Friday, February 14, 2025

Friday Fiction: A Meager Offering

 


It was, of course, full of books, but such books as Timmy had never imagined gathered together.  They were just paperbacks, stacked cover up in triple rows lengthwise and five rows across, and a final space at the end filled with volumes laid with their spines up. But they all had brightly colored backgrounds, crimson and sky blue and emerald green and plush purple, inset with glowing fantastic pictures, either almost heraldic or hyper realistic but of fanciful subjects, dragons or warriors or wizards, so that the entire effect was like a glowing patchwork blanket or an illuminated stained-glass window.

For a moment they gleamed, the fugitive sun glancing off their colored covers, picking out the gilded lettering of titles here and there. Then he heard Mom call, “Come on, kiddo, let’s get moving,” and he reflexively pushed the scratched blue lid back down with a snap. The furtive light faded, and Timmy was suddenly back in a damp wan muted world again.

The rest of the trip home went by in a sort of trance. Timmy bundled back into the SUV and watched as they left the compound and heard the gate clanking shut behind them. He heard Mom and Granny discussing supper over their phones; knew when Mom split away and headed to Chicken Express; grunted when Mom asked him if he wanted hush puppies; accepted the steaming bag to hold when they drove on. But all the while he was looking out the grey window with a far away look, distracted and vague.

They pulled into Granny’s house and convened to the kitchen. Granny had a big old house, almost in the center of the town. She and Uncle Jimmy rattled around in it, following a well-worn path through the few rooms they actually occupied. The family had once been much bigger with all Mom’s brothers and sisters in the old days, and Grampa living there; now most were out in the surrounding counties, with one off as far off as California. Most of the rooms had settled into almost museum displays. The kitchen was the most living spot in the house. Granny seldom cooked anymore, but it was a warm room where most family activity took place these days.

Now they gathered at the kitchen table while Mom unpacked the chicken and Granny got out paper plates and canned sodas from the fridge.

Notes
Didn't get quite as far as I wanted this week. Then today was the last day to pick up some medicine at HEB and that took up most of the morning (I take a long round trip by the bus). But here is what I have. 

A Very Fluffy Valentine's Day Friday

 



Thursday, February 13, 2025

The Dull Diet Details


Well, at the beginning of the month I began my new diet in earnest, buying a scale to watch my weight and a new glucometer (which cost less than I was imagining) to watch my blood sugar. When I got the scale working at last (it came with bad batteries) I started recording my numbers daily. Here it goes in the order date-weight-glucose, covering eleven days. NS means No Significant change between weights. The decimal points seem a little finicky, but that's how the digital scale reads. The weight fluctuates a little wildly, but I'm glad the glucose seems to be going down regularly (I account for the reading on the 12th to indulging on oatmeal for supper). 


2/2/25  275  167

2/3/25  NS  175

2/4/25  264.5  207

2/5/25 271.5  131

2/6/25  269.9  188

2/7/25  269  142

2/8/25  NS  142

2/9/25  270  144

2/10/25  269.7  143

2/11/25  NS  146

2/12/25  274  169

2/13/25  269.9  132 


On the whole, I'm rather pleased with the progress so far. Looking back on my glucose readings, I had been averaging 250 for a long time, and sometimes much higher. My Ozempic seems to be killing not only my appetite but my taste buds, which is making dieting much easier, though I can feel my animal joy in life dying too. Keeping well away from the breads, noodles, potatoes, and rice.   

Wednesday, February 12, 2025

Wideo Wednesday AND Into the Archive: Norm Macdonald

 


Based On a True Story, by Norm Macdonald (2016, Spiegel & Grau, Penguin Random House)

My one book choice for February (I don’t count The Obesity Code – a biblia a biblia – or the two books Kameron gave me back – the classic science fiction omnibuses). I’ve been watching a lot of Norm Macdonald videos on YouTube. I can’t say I cared much for him when he was on Saturday Night Live in the early Nineties; I didn’t hate him either. I didn’t follow his oddly marginal but persistently praised and even ubiquitous career through the years either, his movie or sitcom appearances or his talk shows. I was probably most familiar with his voice work, as Death on Family Guy or Pigeon on Mike Tyson Mysteries. Lately I was drawn to consider his work more closely by Michael Knowles’s video tribute to the comedian’s interaction with him.

Anyway, catching up with his work from over the years, nicely gathered into bundles of clips, I started developing an appreciation of his rather rambling and discursive style, dry, mischievous, curmudgeonly (I love a curmudgeon), and when I found that he had written a book and heard extracts from it, I knew I wanted to read it.

Norman Gene Macdonald (October 17, 1959 – September 14, 2021) was a Canadian stand-up comedian, actor, and writer whose style was characterized by deadpan delivery, eccentric understatement, and the use of folksy, old-fashioned turns of phrase. – Wikipedia. That sums things up pretty well. The book itself is a masterful combination of memoir and art, using the thread of his life story as a line to hang routines and insights on.

His philosophy is that no-one can really tell all the facts about his life (there will always be omissions and misperceptions, matters of interpretation), that bare facts cannot tell the truth, but that a subjective, crafted, fictional narrative might get one closer to the real truth about a life. It strikes me suddenly that this is the same theme as the movie Big Fish. In other words, not a completely factual account, but ‘based on a true story.’

