Showing posts with label leonard wolf. Show all posts
Showing posts with label leonard wolf. Show all posts

Monday, October 7, 2024

Into the Archive: Cache and Carry

 


The mention of Monsters (1974) by Leonard Wolf the other day reminded me that I had a little cache of books that I neglected to put in the Archive before, an oversight that I will now rectify. The first are a few of the monster books for kids that were so prolific in the 1970’s. The Seventies were, in a way, an age of the occult, of morbidities and monstrosity and murder, and these books were a way of mediating those trends in a more harmless (albeit still gruesome) manner for the kiddies.

Werewolves and Other Monsters (1971) by Thomas G. Aylesworth.

Vampires and Other Ghosts (1972) by Thomas G. Aylesworth.

The Alchemists: Magic Into Science (1973) by Thomas G. Aylesworth

The Body Snatchers (1975) by Daniel Cohen  

Richard Armour (July 15, 1906 – February 28, 1989) was a writer whose heyday had arguably already passed when I encountered him in my high school library. I don’t think he is anywhere on the radar of most readers nowadays, but I developed a certain fondness for his work. He had written serious scholarly books but was more famous for his humorous poetry and his fractured takes on history and literature. I remember how Mike and I cracked up as I read his take on David Copperfield aloud. It was Armour, and not Ogden Nash, who wrote the famous little verse “Shake and shake/ The ketchup bottle/ None will come/ And then a lot’ll.” I hope to find his American Lit Relit (1964) someday. Many of his books were illustrated by Disney animator and illustrator Campbell Grant, who had worked on Snow White, Pinocchio, Fantasia, and The Adventures of Ichabod and Mr. Toad, among others.

Twisted Tales from Shakespeare (1957)

The Classics Reclassified (1960)

English Lit Relit (1969)


Sunday, October 11, 2020

Great Old Library Books



















Whether one wanted to sup upon horrors or laugh with Richard Armor at the English cirriculum, or to delve into whimsy, legend, or history, there were always plenty of good books to take from our school libraries.These were a few of them.

Friday, September 18, 2020

Guides and Flights of Fancy

New Larousse Encyclopedia of Mythology, Edited by Felix Guirand, with an Introduction by Robert Graves.  

“A comprehensive reference guide to ancient and prehistoric legend, exploring the folklore and mythology of every nation and civilization.” - Amazon. Besides which, this is where for years I kept that picture of me and Mike as dog-trainers. Illustrated with photos of artifacts and art.

Ranking: Gotta Keep It.

File Code: Encyclopedia. Mythology. Hardback.


Encyclopedia of Science Fiction, Consultant Editor Robert Holdstock. Foreword by Isaac Asimov.

One of the early purchases from the Science Fiction Book Club. I remember it was in John’s books for a long time. I always enjoyed explanations and histories and analyses, and Sci-Fi was allied with other branches of Imaginative Literature. I think the picture of Darth Vader on the cover was part of it that helped lure us in; we wanted anything about Star Wars, and it was not just yet the Juggernaut that the franchise became. Science Fiction was always trying to be the grown-up at the table, and this book has pictures of four bare boobs and a penis to prove it. Profusely illustrated, but no other porno. About 40 years out of date, but pretty good up to that period.

Ranking: Keeper.

File Code: Science Fiction. Encyclopedia. Hardback.

The Star Trek Encyclopedia: A Reference Guide to the Future Updated and Expanded, by Michael Okuda and Denise Okuda, with Debbie Mirek.

Accurate up to 1997. Illustrated with photos from the TV shows and films, and graphics by Doug Drexler. There was a time when I was very involved with Star Trek but starting with the Next Generation movies my enthusiasm began to trail off, and after Star Trek: Enterprise it completely died. I still have this Encyclopedia as a melancholy remembrance.

Ranking: Keeper.

File Code: Encyclopedia. Science Fiction. Hardback.


Horror: A Connoisseur’s Guide to Literature and Film, by Leonard Wolf.

