Showing posts with label blanche winder. Show all posts
Showing posts with label blanche winder. Show all posts

Thursday, September 17, 2020

Myths, Legends, and Scary Tales


The Golden Fleece (and the Heroes who Lived Before Achilles, by Padraic Colum. Illustrated by Willy Pogany.

I can visually locate in my memory exactly where I first found this book: behind the check-out desk in the main library at Briesemeister Middle School. (I was a library assistant there one year. They were only supposed to have two, but I refused to take any other elective, and they had to squeeze me in finally. I think they resented it. It’s hard to imagine anyone more needlessly haughty than a school librarian.) It was as much a visual experience as a literary experience, with its pictures of centaurs, harpies, and minotaur. Their “The Children of Odin” was right next to it. Together a very powerful influence indeed. I have to say – and I might as well say it here – that while I was growing up in the early 70’s there was not as much encouragement for myth and fantasy as there is today. Coming out of the disillusionment of Kennedy’s death and the scandal of Watergate a sort of ‘rancid realism’ set in, where we wouldn’t be fooled anymore by pretty stories or lying tales. ‘De-mythologizing’ and cynicism were the order of the day, and the teachers wouldn’t accept from us the patriotism our earlier teachers had taught us before. I felt that in following my own ways of fantasy and legend I was taking an older secret path away from that mess. And that’s what I have to say about this secondhand ex-library book.

Ranking: Essential.

File Code: Mythology. Children’s Book. Hardback.

The Children of Odin, by Padraic Colum. Illustrations by Willy Pogany.

“Padraic Colum was an Irish author. I first read his books back in middle school, and his The Children of Odin was the first version of the Norse Myths I ever read.” – Power of Babel. For a long time, copies of this book were scarce on the ground, and I was more than happy to find this one. Of all the pictures in the book, Odin the Wanderer is the one that still leaps to mind when I think of this book, and the second is the look on Loki’s face as he eats the witch’s heart. Dwarfs, dragons, and eagles helped feed the Northern Thing inside me in this Time of Tolkien. Hard to exaggerate the influence of this book. [Not my cover, which lacks the jacket, but is this is like the one in middle school.]

Ranking: Essential.

File Code: Myths. Norse. Hardback. 

Stories of King Arthur, by Blanche Winder.

Although it is missing its title page, this is a Hardback edition of the paperback mentioned elsewhere. Does not have the illustrations that I know exist in more deluxe versions: 16 Color plates and 8 other illustrations by Harry G. Theaker, that were adapted for the paperback. First published in 1935, under the title “King Arthur and His Knights”.

Ranking: Keeper.

File Code: Legend. Arthurian. Hardback.

Irish Fairy Tales, by Joseph Jacobs, Illustrated by John D. Batten.

This Wordsworth Classics Edition comprises stories selected by Jennifer Chandler of the Folklore Society from Jacob’s two-volume collection, Celtic Fairy Tales and More Celtic Fairy Tales, originally published in the last decade of the 19th Century.

Ranking: Keeper.

File Code: Fairy Tales. Anthology. Softcover.


English Fairy Tales. Illustrated by Arthur Rackham.

Can’t find who collected or selected (possibly Flora Annie Steel) this Wordsworth Classics book, but it definitely has the great artist’s line drawing and silhouette work.

Ranking: Keeper.

File Code: Anthology. Fairy Tales. Softcover.



The Sea Serpents Around Us, Written and Illustrated by Lois and Louis Darling.

“I mentioned a book on sea serpents that I read back in grade school, and that I had been trying to hunt down for years. I remembered that it had been written and illustrated by a husband and wife team, was in black and white, and had been published before 1970. After an extensive search, I found a book I thought fit the bill, and at a venture sent off for it. It turned out to be the right one. The Sea Serpents Around Us, by Louis and Lois Darling, published 1965. Louis Darling is (or was) famous for illustrating all the Beverly Cleary books (Ramona, Ribsy, etc.) and The Mouse on The Motorcycle books. His wife Lois was a keen boatswoman and artist herself. Together they illustrated Silent Spring by Rachel Carson, the early environmentalist. It was undoubtedly their naturalist expertise on the ocean that made them such convincing illustrators for this book, and surely Lois is responsible for the little gems of accuracy of several period ships. The book itself starts with a wise old sea serpent putting its head on their boat while they're sailing one day. It tells them the history of sea serpents, including several famous examples like the Loch Ness Monster and the Manchester Sea Serpent. A whimsical ancestral chart is shown, which includes dinosaurs, dragons, and crocodiles. The authors explain that after bounties and rewards were placed on sea serpents’ heads, they all decided to go into hiding and pretend to be extinct. Much of the book is rather tongue-in-cheek, but to us it was a beginning introduction to cryptozoology, and one of the elements that put it over to us was the very solidity of the pictures.” – Power of Babel, 2008. I’m sure their fanciful “family tree” of dinosaurs, dragons, and sea serpents had an effect on similar drawings I did later.

