This
Wednesday (December 28th) John and I got together to visit, and we
decided (as I has some Christmas gift money burning in my pocket) to check out
the few places where books are still available in town. I had no high hopes of
any good finds (the pleasure of the brotherly company was the main point of the
jaunt) but we came back with some surprisingly good acquisitions.
The
first place we went was the Seguin Public Library used bookstore. It is
generally a good place to find a decent mix of old and new volumes, and it did
not disappoint. I left with a total of five books for $12, all in very good
shape.
First
off there were a couple of slim Fantasy art books, The Fantastic Art of
Boris Vallejo and Dreamquests: The Art of Don Maitz. These were not
some of my especially favorite artists, but their work was everywhere on book
covers and magazines when I was younger and looking at their work definitely
conjures up a time. Vallejo’s statuesque blonde and her giant lizards were
everywhere, on book and magazine covers, and even as a poster for a completely
unrelated movie. Don Maitz’s picture of two vampiric brothers was on an issue
of Eerie, which prompted my post yesterday on that subject; his artwork, too, was on covers and in magazines. Yes, they’re
rather cheesy, but cheese can be a healthy part of a diet, especially aged
cheese such as this.
Then
there were a couple of classic volumes whose nice binding particularly caught
my attention. Say what you will about the publishing industry, but a definite
advance has been made in the binding of soft covers. The Thurber Carnival
makes a good reading version compared to the old hardback I have (also
purchased at the library bookstore). And because I have been branching out into
Russian Literature in my old age, The Essential Tales of Chekhov looks
like to be a handy sampler of his short stories.
But
the most unexpected prize found here was a hardback copy of The Book of the
Dun Cow. This looks to be an original copy of the 1978 printing! The paper dust
jacket is in surprisingly good shape for being over 40 years old. I’ve had a
paperback copy since 1979; this is a definite upgrade.
The next place we visited was The Cranny, a small thrift store tucked away in the desolate wasteland of the old Seguin Crossroads Mall on the edge of town. The thick, swirling mass of leaves and litter that greeted us there did not bode well. We left that place empty-handed; there were a few things that lured (like a clumsily packaged audio version of The Hobbit on CD) but ultimately seemed not worth the risk.
Our
visit to the Seguin Goodwill was a little more propitious. I found a hardback copy
of Tolkien’s Roverandom with a somewhat damaged jacket that I insisted
on buying for John, since he didn’t have a copy. I think it might very well be
the first American edition. Anyway, I couldn’t leave that unlikely orphan
behind. There were a couple of juvenile tie-ins to the Peter Jackson Tolkien films,
but I was able to resist. But what I found next completely astounded me.
I
have written lately about the first paperback copy of T. H. White’s The Once
and Future King that I had back in middle school, the old tie-in to the musical
Camelot. Here (as if summoned by the memory) was a copy of the identical
book! It was in fairly good shape, too, for a 54-year-old paperback. I had
forgotten the black spine and the photo on the back cover, and it looked a tad
thinner than I recalled, but it was it. Well, for only $2 I had to have it. It
seemed like fate.
And those, barring any unforeseen circumstances, are my last books of 2022. It has been an interesting time. It is odd; I have almost totally cleared my Wish List on Amazon, and I go into the New Year with few impending purchases on the horizon, and none that are urgent, always excepting the impending The Homecoming of Beorthnoth at the end of March. But that’s in the almost unimaginable future; that’s next year.
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