The
Tale
Eomer
and the Riders leave Aragorn, Gimli, and Legolas, and are soon out of sight.
The three ride off on their new mounts, with Aragorn bending low to observe the
trail. They come to the river Entwash, and they see where that new group of
Orcs joined the band they were following. Aragorn dismounts and searches the
area but can discover little. He judges that the Orcs knew they were being
pursued at this point; the Hunters must go slower, in case some effort was made
to get their captives away before they
were overtaken.
As
they ride forward the day is overcast and misty. As they grow closer to Fangorn
Forest, they pass single corpses felled by the Riders’ arrows. Late in the
afternoon they come to the eaves of the forest and an open area where trees
were felled to make the pyre for the fallen Orcs. The ashes are still
smoldering. Nearby is a pile of their armor, helms, shields, weapons, and other
gear of war. In the middle of this pile, on a tall stake, is impaled the head
of a great goblin; it still wears the helm with the badge of the White Hand.
Further
away, near the river is a mound, covered with green turves and planted with fifteen
spears. This is the grave of the fallen Riders.
While
the light lasts, the three search for any trace of Merry and Pippin but find
none by nightfall. Gimli sadly concludes that the burned bones of the hobbits
are mingled with the ashes of the Orcs. It will be hard on Frodo and Bilbo if
they ever hear of it. Elrond never wanted them to come at all.
Gandalf
did, Legolas points out. But Gandalf came himself and fell, Gimli counters. His
foresight did not see that coming, either.
‘The
counsel of Gandalf was not founded on foreknowledge of safety, for himself or
others,’ said Aragorn. ‘There are some things that are
better to begin than to refuse, even though the end may be dark.’ But they’ll
stay the night and search more in the morning light.
They
make their camp not far from the battlefield under a spreading tree. It looks
like a chestnut with broad brown leaves like dry hands with spread fingers. As
it is growing cold, Gimli decides to build a fire, even if it draws any enemies
left to them. Legolas hopes if the hobbits are still alive, it might help draw
them to them.
Aragorn
says they are almost under the eaves of Fangorn, and it is said to be perilous
to touch the trees of that land. Gimli points out the Riders felled many trees
to make the Orcs pyre and were not harmed, but the ranger points out that they
were many and did not enter the forest. They might have to, so touch no living
bough. Gimli says there are enough chips and branches and dead wood aplenty,
and he builds a fire near the tree.
As
they sit huddled around the little blaze, Legolas looks up into the boughs
overhead and cries out. They look at the tree in wonder.
‘It
may have been that the dancing shadows tricked their eyes, but certainly it
seemed to each of the companions the boughs appeared to be bending this way and
that so as to come above the flames, while the upper branches were stooping
down; the brown leaves now stood out stiff, and rubbed together like many cold
cracked hands taking comfort in the warmth.’
Suddenly
the night and the foreboding forest at their backs seems uncanny. Legolas asks
Aragorn about the stories Boromir mentioned about Fangorn, whether he thinks
they are true. He replies that if an Elf of the Wood doesn’t know, how shall a Man
answer? Legolas says all he knows from old songs is that the Onodrim, that men
call Ents, dwelled their long ago. Aragorn says it is very old, as old as the
Old Forest back in the Shire, both remnants of a greater ancient wood. But
Fangorn has some secret of its own.
They
settle down to sleep, with Gimli taking the first watch. Aragorn warns him not
to stray far if he needs more wood; rather let the fire die out. He falls asleep.
‘Legolas already lay motionless, his fair hands folded upon his breast, his
eyes unclosed, blending living night with deep dream, as is the way with Elves.’
Gimli sits hunching by the fire, running a thoughtful thumb over the edge of
his axe.
‘Suddenly
Gimli looked up, and there just on the edge of the firelight stood an old bent
man, leaning on a staff, and wrapped in a great cloak; his wide-brimmed hat was
pulled down over his eyes.’ Gimli springs up, thinking that Saruman has caught
them, and his movement rouse Aragorn and Legolas, who sit up and stare.
Aragorn
leaps to his feet, asking the old man what they can do for him and join them at
the fire. But then the old man is gone (stepped out of the light? vanished?)
and no sign can be found of him. They dare not go far from the fire. Suddenly
Legolas cries out. The horses are gone!