Ranking: Essential.

File Code: Cryptozoology. Fantasy. Hardback.


Great Ghost Stories, Edited by Herbert Van Thal. Illustrated by Edward Pagram.

“It is a shabby cloth-bound red book. Pop brought it back from the dump in the late sixties. Why had it been thrown away? I begin to wonder, now ... Over the forty years it's been in the family it's been in the same shape; ragged, moldy, stained, it always seems on the verge of disintegrating but has never lost even a single page. And it is the scariest book in the whole world. Its title: Great Ghost Stories. Edited by Herbert Van Thal, illustrated by Edward Pagram, published by Hill and Wang, Inc., of New York in 1960. Haunting tales, especially the Lytton and Le Fanu. But what puts the extra horror on these stories are the illustrations. I don't know who this Pagram fellow was, but he manages to fill his pictures with more scabby, nebulous horror than all the air-brushed color pictures I ever saw since.” -Power of Babel. And I wouldn’t mind finding a new copy. [Not this cover.]

Ranking: Essentially Horrifying.

File Code: Ghost Stories. Anthology. Hardback.


The White Stag, Written and Illustrated by Kate Seredy.

The White Stag is a children's book, written and illustrated by Kate Seredy. It won the Newbery Medal for excellence in American children's literature and received the Lewis Carroll Shelf AwardThe White Stag is a mythical retelling that follows the warrior bands of Huns and Magyars across Asia and into Europe, including the life of Attila the Hun. Kate Seredy was born in Hungary and came to the United States at the age of twenty-three. Hungary again became the inspiration for The White Stag. Originally conceived after Seredy read a book on Hungarian history for children and found it dry, she says in the "Forward" that she wrote the book for "Those who want to hear the voice of pagan gods in wind and thunder, who want to see fairies dance in the moonlight, who can believe that faith can move mountains, can follow the thread on the pages of this book. It is a fragile thread; it cannot bear the weight of facts and dates." Based on her father's favorite folktale about the founding of that country, The White Stag was written in just three weeks.” – Wikipedia. Very hard for me to see the Huns (especially Attila) as heroes, but I suppose everyone has their point of view. Bought this at Yesterday’s Warehouse. A lot of the pictures look like they should be illustrating an old Michael Moorcock story. The White Stag, however, is a haunting figure. [Lacks this jacket.]

Ranking: Keeper.

File Code: Legend. Novel. Hardback.


Witches, Witches, Witches, by Helen Hoke. Pictures by W. R. Lohse.

The Witch Itch at its itchiest. I read it back in grade school, and it horrified and allured me. So many classic witch stories and poems by such good writers. Some good witches, but mostly the cannibalistic monsters and evil plotters of darkest legend. Andrew Lang, Oscar Wilde, Shakespeare, Joseph Jacobs, the Brothers Grimm – their witches met again later in other places and other collections but introduced here. The Hungry Old Witch, Gally Mander, The Horned Women, and Baba Yaga are all present. I found this copy totally by accident when Mike and I went into a San Antonio bookstore where I had located a copy of “The Visitors from Oz”, and I had to have it. The greens, purple, and blacks of the cover is Halloween incarnate. Hoke has several other anthologies I wouldn’t mind checking out, all with titles like “Monsters, Monsters, Monsters”, “Dragons, Dragons, Dragons”, “Devils, Devils, Devils”, and so on.

Ranking: Essential.

File Code: Witches. Anthology. Hardback.

Friday, August 14, 2020

Penguins, George Macdonald, and Airmont Classics



A Sentimental Journey (Through France and Italy), by Laurence Sterne.
A Penguin Book. A follow-up, of sorts, to his great “Tristram Shandy”. “He launches into conversations with no story to tell, little plan of narration, and a habit of slipping down every side-turning … but there is no getting away from him. What begins as an account of the dying author on a tour by coach through France and Italy, ends up as a treasury of dramatic sketches, pathetic and ironic incidents, philosophical musings, reminiscences and anecdotes.” – cover blurb. At the finish of this book (which I believe was intended to go into more volumes) he writes: “So that when I stretched out my hand, I caught hold of the filles de chamber’s – END.”
Ranking: Essential.
File Code: Travel? Novel? Paperback.

Medieval English Verse, Edited and Translated by Brian Stone.

Another Penguin anthology. Poetry religious and secular, and it must be remembered that from this period it is Catholic religion, though it does have its own peculiar English tang. Tolkien’s area of course, and so of added interest to me, as I nose into his territory like a timid tourist. A fairly recent acquisition.
Ranking: Keeper.
File Code: Poetry. Medieval. Paperback.

