The
dream began in media res, as it were, with a lot of stuff already set up
and implied. I'm going to tell it as I dreamed it, and I'm going to put what I
call "festoons" in square brackets [] to tell you what I think a
developed story might include.
The
story opens inside a terraforming center on an alien planet. [The planet had
biological possibilities before; perhaps a low level of life develpoment that
went extinct.] Anyway, they've let off a mutagenic "bio-bomb," sort
of like in Wrath of Khan, and now the development is spreading around their
grounded spaceship, which is like their colony and station. They are supposed
to have limited contact with the outside at this stage, so it is rather
claustrophobic.
Who
are "they"? A group of humans, not many [probably between 10 and 20],
scientists and engineers all, though there is a hierarchy [from command down to
what amounts to flunkies]. The two main characters of the story are the
focus-character [who was my point of view], a scientist rather low on the
totem-pole of command but high in the necessities of the science, analyzing and
monitoring results. The real stirrer of the soup though is an officer [not the
highest rank; I think of him as the Major. Possibly what happens is the actual
commander is dead from some accident or other (was he an older, wiser man?) and
now the Major is in charge]. And the Major is going stir-crazy.
In
his boredom he is venturing out with his arsenal and shooting up stuff, like an
asshole blasting cactus in a desert. [All the virtues for which he was chosen
for the mission, his courage and proactivity and vitality, are turning against
him. I imagine he was more on the technical side; he used the 3-D printers of
the lab to make weapons, first primitive ones to exercise with, then more guns
and whatnot.] The scientist [who I shall now refer to as the Minor] keeps
protesting his interference and pointing out his violations of protocol, but
the Major is in charge.
In
fact, his authority goes to his head. He gets more and more eccentric, down to
the point of wearing clown make-up and lording over and scaring and even
terrorizing his fellow crew members. He comes to think of them as lower beings,
stupes, stooges. He comes down even to declaring himself the de facto deity of
this new planet [Mistuh Kurtz, he dead; I am the Angel of Destruction] as he
blasts around on his swaths of destruction. When the Minor protests, the Major
says they have a whole damn planet to play in; a little mayhem won't hurt it.
[The Minor, on the whole, has as the second string of his character the
Humanities: Art, Music, Literature, Philosophy, probably even Religion.] The
Minor is not so sure about the effects this will have, what burgeoning pieces
of the eco-system might not be destroyed or affected. The mumbo-jumbo,
meanwhile is accelerating at an unprecedented rate.
It
all comes to a head when they come across a species of swamp-ape that has been
evolving stealthily out in the wilderness. [There have been some clues that
they exist at an earlier stage, but then the signs disappeared. The Minor
thought the Major had wiped them out.] I say come across: the Major kills one
and brings it in, and that's how they discover it. The Major starts tormenting them, messing
with them [he calls it "testing}. And suddenly the swamp-apes [who seem
rather vegetable in nature, kind of like Man-Thing; was human DNA in the
mutagenic matrix? Can they regenerate under the right conditions?] attack the
compound, not only in a pack, but in a concerted, planned effort, launching
spears in vast clouds, diverting lumbering beasts to smash into the compound,
etc. They are intelligent, and they work together, unlike the humans, who have
fragmented in their aims.
But
not anymore. The Major now panics, and finds he has to come out of his
'fortress of solitude' headquarters and work with his despised crewmates if he
wants to survive. Everyone is scrambling and afraid, but none more so than the
Major now that he faces a foe that can fight back. The other scientists are
trying to find out in a hurry how to use weapons (which they have all been
deploring but now resort to) from his arsenal that they are unfamiliar with;
the Minor thinks he knows a way that he can use their technology in a less
destructive way to pacify them [Happy gas? Holo-graph trickery? Or perhaps just
fly the ship/station away to escape] and struggles to get to his lab. I didn't
actually dream an ending, but I knew in the way one knows in dreams that the
Major was doomed.
Themes
and Memes: So my final take-away is that whatever utopia Man
proposes, he always carries with him his own stain that dooms what he tries to
build up. He cannot give what he doesn't
have. I see Aliens, Avatar, Southern Comfort, Planet of the Apes, Man-Thing,
The Wrath of Khan, and Apocalypse Now in this strange brew, along with some
rather C. S. Lewis philosophy.
Notes
I've said before, a lot of times I have some odd dreams that seem totally bizarre stories worked out of an unlikely subconcious stew. Some of the dreams I have 'translated' into tales; others just suggest ideas that tease me with possibilities. Some merely have elements that I use as narrative 'thickening'; perhaps (it's hard to tell at this distance) this dream-story had an influence on Daisy and the Swamp Ape, since published here. I can't say that I've ever written an entirely science-fictional story that I can think of; at best a sort of 'soft' sci-fi with elements of horror.

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