A 1989 work by Wolf (of ‘The Annotated Dracula’), it is what it says on the label. Short synopses and a look at the significance of works of horror. Full of black-and-white drawings and stills. A nice browser.

Ranking: Keeper.

File Code: Guidebook. Horror. Hardback.


The Ultimate Encyclopedia of Fantasy: The Definitive Illustrated Guide. General Editor: David Pringle. Foreword by Terry Pratchett.

A brilliant full color guide to Fantasy, produced at the end of the 20th Century (1999). Looks at the types of Fantasy, Fantasy in movies, magazines and television, the authors, the major characters, the imaginary worlds, and Fantasy terminology. The sparkling illustrations are like the sudden burst of color when Dorothy steps into Oz, compared to the black-and-white monotone that had prevailed in books like this before.

Ranking: Essential.

File Code: Fantasy. Guide. Hardback.


The Ultimate Encyclopedia of Science Fiction: The Definitive Illustrated Guide. General Editor: David Pringle.

A brilliant full color guide to Science Fiction up to 1996, from the classics to the pulps to the movies to TV to the magazines. Covers the authors, the fictional characters, and the terminology, colorfully presented with famous book covers, movie stills and posters, and photos of the people who produce Science Fiction. A good browser as well as a guide.

Ranking: Essential.

File Code: Science Fiction. Guide. Hardback.


Kids’ TV: The First 25 Years, by Stuart Fischer.

1946 – 1973, which nearly enough coincides with my childhood’s end. A season by season look at children’s programming, noting trends and changes of standards. Includes who wrote the shows, who produced the shows, what channel they were on, who voiced the shows, and what seasons they were rerun. Illustrated with black-and-white Still and production art. “Back in my day, the Internet was called books.”

Ranking: Essential Reference.

File Code: Television Kids’ Shows. Reference. Hardback.

Children’s Television, 1947-1990, by Jeffery Davis.

“Over 200 Series, Game and Variety Shows, Cartoons, Educational Programs and Specials”. In some ways a more complete if less visual guide than “Kids’ TV: The First 25 Years”. A memory jogger and a browser.

Ranking: Essential Reference.

File Code: Television Kids’ Shows. Reference. Hardback.

Animated TV Specials: The Complete Directory to the First Twenty-Five Years, 1962-1987, by George W. Woolery.

An exhaustive reference book on one of my favorite subjects. Who produced them, who wrote and animated them, who voiced them, and when and where they appeared. Some black and white illustrations, but not as many as you would hope.

Ranking: Essential Reference.

File Code: Animation. Reference. Hardback.



The Simpsons: A Complete Guide to Our Favorite Family (Seasons 1 - 8), Edited by Ray Richmond; The Simpsons Forever!: A Complete Guide to Our Favorite Family … Continued (Seasons 9 – 10), Edited by Scott M. Gimple; The Simpsons Beyond Forever!: A Complete Guide to Our Favorite Family … Still Continued (Seasons 11 - 12), Edited by Jesse L. McCann; The Simpsons One Step Beyond Forever! A Complete Guide to Our Favorite Family … Continued Yet Again (Seasons 13 – 14), Edited by Jesse L. McCann, Created by Matt Groening.

After that last book, I just gave up. Wasn’t really worth it then. All the best seasons were over, and degeneration was setting in. Also, reruns were much more abundantly available everywhere.

Ranking: Keeper.

File Code: Reference. The Simpsons. Softcovers.

Cereal Boxes & Prices: 1960’s: A Tribute & Price Guide, by Scott Bruce.

It’s probably hard for most people to understand how integral a part of childhood cereal was for us when we were little kids. This was partly because the cereal mascots often had their own cartoon shows that amounted to half-hour long commercials (a practice banned in the early 70’s; now people in some countries are trying to banish the cartoon mascots even from the boxes). Our breakfast cereal was the one thing we were really allowed to choose when Mom went shopping, and we often picked it according to what prize we saw offered. And they were real prizes too, most often, right there in the box, little toys you could play with the minute you found them. Some of it was brittle gimcrackery that looked great but didn’t last long, like the pale purple buzzard noddy head, but others were “little animals” like the Winnie-the-Pooh cereal bowl hangers or the Freakies, some of which survive to this day. This book is a colorful tribute and reminder of childhood; I wouldn’t mind sharing a bowl of Crispy Critters with Linus the Lion right now.

