Showing posts with label obituary note. Show all posts
Showing posts with label obituary note. Show all posts

Wednesday, January 14, 2026

Obituary Note: Scott Adams


Scott Adams passed away yesterday, a not altogether unexpected eventuality. I started to listen to his podcast Coffee with Scott Adams shortly before his announcement about his prostate cancer; before I had been amused by his creation Dilbert for years. The only reason I stopped getting the Dilbert collections was because my financial straits stopped me from buying them, and when I could again, I was so far behind it seemed too hard to catch up, and I had sold the couple I had. I had no interest in his self-help books because I really don’t do self-help books. Only when I became interested in his podcast on advice did I dip my toe in that water. I found him a warm, dry, intelligent presence, and I came to rely on him for company during my mornings.

He came along with some baggage, of course, as his opponents were trying to ‘reframe’ him as a racist, misogynist bigot as a justification for his cancellation as a cartoonist. Perhaps the real reason behind it was his mild, rational support of Trump, a refusal to follow the liberal narrative. He was constantly evolving. He went from proposing a pandeistic theory of God and the universe to, in his last days, a qualified acceptance of Jesus Christ as his Lord and Savior, somewhat on the strength of Pascal’s Wager. He went from hotly advocating the legality of assisted suicide (in the wake of his father’s painful and prolonged passing) to rejecting it for himself and becoming a shining example of grace under suffering and death.

Here is a more thorough account of the details, stitched together from Wikipedia and various other sources. It may be a little early (Adams himself often advocated for waiting for further information before blathering out an opinion) but here goes.  

Scott Raymond Adams (June 8, 1957 – January 13, 2026) was an American author and cartoonist. He was the creator of the Dilbert comic strip and nonfiction works of business, commentary, and satire.

Adams worked in various corporate roles before he became a full-time cartoonist in 1995. By the mid-1990s, Dilbert, created in 1989, had gained national prominence in the United States and began to reach a worldwide audience, remaining popular throughout the following decades and spawning several books written by Adams. In the mid-2010s, Adams emerged as an independent commentator of events and politics.

He wrote in a satirical way about the social and psychological landscape of white-collar workers in corporations. In addition, Adams wrote books in various other areas, including the pandeistic spiritual novella God's Debris and books on political and management topics, including Loserthink.

God's Debris: A Thought Experiment is a 2001 novella by Dilbert creator Scott Adams. The introduction disclaims any personal views held by the author, "The opinions and philosophies expressed by the characters are not my own, except by coincidence in a few spots not worth mentioning."

God's Debris espouses a philosophy based on the idea that the simplest explanation tends to be the best. The book proposes a form of pandeism and monism, postulating that an omnipotent God annihilated Itself in the Big Bang, because an omniscient entity would already know everything possible except Its own lack of existence, and exists now as the smallest units of matter and the law of probability, or "God's debris".

The book subscribes to the Lakoffian point of view, in that the mind is viewed as a "delusion generator" rather than a window to true understanding. As George Lakoff said: "Our ordinary conceptual system, in terms of which we both think and act, is fundamentally metaphorical in nature." The particular philosophy espoused has been identified as a form of pandeism, the concept that a god created the universe by becoming the universe.

The Religion War  is a 2004 novel by Dilbert creator Scott Adams, and the sequel to his novella God's Debris. This book takes place right before the last chapter of that book. Adams has asserted that it is his two religion-themed novels, and not Dilbert, that “will be his ultimate legacy.”

In February 2023, Dilbert was dropped by numerous newspapers and its distributor, Andrews McMeel Syndication, after Adams made [supposed] racist comments on his Real Coffee YouTube channel, which he defended as hyperbole.

Scott Adams has explained his controversial 2023 comments, in which he referred to Black people as a "hate group" and advised white people to "get the hell away" from them, by stating they were hyperbole intended to spark a productive conversation about race relations. He claimed his words were taken out of context and that his larger point was misunderstood. 

Context of the Remarks

During a February 2023 episode of his YouTube show, Adams was discussing a Rasmussen Reports poll that asked people if they agreed with the statement, "It's OK to be white". According to the poll, 53% of Black respondents agreed, but 26% disagreed and 21% were unsure. Adams focused on the percentage that did not agree with the statement. 