The narrative line here is that Norm is going on a gambling mission to get him out of debt and set him up for life. He is accompanied by Adam Eget, portrayed here as a combination friend, stooge, and assistant. If Norm fails, well then, there is always Plan B, death. Along the way various questions and situations lead him to recount the story of his life, a story peppered with celebrity appearances and eccentric side characters. We hear occasionally from a ‘ghost writer’ who is supposed to be working on a ‘real’ autobiography of the comedian; he acts mainly as a foil and critic to Norm, perhaps even as an undeveloped shadow-side of Norm himself.

The book arrived on Monday, and I couldn’t get very far in it that first day, too much business to attend to. I really got into it yesterday, but still I am only about 2/3 through this 240-page book. Not sure yet how it turns out or if he will stick the landing, so to stay. But so far it has been well worth the journey. Norm’s tale seems on its way to settling into place in my personal pantheon. It’s too bad I didn’t fully appreciate him while he was alive. Goodbye, Norman Gene.

 

Norm Reveals Rodney Dangerfield’s Tragic Secret: Book Excerpt

https://www.youtube.com/watch?v=E2olqY_RZtU

Short Michael Knowles Video on Norm (3:49) 

https://www.youtube.com/watch?v=t_dGRSsQwGs

Longer(13:03) Michael Knowles Video on Norm (Including Clips)

https://www.youtube.com/watch?v=y19wgPzSFv0


Tuesday, February 11, 2025

The Lord of the Rings: The Muster of Rohan (Part Six)

 


The Tale

‘I won’t be left behind to be called for on return!’ said Merry. ‘I won’t be left, I won’t.” And repeating this over and over again to himself he fell asleep at last in his tent.’

He wakes, startled out of deep dreams, when a man shakes him, calling him Master Holbytla and telling him that the King summons him. Merry looks around. It seems very dark still; it doesn’t look as if the Sun has risen.

And won’t today, says the man. And may never again. ‘But time does not stand still, though the Sun be lost.’ Merry should make haste.

Outside the world is dark, ‘the very air seemed brown.’ Everything is black and grey and shadowless, and the sky above is flat and featureless. Far to the West there is still a little sky, but the creeping darkness is eating that up. In the disastrous atmosphere people look pale and grey and sad, some look fearful.  It seems to be getting darker, not lighter, as the day grows.

Merry makes his way to Theoden’s tent, and there he finds Hirgon and another messenger from Gondor talking to the King. The new messenger tells him this darkness is from Mordor; it came creeping westward as he rode all through the night, eating up the stars. It is a sign. War has already begun.

For a while the king sits silently, pondering this news. Then he speaks. ‘So we come to it in the end; the great battle of our time, in which many things shall pass away.’ But at least they no longer need to move under cover of darkness; darkness has come to meet them. They shall begin the muster and ride at once. He hopes they have good provision in Gondor, for they must ride light, with only enough food to get them to the City.

Hirgon replies they have long made good stores, planning for this day. Let them ride as lightly and as swiftly as they can! Theoden tells Eomer to command the heralds to marshal the Riders, and presently horns ring out, sounding dull and harsh in the heavy air, ‘braying ominously.’

Theoden turns to Merry. He is riding to war, so he releases him from his service but not his friendship. He suggests that he stay in safety in Rohan, perhaps serving Eowyn if he wants to. She will be ruling the folk in Theoden’s absence.

But Merry wants to go with the King; he pledged him his service. All his friends have gone to war and he would be ashamed to be left behind.  Theoden counters that they must travel quickly on great steeds, Merry cannot ride such beasts ‘great though your heart be.’ Merry counters that he can be trussed up as a bundle and carried on the back of a horse or hung from a stirrup; ’It is a long way to run, but run I shall, if I cannot ride, even if I wear my feet off and arrive weeks to late.’

Theoden smiles at his bravado and says the hobbit can at least ride to Meduseld with him; his pony Stybba can bear him that far. But when the great race to Minas Tirith begins, he cannot join.

Eowyn rises and asks Merry to come with her to see the gear she has gathered for him. She says she did this at Aragorn’s request so that he will be armed; she fears he will need it. Eowyn leads him to a booth where an armourer brings out his arms.

There is a small helm; a little shield, green and with the white horse of Rohan on it; a belt and a knife. He already has a sword, fit for his size. They have no mail that will fit him but supply him with ‘a stout jerkin of leather.’

‘Take all these things,’ she said, ‘and bear them to good fortune! Fare well now, Master Meriadoc! Yet maybe we shall meet again, you and I.’

 

Bits and Bobs

‘Holbytla’ is the asterix word (unrecorded term that is extrapolated or conjectured) in Rohirrric (Anglo-Saxon) that Tolkien feigns that the (English) word hobbit may have been worn down from. It means Hole (hol) Builder (bytla). He came up with the explanation years after he invented and started using the word, perhaps an unconscious reflex from his philologist’s training.