Ranking: Essential.

File Code: Nostalgia. Reference. Softcover.

Squeaky Toys: A Collector’s Handbook & Price Guide, by L. H. MacKenzie.

“A Schiffer Book for Collectors”. Squeaky toys go back in my life before even conscious memories. Who knows how much of my aesthetic outlook was formed by the somewhat random choices of toys our parents made? The spectacles, walking stick, and valise (we called it a ‘purse’ because it was the most familiar term at the time; the same way we called our underwear ‘panties’ because that’s what Mom called them) of the ‘Omi’ lion, the glasses and umbrella of Professor Worm, the yellow sleepy-eyed Owl, made a strange trinity of wise friends that I could take on adventures. After a time, of course, we played with them less and less, but while stuffed animals wasted away and toys with movable parts broke and were lost or thrown away, the squeakies lived on almost untouched (though their squeakers were long gone). ‘Omi’ still has some crayons inside that got pushed into the squeaker hole through idle childhood fiddling – there’s no way I can write that sentence without it sounding dirty. This book is a handy helper that identifies the companies, time periods, types, and prices of squeaky toys. It helps me identify Mike’s old Lambie as a Rempel product. But I’ve never found even a picture of another ‘Omi’ anywhere, ever; not even on eBay. A guide not so exhaustive as suggestive and a glance at an alternative childhood’s ‘could-have-beens’.

Ranking: Nostalgic Keeper.

File Code: Toys. Guide. Softcover.


Tomart’s Encyclopedia & Price Guide to Action Figure Collectibles (Volume One: A-Team to G. I. Joe; Volume Two: G. I. Joe to Star Trek; Volume Three: Star Wars to Zybots), by Bill Sikora and T. N. Tumbusch.

Includes Playsets and Vehicles, up to 1996. I’ve gone through a rather intense relationship with action figures most of my life, from MEGOs Planet of the Apes, to Playmates Star Trek: The Next Generation, to Toybiz “The Lord of the Rings” and beyond, as quite a few 25-gallon plastic bins can attest. A toy and ‘playings’ were (and are) one of the most concrete ways to partake in a beloved franchise. The next best thing to having the entire collection, this copiously complete guide allows an opportunity to gloat and dream about what I have and don’t have, without having to unpack some heavy bins.

Ranking: Essential.

File Code: Toy Guide. Reference. Softcovers.


Wizardology: A Guide to Wizards of the World, by Dugald A. Steer and A. J. Wood.

More of an artifact than a book almost, it feigns to have been written by Merlin and contains fun, games and ‘lore’ for the young would-be wizard. It is illustrated by five people (Nghiem Ta, Anne Yvonne Gilbert, John Howe, Tomislav Tomic, and Helen Ward); I am not sure which is responsible for the woodcut-like engravings which to me are the best feature of this book, but my bet is on Tomic. A book combining whimsy and some authentic occult lore for budding young pagans, it is in the ‘Ology’ series, and I am sure owes its existence in part to Harry Potter. Had a toy tie-in of various wizard action figures.

Ranking: Keeper.

File Code: Art Book. Wizards. Reference. Padded Hardback.

The Flight of Dragons, by Peter Dickinson. Illustrated by Wayne Anderson.