Adams quoted the poll results, stating that if nearly half of Black people are not okay with white people, that constitutes a hate group, and he wanted nothing to do with them. He then advised white people to "get the hell away from Black people," stating there was no fixing the situation.

He relaunched Dilbert as a webcomic on his Locals website and continued to be active on social media until his death in 2026.

A Final Message From Scott Adams:

If you are reading this, things did not go well for me. I have a few things to say before I go. My body failed before my brain. I am of sound mind as I write this, January 1st, 2026. If you wonder about any of my choices for my estate, or anything else, please know I am free of any coercion or inappropriate influence of any sort. I promise. Next, many of my Christian friends have asked me to find Jesus before I go. I'm not a believer, but I have to admit the risk-reward calculation for doing so looks attractive. So, here I go: I accept Jesus Christ as my lord and savior, and I look forward to spending an eternity with him. The part about me not being a believer should be quickly resolved if I wake up in heaven. I won't need any more convincing than that. And I hope I am still qualified for entry. With your permission, I'd like to explain something about my life.


For the first part of my life, I was focused on making myself a worthy husband and parent, as a way to find meaning. That worked. But marriages don't always last forever, and mine eventually ended, in a highly amicable way. I'm grateful for those years and for the people I came to call my family. Once the marriage unwound, I needed a new focus. A new meaning. And so I donated myself to "the world," literally speaking the words out loud in my otherwise silent home. From that point on, I looked for ways I could add the most to people's lives, one way or another. That marked the start of my evolution from Dilbert cartoonist to an author of — what I hoped would be — useful books. By then, I believed I had amassed enough life lessons that I could start passing them on. I continued making Dilbert comics, of course. As luck would have it, I'm a good writer. My first book in the "useful" genre was How to Fail at Almost Everything and Still Win Big. That book turned out to be a huge success, often imitated, and influencing a wide variety of people. I still hear every day how much that book changed lives. My plan to be useful was working.


I followed up with my book Win Bigly, that trained an army of citizens how to be more persuasive, which they correctly saw as a minor super power. I know that book changed lives because I hear it often. You'll probably never know the impact the book had on the world, but I know, and it pleases me while giving me a sense of meaning that is impossible to describe. My next book, Loserthink, tried to teach people how to think better, especially if they were displaying their thinking on social media. That one didn't put much of a dent in the universe, but I tried. Finally, my book Reframe Your Brain taught readers how to program their own thoughts to make their personal and professional lives better. I was surprised and delighted at how much positive impact that book is having. I also started podcasting a live show called Coffee With Scott Adams, dedicated to helping people think about the world, and their lives, in a more productive way. I didn't plan it this way, but it ended up helping lots of lonely people find a community that made them feel less lonely. Again, that had great meaning for me.


I had an amazing life. I gave it everything I had. If you got any benefits from my work, I'm asking you to pay it forward as best you can. That is the legacy I want.

Be useful.

And please know I loved you all to the end.

Scott Adams

 

Scott Adams materials that have passed through my hands:





Thursday, November 20, 2025

Aunt Doris


I was just pondering Pop's family's situation, and I thought in passing that his sister Doris was still alive and wondered how she was doing, and then I hear from Kenny (who is still active on Facebook) that she has just passed away at the age of 102. Sigh. Here she is with Mike when he was a little over six months old.


And here she is when she was 99 and 101 years old.



Rest in Peace, Aunt Doris. It is the end of an era.

Tuesday, September 2, 2025

Sorry About That


I mention Chelsea Quinn Yarbro, and a week later she's dead. She reminds me vaguely of my mother in her last years, but more like Paddi Edwards in the ST:NG episode, "The Dauphin."


Monday, January 27, 2025

Rest in Peace, Dame Joan

 


Having previously noted the passing of Maggie Smith and Angela Lansbury, it is incumbent on me to also speak of the passing of Joan Plowright, another great Dame of the British theatre. Here is what Wikipedia has to say about her:

“Joan Ann Olivier, Baroness Olivier (née Plowright; 28 October 1929 – 16 January 2025), commonly known as Dame Joan Plowright, was an English actress whose career spanned over six decades. She received several accolades including two Golden Globe Awards, an Olivier Award, and a Tony Award as well as nominations for an Academy Award, two BAFTA Awards, and a Primetime Emmy Award. She was made a Dame by Queen Elizabeth II in 2004.

