about 9:30 PM.
1/30/2020: Morgandy’s
birthday today. Up at about 5 AM, PB, then caught up diary. I had awakened from
a dream of working with a hoe straightening up the end of Nanny’s driveway,
chopping up weeds and breaking sandy clods. A vague remembrance of discussing
something with a woman (not anyone I could identify) before that. Somebody won
the Powerball last night, so I don’t have that as a temptation this weekend. Made
Kam an apple for breakfast and got him to the bus; pretty cold today. Ramen for
my breakfast, then a nap at 11 AM, where I had a dream again about Nanny’s
house, where I was passing between the different parts of the apartment and
hearing people that I wanted to avoid moving from part to part. Finished my ten
pages and sent them to John; while at email found out that Kris Jerome had sent
me a tax form for my ‘royalties’, which if I read it right shows I got a little
less than $2 more after my initial payment. Sigh. I don’t think I’ll have to
file.
While I was writing, I
realized I didn’t have to tell everything right away but can keep feeding facts
as I go along; i.e., don’t reveal all Frobisher’s history with Franklin. Also
stop writing ‘almost’, ‘just’, and ‘seeming’. Sent my pages and the idea for a
one-panel comic to John; didn’t hear back from him all day, but he did take the
day off from work to take the family to the Snake Farm and the Gristmill.
I was rather bad in that I
took a few Oreos at lunch, but pickings are rather thin here at the end of the
week. For supper made chili, noodles, and corn. Later made Kam a grilled
cheese. At 6 PM said rosary.
1/31/2020: Up about 5 AM to
write down Picard dream. While at computer went over sites; searched
illustrator Fred Banbery (Paddington, Hitchcock). Prayers; Bible. Took a
shower. Saw end of Shaw’s Caesar and Cleopatra. Spent time looking at
reviews of Ep.2 of ST:P. Now 8 AM. Today I am scheduled to meet Kam when he
gets off school and carry in his crate of groceries, and to make chicken, rice,
and broccoli for supper. With any luck, John will be by with $20, which right
now I feel I could spend entirely on cookies.
I keep thinking that I must
be somewhere on the autistic scale; my childhood experiences seem to support
it. My social awkwardness, my uncontrollable fidgets, my obsessive collecting.
Ramen for lunch. About 3:30
PM made the rice and broccoli. Went out and waited at the oak for Kameron about
4 PM; I should note that after clouds in the morning it was a nice clear day.
Kam arrived and I carried the food bin in for him (I think it was especially
heavy today. No chicken thighs like we had hoped, so I started baking the
breasts on top of the rice. That took until 6 PM. The stuff Kam brought back
wasn’t what at all what I had wanted: two enormous hard heads of cabbage, a bag
of white potatoes, three big cans of ‘pork meat’ (Irish stew, anyone?), a bag
of tiny oranges, 4 bags of sausage patties, 2 bags of white rice, 2 enormous
bags of pistachios (oh, my teeth!). I just wanted peanut butter and brown
bread.
I took the pork meat, a bag
of pistachios, and a bag of rice; also took half the oranges. I ate the oranges
right away; they were tasty but tiny and hard to peel. Ate four sausage
patties, then opened a can of pork meat. A little bland and greasy, but with
pepper tolerable. It’s obviously a mixer, so the next can I’ll have with
potatoes. I mixed some of the broccoli rice with the leftover ‘gravy’, and it
was good.
In the evening got e-mail
from John that he couldn’t bring over the $20 until Monday, so no cookies just
yet. But I do have supplies for the weekend, so thank the Lord for that. I only
hope I don’t eat up the $20 before next weekend. That’s on me. Rosary about
10:30 PM, then to bed.
Notes
PCBR is short for Prayers,
Catechism, Bible, and Catechism; I was reading the Catechism straight through,
which was an interesting experience and answered a lot of questions I hadn’t
even thought to ask yet.
I’m not sure at this
distance what ‘Reunion’ was about. Maybe it exists under another name; perhaps
I just dropped it. The Goldfire Questers? Bob and Daisy? ‘American Prometheus’
was the story about Benjamin Franklin as Frankenstein. It hasn’t been finished,
to this day; it got too involved and sprawling, almost a book in itself.