Appeared in the wake of the popularity of “Gnomes”; Another book I got from The Science Fiction Book Club. “The Flight of Dragons is a 1979 speculative evolution book …  According to Dickinson's hypothesis, the chief obstacle to admitting the (past) existence of dragons is the difficulty of powered flight by so large an organism. To resolve this, he introduces a dirigible-like structure in which hydrochloric acid would dissolve large amounts of rapidly growing bone, releasing massive amounts of hydrogen that, once aloft, would support the body above the ground. The dragon's wings are traced to "modifications of the ribcage" (an anatomical evolutionary path shared by the genus Draco), and the expulsion of fire from the throat, as a means of removal of excess gas. The absence of fossil evidence is traced again to the internal acids, which (in Dickinson's view) would dissolve the bones soon after death … In 1982, Rankin/Bass Productions released a made-for-TV animated film The Flight of Dragons, aspects of which were based on Dickinson's novel. For example, the character design in the film bears a resemblance to the illustrations in the book, and its lead character takes his name from the author, Peter Dickinson. However, the animated film derives most elements of its story line from the novel The Dragon and the George (by Gordon R. Dickson).” – Wikipedia. The style of the artwork never completely appealed to me (though some individual pictures were great) but “I desired Dragons with a profound desire” and this was one of the only books dedicated to them that I could find at the time. I have a DVD copy of the animated special now (it is middling good) and I used to have a Del Rey paperback of the Dickson novel (those confusing author names!) but the cover got damaged, I sold it, and feel no need to replace it.

Ranking: Keeper.

File Code: Dragons. Speculative Evolution. Hardback.

Kingdom of the Dwarfs, Illustrated by David Wenzel, Text by Robb Walsh.

Another ‘speculative history’ art book in the wake of “Gnomes”, I bought this through The Science Fiction Book Club when I was in high school. I was already a big fan of the fantasy race since “The Hobbit”, and this look at dwarfs in lore and legend offered a nice little ‘what-if’ they had been real, in the guise of a supposed archeological dig in an underground kingdom. Wenzel had already done work related to Middle-Earth, and went on to do the graphic novel adaptation of “The Hobbit”.  I think the art is more important here than the text.

Ranking: Keeper.

File Code: Legend. Feigned History. Art. Hardback.


Castles, by Alan Lee. Written by David Day. Designed and edited by David Larkin.

Coming in fairly close to the end of the “Gnomes” fantasy art book vogue (1984), this book takes a look at famous castles in legend, myth, and fantasy. Its main feature is as a showcase for Alan Lee (who had already done work on “Faeries” and would later go on as a major art designer for Jackson’s “The Lord of the Rings”). David Day would become well-known to me as a bit of a corpse-grinder in his recycling and repackaging of his writings about Middle Earth and other aspects of fantasy.

Ranking: Keeper.

File Code: Castles. Art Book. Hardback.

Wednesday, September 9, 2020

So Many Notes, Your Majesty


The Annotated Sherlock Holmes, by Sir Arthur Conan Doyle.
(“The Four Novels and Fifty-Six Short Stories Complete. Lavishly illustrated with maps, diagrams, photographs, and drawings. Edited, with an Introduction, Notes, and Bibliography by William S. Baring-Gould.”) Includes the famous Sidney Paget illustrations. This volume made all my other Sherlock Holmes books superfluous, including a boxed set of paperbacks (from John’s collection) and a hardback with all the Strand illustrations. It seems superfluous to explain the Sherlock Holmes mythos; I can only say it deeply influenced me from my childhood on up, from the Basil Rathbone movies to dozens of cartoon episodes. The unflappable eccentric smarty-pants seemed an admirable role model. Where’s my magnifying glass?
Ranking: Essential.
File Code: Annotated Edition. Hardback.
The Annotated Christmas Carol, by Charles Dickens.