“Plowright studied at the Old Vic Theatre School[2] before acting onstage at the Royal National Theatre where she met her husband Laurence Olivier. She acted opposite him in the John Osborne play The Entertainer on the West End in 1957 and on Broadway in 1958. She earned the Tony Award for Best Actress in a Play for her A Taste of Honey (1961). She won the Laurence Olivier Award for Filumena (1978).

“She made her film debut in an uncredited role in Moby Dick (1956). She later won the Golden Globe Award for Best Supporting Actress – Motion Picture and was nominated for the Academy Award for Best Supporting Actress for Enchanted April (1991). She was BAFTA-nominated for her roles in The Entertainer (1960) and Equus (1977). She also acted in the films Uncle Vanya (1963), Three Sisters (1970), Avalon (1990), Dennis the Menace (1993), 101 Dalmatians (1996), Jane Eyre (1996), Tea with Mussolini (1999), Bringing Down the House (2003) and Mrs. Palfrey at the Claremont (2005). She also voiced roles for the children's films Dinosaur (2000) and Curious George (2006).

“On television she was nominated for the Primetime Emmy Award for Outstanding Supporting Actress in a Limited Series or Movie and won the Golden Globe Award for Best Supporting Actress – Series, Miniseries or Television Film for her role in the HBO television film Stalin (1992). She retired from acting due to macular degeneration in 2014. She made her final filmed appearance in the documentary Nothing Like a Dame (2018).”

In short, we are running out of British actresses of a certain age, classy nature, and stern adorability. Joan Plowright’s first movie appearance was an uncredited role as Starbuck’s wife in Moby Dick,


but the first place I ever saw her was as Viola in Twelfth Night.

She was appealing as the elderly widow Mrs. Fisher in Enchanted April, who finds a new life in making young friends.

She uplifted The Spiderwick Chronicles and was equally good in Tom’s Midnight Garden.

Come to think of it, she was equally good in these Fantasy films as a friend to the kids, a granny who hasn’t forgotten what it means to be young. I’m sure she’s equally good in more ‘serious’ roles, but this is how I mostly know her. I have Twelfth Night, Enchanted April, and The Spiderwick Chronicles on DVD, and I would really like to get Tom’s Midnight Garden (I’ve seen it on YouTube).

The 2018 BBC show, Nothing Like a Dame, sets up a conversation about acting and life between Joan Plowright, Maggie Smith, Judi Dench, and Eileen Atkins, all Dames of the British Empire.

https://www.youtube.com/watch?v=96h8-4Obfhg


Tuesday, November 5, 2024

Greg Hildebrandt: Rest in Peace


Self Portrait by Greg


Greg Hildebrandt, the surviving half of the illustrating team of the Brothers Hildebrandt, passed away on Halloween last Thursday at the age of 82, and I would be remiss if I did not note his passing.  The Hildebrandts’ 1977 Tolkien calendar had the first substantial series of Middle-earth interpretations that I had ever seen (my Drama teacher Mr. Daryl Fleming had it hanging in his classroom; at my begging he even let me borrow it for a while). It was trying to draw in the Hildebrandt style (particularly the swirling folds of clothes and cloaks) that caused the first serious development in my own drawing. Ever after I was always on the lookout for their work; I bought the next years’ Hildebrandt Calendar (their last of three) and would always give books with covers by them close consideration. Their pictures were often the icing that sold less satisfactory offerings like The Sword of Shannara or Urshurak. After the brothers split up and pursued their own careers, I must admit I always admired Greg’s work more, although their style was almost identical; he was more prolific, I have to add. Here is a slightly edited article about them from Wikipedia; what follows that is a collection of some (but not all) of the Hildebrandt items I actually own.