Merry's comment about wearing his feet off reminds me inevitably of Trotter, the Hobbit who served as the first draft for Aragorn at the Prancing Pony. His feet had been removed by some kind of torture, and his 'wooden shoes' were actually prosthetics to replace them.

A rider controls a horse as much by shifting weight as by steering with the reins; Merry is deemed too light to control the big strong steed needed to make the journey.

Looking back (hastily I fear) I can find no place where Aragorn requests anyone (let alone Eowyn) to arm Merry. Perhaps he did and it just wasn’t mentioned in the details; perhaps he did and I just plain-de-old missed it; perhaps this is an extrapolation that Eowyn makes from Aragorn’s desire that Merry be taken care of. But perhaps Eowyn is projecting her own desires on Merry, preparing him for battle, seeing in his willingness to go an echo of her own impulses and indulging them through him. Or perhaps she is already planning her own decision.

Monday, February 10, 2025

Out of the Shadow Library and Back into the Archive


The Best of Jules Verne, edited by Alan K. Russell (Castle Books, 1978) Includes Around the World in Eighty Days, The Clipper of the Clouds, Journey to the Center of the Earth. With 151 Illustrations, and a reprinted biographical article by Marie A. Belloc.


Selected Works of H. G. Wells, including The Time Machine, The Island of Dr. Moreau, The Invisible Man, The First Men in the Moon, The Food of the Gods, In the Days of the Comet, and The War of the Worlds, Complete and Unabridged (Heinemann/Octopus 1977)

There was a resurgence of interest in what may be considered the proto-Steampunk works of Jules Verne and especially of H. G. Wells in the 1970’s, no doubt related to growing unease with the age of atomic power, human genetics, and space travel, areas of science that were proving bleaker and more complicated than hoped. There was an impulse to restore a sense of adventure and romance, to examine these areas by contrast with earlier dreams and aspirations, perhaps to reveal the dangers always inherent in the quest for knowledge and to look at modern problems through the lens of the past. Or maybe to just make a few quick bucks out of some old tales that had fallen out of copyright.

These volumes were produced at that time; John bought them some years later, at, I think, Yesterday’s Warehouse. Classic science fiction, especially Ray Bradbury, is (or was) one of his things, and he may have got these books ‘on spec,’ as it were, on enthusiasm caught at least partly from Bradbury’s appreciation of his predecessors, though I know John was particularly into Wells from the start. Anyway, in time he passed them on to me, and in time I passed them on to Kameron. I never read them that I remember; I think I was more enamored with the idea of having these collections of classics at hand.   

Well, as I said before, Susan is going through boxes and boxes of Kameron’s old things that have been stored away, including tons of books. I noticed these in the pile headed for a garage sale, and they gladly turned them back over to me. I simply cannot resist, though I am unlikely to read them even know. But they are at hand if I ever want to try.

The Jules Verne volume, beside having 151 old illustrations, includes a biographical essay by Marie A. Belloc, sister of Hilaire Belloc, a fact that would have meant nothing to me before a few years ago. For me, it is a small added value to the tome.

Now, where am I going to put them?


Marie Adelaide Belloc Lowndes

(1868–1947)

British novelist, sister of Hilaire Belloc. She had a literary reputation for combining exciting incident with psychological interest. Her most famous novel, The Lodger (1913), based on the Jack the Ripper murders of 1888, has been adapted for the screen five different times. Pen names: Mrs. Belloc Lowndes, Marie Belloc Lowndes


 


 

Sunday, February 9, 2025

Sixty Three Years Ago Today

 


I think this is the earliest photo we have of Mike on file; it is labelled Mike, 1 year old. He would have been 63 years old today. As a tribute I post this story he published in the 1982 Persona when he was in college.

BY THE LAKE

 

     The clouds came in over the river; pregnant with rain and wind and filled with summer lightning -- high, golden, and faraway.

     We sat in the grass by the boat dock and watched it come; the air around us first empty and silent, waiting for the storm, then loud with the sound of the wind in the pecan trees and the thump of the fat raindrops against our backs as we ran for the lakehouse.

     Afterwards, the grass was wet and very green and the sky glowed with the coppery, after-storm glow as we picked up branches the wind had broken from the trees and stacked them in a pile.

     Beneath one of the trees was the nest of a bird made of brown grass and string. It was torn apart and in it were three tiny pink and gray sparrows that you said I should not touch because the mother bird would not take them back if I did.

     I picked them up anyway and looked at them as they squirmed there in the palm of my hands, which always seem too big when handling very small things or trying to be gentle. The little birds seemed to be too small to contain all the things that God meant a sparrow too contain and yet they were very much alive; their black-rimmed, tightly shut eyes and bright yellow beaks bobbing and pecking at my fingers. They were naked and blind and as they squirmed there in my hands they reminded me of the things I can never tell you with my mouth; the words I can only say when I read to you from a book I love, or touch your hair in the darkness or show you the river at dusk; things as vulnerable as them and yet ever so more complicated.

     You came and took them from me, slowly and carefully, and held them in the lap of your dress, your July-brown legs sticking out from underneath as we sat in the wet grass and watched the storm clouds over the river --- high, golden, and faraway.

 

                        --Michael Babel, PERSONA 1982