With the classic Charles Leech illustrations, and many others. With an Introduction, Notes, and Bibliography by Michael Patrick Hearn. Another lifelong influence, with no less than three animated adaptations during my childhood, as well as the Alastair Sim movie. Inescapable at Christmas time. The annotations clarify many of the everyday Victorian references and explicate some of the more obscure humor.
Ranking: Essential.
File Code: Classic. Novel. Annotated. Hardback.
The Annotated Dracula, by Bram Stoker.
Introduction, Notes, and Bibliography by Leonard Wolf (of “A Dream of Dracula” fame), with Illustrations by Satty, as well as many contemporary pictures to illustrate places and items of the time, and frames from film adaptations of the book. I must admit I out-and-out stole this book. I stole many library books when I was in high school. A surprising number, really. I can only plead that I was a very insecure person at the time (even more insecure than I am now, I mean), I believed no-one else cared for the books more than I, and I had already seen many of my favorite books vanish into the past and I saw no means of recovering them, (this was so long before ordering over the internet was a concept, and even before I considered trying to order them from a bookstore – besides which, I was so poor). That being said, I knew it was wrong, and it became a terrible habit, to where I was even taking books I didn’t care about that much. But to get back to the book, it allowed me to finally get into Dracula, and is still the only copy I care to read it in. Wolf’s annotations are like having a murmuring expert’s voice feeding you smooth information as you read and coming to your aid when things are most puzzling. It’s no wonder I was enamored. [My copy lacks this jacket.]
Ranking: Essential.
File Code: Annotated. Novel. Hardback.
The Annotated Frankenstein, by Mary Shelley.
Annotated by Leonard Wolf, terrible art by Marcia Huyette. With Maps, Drawings, and Photographs. The text is the original 1818 edition, before Mary tarted it up and softened it for the 1831 edition. The annotations enliven the somewhat turgid prose, and act as a semi-biography of Mary as it explores her influences and allusions. Just the sort of smarty-pants stuff I like to read. It is sort of a companion counterpart to “The Annotated Dracula”, and I found it years later (quite recently, in fact) at Half-Price books. Reading it has been like a blast from the past; it is one of those books that I sometimes find that I WOULD have read at a certain period if it had been available to me. The boobies in the Huyette 70’s-style ‘art’ explain why it wasn’t at high school. I used to have a paperback with a Karloff-inspired cover. This made it obsolete. [My copy lacks this jacket.]
Ranking: Essential.
File Code: Novel. Annotated. Hardback.
The Annotated Mother Goose, with an Introduction and Notes by William S. Baring Gould and Cecil Baring-Gould.
“Illustrated by Caldecott, Crane, Greenaway, Rackham, Parrish, and Historical Woodcuts.” Read this first in the college library, and as soon as I found a copy, bought it. An exhaustive collection of the classic rhymes, both famous and obscure, and fascinating notes on the folklore, history, and local associations that they invoke. Rivalled only by Iona and Peter Opie’s Oxford collection and surpasses them in illustration. A glorious browser and resource. I remember having Kenny read from it to me while I washed dishes, on the eve of him leaving for Florida. There’s a tape recording of this somewhere in my stuff.
Ranking: Essential.
File Code: Folklore. Annotated. Hardback.
Lewis Carroll’s “The Hunting of the Snark”, Illustrated by Henry Holiday.
Includes “The Annotated Snark by Martin Gardner”, The Designs for the Snark by Charles Mitchell, The Listing of the Snark by Selwyn H. Goodacre” and was edited by James Tanis and John Dooley. I love the Snark; I had Kenny read it to me once while I cleaned up the garage. That was a thing I did: did people’s work for them so I could get them to read books that I thought they’d Enjoy. Mom read me most of “The Lord of the Rings” while I painted the house on Loop Drive before Kelsey was born. I bought this annotated edition at the college bookstore, where its jacket was already a little torn.
Ranking: Essential.
File Code: Humorous Poem. Annotated. Hardback.
The Annotated Ancient Mariner: The Rime of the Ancient Mariner by Samuel Taylor Coleridge.