They
stand still, struck by this new stroke of bad luck. The distant sound of
whinnying and neighing come to their ears, then all is silent again. At last
Aragorn says they must accept their disappearance if they don’t come back
again. They started this hunt on their feet and can end it on their feet. Gimli
grumbles that they cannot eat their feet as they might the horses, if it comes
to that. Legolas laughs that a few hours ago the dwarf would not even sit on a
horse; they’ll make a rider of him yet.
Gimli
thinks there’ll be no further chance of that. He thinks the old man was
Saruman, wandering as Eomer said he did, hooded and cloaked, and that he scared
away the horses. Aragorn notes that he was wearing a hat, but nonetheless
believes that it was Saruman, too. Still, there is nothing they can do now but
rest. He takes the next watch. He needs to think.
‘The
night passed slowly. Legolas followed Aragorn, and Gimli followed Legolas, and
their watches wore away. But nothing happened. The old man did not appear
again, and the horses did not return.’
[End
of Part Three]
Bits
and Bobs
This
last little bit is only the last five pages or so of the chapter. I couldn’t
find any appropriate illustrations, but I always thought the appearance of the
old man by the Three Hunters’ fire would be a good one, or even of the tree ‘warming
its hands’. These incidents may have inspired pictures somewhere, but I haven’t
found them. But anyway, all the notes for the whole chapter appear here.
As
has been pointed out by Tom Shippey in The Road to Middle-earth, the
Riders of Rohan are essentially described as Anglo-Saxon warriors, except for a
few details. The most important, of course, is that they are horse-riders, with
battle skills more akin to warriors of the steppes, like the Huns in our world.
Eomer’s horse-tail ‘panache’ on his helmet is particularly reminiscent. Anglo-Saxon
armies had few mounted riders. Most Rohirric names and special terms are from
Old English; all the names of their kings translate as some word meaning ‘ruler’
or ‘warrior’ (‘Eorl’=’Earl’, ‘Theoden’=’King’) and ‘Eo-‘ names contain the word
for ‘horse’. Of course all these words
are feigned to be translated into Old English from the ‘true’ language of
Rohan.
I wish I could easily reproduce all the accent marks used by the Rohirric terms. Tolkien had a typewriter set in Anglo-Saxon typeface for his work.
It
has also been noted (I forget where) that much of the savagely stoic character
of the Riders recalls the actions and nature attributed to native Americans in
popular literature. Tolkien himself (in On Fairy Stories) states that he
enjoyed tales of ‘Wild Indians’ when he was young, especially in the tales of
James Fennimore Cooper, with their deep, primordial woods.
Through
the actions of Legolas we are given insight into the relation of Elves to their
minds and bodies, especially of the connection of their dreams and memories to
waking life. It seems their mind can rest while their body jogs along, and vice
versa. It is Legolas who has visions of the spiritual nature of things, like
the crown flickering on Aragorn’s brow.
While
the Elf has generally a more hopeful outlook on life, Gimli takes a more …
well, I don’t want to say pessimistic, but certainly a more distrustful
attitude. He is quick to see and warn against the downside of every situation.
Gimli is stern, ‘dour’, like most Dwarves, and a little quick to take anger,
but also can set it aside. His defense of Galadriel has been seen as a ‘chivalric’
devotion to the Lady, a high respect and dedication that lifts his spirit above
the personal prejudices of his people.
In
this chapter we learn some more about Tolkien’s view of stories and morality.
Aragorn says not to scorn the stories of the past, for we will ourselves be the
stories of the future, to be judged by those who come after. The Riders
themselves might come to seem an unlikely tale to later generations. Meta! Also,
that morality, good and evil, is not relative, changing with the times, or
different between different folk. And ‘There
are some things that are better to begin than to refuse, even though the end
may be dark.’
The
appearance of the Ents is teased, both in speaking their name (without much
detail about what they are) and in the unusual actions of ‘the chestnut’ to the
fire. This tree is apparently not an Ent itself, but possibly a ‘Huorn’ that is
approaching sentience and mobility.
Much
time is spent discussing the machinations of Saruman, which will soon become
very important to the story. For a long time I thought the appearance of the
old man at the fire was just an appearance or a ‘sending’ of Saruman’s
awareness, like an astral projection. But according to the Scheme
written by Tolkien, reported in The Lord of the Rings: A Reader’s Companion,
it is indeed Saruman grown impatient for the Ring and gone out to meet his
troops. Just a little too late. That he was wearing a hat rather than a hood might have been meant to obscure his identity.
The
incidence of the missing horses in the night will later be shown to have a
different significance than they surmise.
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