Greg (January 23, 1939 – October 31, 2024) and Tim Hildebrandt (January 23, 1939 – June 11, 2006), known as the Brothers Hildebrandt, were American twin brothers who worked collaboratively as fantasy and science fiction artists for many years, produced illustrations for comic books, movie posters, children's books, posters, novels, calendars, advertisements, and trading cards.

Career

Born in Detroit, Michigan, Greg and Tim Hildebrandt studied at the Meinzinger Art School and began painting professionally in 1959 as the Brothers Hildebrandt. The brothers both held an ambition to work as animators for Walt Disney, and although they never realized this dream, their work was heavily influenced by illustration style of Disney feature films such as Snow White, Pinocchio and Fantasia. They were also influenced by the artwork in comic books and science fiction books, notably the work of Norman Rockwell and Maxfield Parrish.

The brothers are best known for their popular The Lord of the Rings calendar illustrations, illustrating comics for Marvel Comics and DC Comics, original oil paintings for a limited edition of Terry Brooks's The Sword of Shannara, and their Magic: The Gathering and Harry Potter illustrations for Wizards of the Coast.

In 1977 the brothers were approached by 20th Century Fox to produce poster art for the UK release of Star Wars. A promotional poster had already been produced in the US by the artist Tom Jung, but Fox executives considered this poster "too dark". The Brothers Hildebrandt had established a reputation working on the Lord of the Rings calendar and a concept poster for Young Frankenstein, and Fox commissioned them to rework the image. The twins had to work to a very tight deadline and worked together in shifts to produce a finished product in 36 hours.

In 1981, the Hildebrandts had another film poster commission, for the Greek mythological heroic fantasy film Clash of the Titans. Together, the brothers developed a concept for a fantasy movie, Urshurak; although this never went into production, the Hildebrandts collaborated with author Jerry Nichols to publish Urshurak in the form of an illustrated fantasy novel in 1979.

The lack of success with Urshurak may have contributed to their decision to work independently of each other, and in 1981 the brothers began to pursue separate careers.[12] Greg painted cover artwork for the magazines Omni and Heavy Metal, and illustrated a number of books including Mary Stewart's Merlin Trilogy, The Wonderful Wizard of Oz, Aladdin, Robin Hood, Dracula, and The Phantom of the Opera. Tim also created cover art for books such as The Time of the Transference and The Byworlder, as well as for Amazing Stories magazine, along with illustrated calendars based on fantasy themes such as Dungeons & Dragons. After 12 years the Brothers reunited to collaborate on work for Marvel Comics, Stan Lee, and numerous book projects.

Greg Hildebrandt Jr. also made major contributions to the production of a book entitled Greg & Tim Hildebrandt: The Tolkien Years, which gave an overview of the Tolkien genre artworks produced by Greg and Tim in the 1970s.

Greg's solo work and family

Individually, Greg contributed to the art for the Trans-Siberian Orchestra's albums and concert merchandise. He also provided the cover art for Black Sabbath's 1981 Mob Rules album. 

During the 1980s and 1990s Greg illustrated a number of classic books. These range from Greg Hildebrandt's Favorite Fairy Tales, Alice in Wonderland, Peter Cottontail's Surprise, Peter Pan and Robin Hood to Dracula, Poe: Stories and Poems and The Phantom of the Opera. During this time Greg also illustrated the holiday books Christmas Treasury and Treasures of Chanukah.

Greg married his first wife, Diana F. Stankowski, in 1963.Diana assisted in his art projects and was the model for Princess Leia on the Star Wars movie poster. They had two daughters and a son. In 1991 Greg began living with longtime colleague Jean Scrocco. The couple married in 2009. Greg died on October 31, 2024, at the age of 85.

Tim's solo work and family

Tim Hildebrandt illustrated children's books, two Dungeons & Dragons calendars, and the poster for the 1982 film The Secret of NIMH. He was associate producer of the 1983 horror-themed science fiction film The Deadly Spawn, filmed in Tim and Rita's Victorian home in Gladstone.
Tim married Rita Murray, who went on to design and create the costumes for the Lord of the Rings works.[ Together they had a son. Tim Hildebrandt died on June 11, 2006, at the age of 67, due to complications of diabetes. -Wikipedia