“Illustrated by Gustave Dore, with an Introduction and Notes by Martin Gardner.” I read this compelling supernatural ballad for the first time in high school and became entranced by its incantatory cadence’s wild imagery. Dore was already pretty familiar to me through the reproduction of his work in just about every “monster” book produced in the 70’s (copyright free). That I could find them in an inexpensive annotated edition at Half-Price Books was cake. I loves me an annotated edition. Besides the Notes (revealing much about Coleridge and his circle) there are some large reproductions of the plates, showing off the fine detail.
Ranking: Essential.
File Code: Poetry. Annotated. Hardback.
 The Annotated Brothers Grimm, Edited with a Preface and Notes by Maria Tatar.
Not the complete Grimm’s fairy tales of course, but the major stories, and a few of the stranger and more problematic tales. I used to have a complete edition, put together by Jack Zipes, which I gave to Kameron. I have to either get it back (no matter that it’s a worse shape now) or find another copy (not difficult; it turns up at Half-Price fairly regularly). Anyway, full of good notes and classic illustrators, like Hermann Vogel. One of the beautiful Norton editions, with gilded covers.
Ranking: Essential.
File Code: Annotated Edition. Fairy Tales. Hardback.
The Annotated Alice: The Definitive Edition, By Lewis Carroll.
Introduction and Notes by Martin Gardner. Original Illustrations by John Tenniel. Has both Alice’s Adventures in Wonderland, and Through the Looking-Glass and What Alice Found There. Includes the deleted section, A Wasp in a Wig. A portion devoted to screen adaptations of Alice. There were older versions of this (I had one), but this is Definitive. One of the beautiful Norton editions, with gilded covers. Alice is just one of those cultural milestones that has no need of explanation, though I have to admit I never read the actual book until high school; Tenniel’s illustrations freaked me out a little when I was young.
Ranking: Essential.
File Code: Annotated. Children’s Book. Hardback.
The Annotated Wizard of Oz, by L. Frank Baum.
Edited with an Introduction and Notes by Michael Patrick Hearn. Preface by Martin Gardner. Pictures by W. W. Denslow. The Wizard of Oz is foundational to my imagination, from the yearly showing of the MGM movie to my first Whitman copy of the book when I could hardly even read to the constant new editions I buy when a brilliant new illustrator interprets it. I wanted to get an older edition of this annotated but I’m glad I didn’t; this is much prettier. One of the beautiful Norton editions, with gilded covers. Much about Baum and Oz, much about Denslow, much about the cultural impact of Oz. A scholarly and insightful look at a childhood classic.
Ranking: Essential.
File Code: Annotated Edition. Novel. Hardback.
The Annotated Peter Pan: The Centennial Edition, by J. M. Barrie.
Edited with an Introduction and Notes by Maria Tatar. Illustrated from many different editions, and photos from Barrie’s life. As a book, “Peter Pan” has gone through some strange permutations, including “The Little White Bird”, “Peter Pan in Kensington Gardens”, and the play itself, which came before this novelized version. There is much biographical detail about Barrie and his career, and what might seem his almost cursed relationship with the family of the boy that Peter was based on. I had little to do with “Peter Pan” beyond the Disney version for years (Mom had some old kids records’ she got as a little girl when the movie just came out; we played them quite a bit when we were kids. I remember how wistful she was when ‘Your Mother and Mine’ played; probably thinking about her relationship with Nanny). In college I became quite interested in the history of children’s literature, especially that period that started to romanticize childhood, so I read the book at last, confusing as its history was. This edition also addresses its cultural impact, its TV and movie adaptations, and psychological insights. A meditation on life, death, and the poignant wonder and sterility of never growing up. One of the beautiful Norton editions, with gilded covers.
Ranking: Essential.
File Code: Annotated Edition. Children’s Book. Hardback.
The Annotated Wind in the Willows, by Kenneth Grahame.