Lot about food here; January
was always a rather bleak month. It still is. But it was harsher in those days.
I wasn’t getting social security yet, to get my own groceries. Kameron was
working for a church pantry at that time, and they would give them supplies
that were about to expire. I could eat pistachios – by grinding them up with a
mortar and pestle.
I had been hopeful about Picard,
but I learned better as time went on. The Star Trek rot was setting in.
Sunday, January 26, 2025
The Shadow Library: Ficciones
Saturday, January 25, 2025
The Gods of the Copybook Headings (1919) by Rudyard Kipling
As I pass through my
incarnations in every age and race,
I make my proper
prostrations to the Gods of the Market Place.
Peering through reverent
fingers I watch them flourish and fall,
And the Gods of the Copybook
Headings, I notice, outlast them all.
2
We were living in trees when
they met us. They showed us each in turn
That Water would certainly
wet us, as Fire would certainly burn:
But we found them lacking in
Uplift, Vision and Breadth of Mind,
So we left them to teach the
Gorillas while we followed the March of Mankind.
3
We moved as the Spirit
listed. They never altered their pace,
Being neither cloud nor
wind-borne like the Gods of the Market Place,
But they always caught up
with our progress, and presently word would come
That a tribe had been wiped
off its icefield, or the lights had gone out in Rome.
4
With the Hopes that our
World is built on they were utterly out of touch,
They denied that the Moon
was Stilton; they denied she was even Dutch;
They denied that Wishes were
Horses; they denied that a Pig had Wings;
So we worshipped the Gods of
the Market Who promised these beautiful things.
5
When the Cambrian measures
were forming, They promised perpetual peace.
They swore, if we gave them
our weapons, that the wars of the tribes would cease.
But when we disarmed They
sold us and delivered us bound to our foe,
And the Gods of the Copybook
Headings said: "Stick to the Devil you know."
6
On the first Feminian
Sandstones we were promised the Fuller Life
(Which started by loving our
neighbour and ended by loving his wife)
Till our women had no more
children and the men lost reason and faith,
And the Gods of the Copybook
Headings said: "The Wages of Sin is Death."
7
In the Carboniferous Epoch
we were promised abundance for all,
By robbing selected Peter to
pay for collective Paul;
But, though we had plenty of
money, there was nothing our money could buy,
And the Gods of the Copybook
Headings said: "If you don't work you die."
8
Then the Gods of the Market
tumbled, and their smooth-tongued wizards withdrew,
And the hearts of the
meanest were humbled and began to believe it was true
That All is not Gold that
Glitters, and Two and Two make Four–
And the Gods of the Copybook
Headings limped up to explain it once more.
9
As it will be in the future,
it was at the birth of Man
There are only four things
certain since Social Progress began.
That the Dog returns to his
Vomit and the Sow returns to her Mire,
And the burnt Fool's
bandaged finger goes wabbling back to the Fire;
10
And that after this is
accomplished, and the brave new world begins
When all men are paid for
existing and no man must pay for his sins,
As surely as Water will wet
us, as surely as Fire will burn,
The Gods of the Copybook
Headings with terror and slaughter return!
Notes
In Rudyard Kipling's poem
"The Gods of the Copybook Headings", the "Gods of the Copybook
Headings" represent the fundamental truths of human nature and the
importance of timeless wisdom.
Explanation
- The poem's title refers to the proverbs
and maxims that were printed at the top of copybooks used by 19th century
British schoolchildren.
- The poem's speaker argues that these
moral statements are relevant no matter the time or place, and that
disregarding them will lead to failure.
- The poem critiques political idealism
and false promises of peace, abundance, and equality.
"Stick to the devil you
know" means it's better to stay with someone or something familiar, even
if you don't like them, because the unknown could be worse; essentially,
choosing to deal with a known negative situation rather than risking a potentially
more negative one you're unfamiliar with.
Key points about the phrase:
"Devil" represents
a negative person or situation: It's not meant literally, but as a metaphor for
something unpleasant you're already familiar with.
"Know" signifies
familiarity: You may not like the current situation, but you understand its
downsides.
Implies caution towards
change: This phrase suggests that changing to something new, even if it seems
potentially better, could lead to worse outcomes.
Friday, January 24, 2025
Friday Fiction: Fiction of the Mind