Phantastes and Lilith, by George MacDonald.
Both of these are Eerdman Books (Eerdmans Publishing Company is a religious publishing house based in Grand Rapids, Michigan), both have an Introduction by C. S. Lewis (adapted from an essay), and both have covers of such wonderfully deep and glowing colors that they rival Maxfield Parrish himself. Admired by Lewis Carroll, G, K. Chesterton, and C. S. Lewis (who attributed “Phantastes” for ‘baptizing his imagination’ and contributing to his conversion), MacDonald wrote these ‘fairy tales for grownups’ as a strange spiritual odyssey. The style is admittedly hard for a modern-day reader, and I must confess to not having thoroughly read them through, but with some skipping and parsing for the ‘story’. But what I have read has gifted me with lingering images and insights.
Ranking: Essential.
File Code: Fantasy. Novel. Paperback.
At the Back of the North Wind, by George MacDonald
An Airmont paperback, and that means a certain level of cheapness, but it is Complete and Unabridged. With line illustrations that I’m almost certain are adapted from Frank C. Pape’s paintings for the book. One of MacDonald’s stories that combine fantasy and religious allegory. This old copy made its way all the way from California!
Ranking: Keeper.
File Code: Fantasy. Novel. Children’s Book. Paperback.

The Princess and the Goblin, by George MacDonald.
An Airmont paperback, and now that I think of it, probably my only physical copy of the book. I used to have a hardback (bought at HEB, of all places), but I either must have given it away or sold it, or just clean forgot where I put it, which seems unlikely. Aha! Jules Gotlieb appears to be the cover artist whose work I admire; the interior illustrations are the classic ones by Arthur Hughes. The best of MacDonald’s fairy tales, it was made into a terrible animated film with Molly Sugden and Rik Mayel as voice actors. Also parodied in “Fractured Fairy Tales” on the Rocky and Bullwinkle Show. Ranking: Essential.
File Code: Children’s Book. Classic. Paperback.

The Princess and Curdie, by George MacDonald.
From Chariot Books, a religious publishing house. I remember I got it at the St. Andrew’s Episcopalian Book store, one of those times I went with Mom. Got some L’Engle and Lewis there, and Chesterton’s “St. Francis of Assissi”. And a toy Noah’s ark with little animals. And Bible cradles. A sequel to “The Princess and the Goblin”, it suffers a bit from ‘sequelitis’. I didn’t read it all the way through in this form.
Ranking: Essential.
File Code: Children’s Book. Classic. Paperback.

The Adventures of Pinocchio, by Carlo Collodi.
I love these old Airmont Books Classics Series editions. I have seen their painted cover art described as “cheesy” but there is one uncredited artist whose style I admire, and “Pinocchio” has it. Also some rather poor interior line illustrations. We had an old copy of Pinocchio in what I call a “coffee can” or “department store” edition, a cheaply bound cardboard-covered book that lost its front so long ago I can’t remember what it looked like – maybe The Children’s Press edition. Which is neither here nor there. I have a much better copy.
Ranking: Keeper.
File Code: Children’s Book. Classic. Paperback.
Stories of King Arthur, Retold by Blanche Winder. (2 copies)
With line illustrations that are adapted, I have seen, from paintings illustrating an earlier hardback edition. I read this back in Fifth Grade, in Mrs. Harris’s class, and was blown away with the story of Merlin more than any of the knightly adventures, and found the retelling of the Grail and the founding of the Round Table to be numinous experiences. This version of The Matter of Britain has affected me more deeply than any subsequent telling, perhaps in a way even more than T. H. White. I must have been just the right age. The picture of the evil fairy-man taking the king’s daughter reminded me of “Gargoyles” and seemed very ominous to me, and old Merlin playing his harp stirred something sorcerous in my soul. An Airmont book, cover (probably) by Jules Gotlieb. I have another copy protected in a plastic sleeve.
Ranking: Essential.
File Code: Legend. Arthurian. Children’s Book. Paperback.
The Wonderful Wizard of Oz, by L. Frank Baum.
No reason to have this copy, except I just like Oz in all its version. Cover by Roy Krenkel, Jr., and if I’m not mistaken, interior illustrations are his too. [Krenkel was an American illustrator who specialized in fantasy and historical drawings and paintings for books, magazines and comic books. – Wikipedia]. An Airmont Classic, apparently they did “The Land of Oz” as well, with a very misleading cover.
Ranking: Keeper
File Code: Children’s Classic. Fantasy. Paperback.
The Wind in the Willows, by Kenneth Grahame.
Another Airmont classic, artist for the cover and interior line illustrations unknown, but obviously the same, and might have been slightly influenced by Rackham. No real reason to have this edition except cheap nostalgia.
Ranking: Keeper.
File Code: Children’s Classic. Paperback.
The Legend of Sleepy Hollow and Other Stories, by Washington Irving.
An Airmont Classic and an anthology of Irving’s short stories. Cover, I suspect, by Jules Gotlieb. “A collection such as this one, which ranges more generously over Irving’s whole work [other than ‘Rip’ and ‘Hollow’] may not only teach us why Irving was once so popular but may suggest that Irving has more to offer a modern reader than just his two most famous stories.” – blurb from the back cover.
Ranking: Keeper.
File Code: Anthology. Short Stories. Paperback.