Edited with a Preface and Notes by Annie Gauger. Introduction by Brian Jacques. While I had known Mr. Toad since at least the 1970 Rankin/Bass TV show and the Disney Big Golden book in 3rd grade, I never actually read the novel until middle school, when I was enchanted as much by the poetic pastorals of the River and Woods as by the comic adventures of Toad. The tension that Mole feels between the wanderlust and adventure of Toad and the domesticity usually exemplified by Rat and his comfy lodgings is the same force that constantly bedeviled Grahame and led to his writing works in escapist style as he worked a dreary job in the Bank of England. The headstrong Toad was based on his son Alistair, who, almost in a tradition of such literary children, died an early tragic death at the age of 20. This edition is full of illustrations from all over (especially by Ernest Shepherd) and amounts to a biography of Grahame almost on its own. One of the beautiful Norton editions, with gilded covers.
Ranking: Essential.
File Code: Annotated Edition. Children’s Classic. Hardback.
The Annotated Huckleberry Finn, by Mark Twain. Edited with an Introduction and Notes by Michael Patrick Hearn.
Illustrated by F. W. Kemble and with photographs and other drawings. I didn’t really care much for Mark Twain’s work through the years, except for a sneaky attachment to the Classics Illustrated “A Connecticut Yankee in King Arthur’s Court”, and that was more for the ambiance of knights and castles. There was no Fantasy in Tom Sawyer, either, except if you count what went on in that romantic noodle of his. There was, of course, “The New Adventures of Huckleberry Finn, an American live-action and animated television series that originally aired on NBC from September 15, 1968, through February 23, 1969,” but that hardly counts. There was of course “Tom Sawyer … a 1973 American musical film adaptation of Mark Twain's 1876 boyhood adventure story, The Adventures of Tom Sawyer, directed by Don Taylor and starring Johnny Whitaker as the titular characterJodie Foster as Becky Thatcher, and Jeff East as Huckleberry Finn. The film was produced by Reader's Digest. The film's screenplay and songs were written by Robert B. Sherman and Richard M. Sherman who would go on to provide more award-winning music for the 1974 sequel Huckleberry Finn.” – Wikipedia. But that was hardly a recommendation. We also had two Whitman’s Classics copies of the books. As I got older, I guess I considered Huckleberry Finn more in Mike’s wheelhouse of American literature. Its very status as a classic scared me off. Of course, I eventually read ‘Finn’ (I don’t think I’ve ever brought myself to have a complete read-through of ‘Tom’[though I have now, as of September 2020]), and this Annotated edition certainly helped clinch it for me. I’ve read quite a bit of Twain now. A journey by raft is well-cemented into my mind’s playing. One of the beautiful Norton editions, with gilded covers.
Ranking: Essential.
File Code: Classic. Annotated. Hardback.
The Annotated Phantom Tollbooth, by Norton Juster. Illustrated by Jules Feiffer.
Annotations by Leonard S. Marcus. Ironically, not one of the beautiful Norton editions. “The Phantom Tollbooth is a children's fantasy adventure novel written by Norton Juster with illustrations by Jules Feiffer, published in 1961 by Random House (USA). It tells the story of a bored young boy named Milo who unexpectedly receives a magic tollbooth one afternoon and, having nothing better to do, drives through it in his toy car, transporting him to the Kingdom of Wisdom, once prosperous but now troubled. There, he acquires two faithful companions and goes on a quest to restore to the kingdom its exiled princesses—named Rhyme and Reason—from the Castle in the Air. In the process, he learns valuable lessons, finding a love of learning.” – Wikipedia. A modern classic, most popular during the 60’s and 70’s (There was a movie animation adaptation by Chuck Jones in 1970, just too early for us to see it; watched it on TMC years later. Feiffer called it ‘drivel’. Starred Butch Patrick – Eddie Munster and Lidsville - as hero Milo.) This edition replaced a raggedy old Book Club edition.
Ranking: Essential.
File Code: Annotated. Children’s Classic. Hardback.
The Screwtape Letters: Annotated Edition, by C. S. Lewis.
Annotations by Paul McCusker. It was Lewis, so I had to have it, though at this point there is little new that the notes can reveal to me. “[I] delight in such things, if they were accurate; I like to have books filled with things that I already know, set out fair and square with no contradictions.” – Not-Quite-Tolkien. I like an annotated edition. No illustrations, though, not even photos.
Ranking: Essential.
File Code: Annotated Edition. Hardback.