Showing posts with label who's afraid of virginia woolf. Show all posts
Showing posts with label who's afraid of virginia woolf. Show all posts

Saturday, January 3, 2026

Into the Archives: 'Classical Gas'


King Arthur: A Fascinating Historical Exploration of Camelot and the Enduring Legend That Captivates Readers  by Norma Lorre Goodrich

From the Back Cover

The many readers who are enthralled with the enduring legend of Camelot will be drawn to this fascinating book, which "may become the definitive work in the effort to prove the historical authenticity of King Arthur."--UPI

About the Author

Norma Lorre Goodrich, Ph.D., K.C., FSA Scot, has been teaching for forty-five years and is a professor emeritus at the Claremont Colleges. She is the author of King Arthur, Guinevere, Merlin, Heroines, Priestesses, Ancient Myths, and Medieval Myths. She lives in Claremont, California, with her husband.



100 Selected Stories (Wordsworth Classics) Paperback by O. Henry 

This selection of a hundred of O. Henry's succinct tales displays the range, humour and humanity of a perennially popular short-story writer. Here Henry gives a richly colourful and exuberantly entertaining panorama of social life, ranging from thieves to tycoons, from the streets of New York to the prairies of Texas. These stories are famed for their 'trick endings' or 'twists in the tail': repeatedly the plot twirls adroitly, compounding ironies. Indeed, O. Henry's cunning plots surpass those of the ingenious rogues he creates. His style is genial, lively, and witty, displaying a virtuoso's command of language and allusion. This great collection offers delights for the mind, imagination, and emotions. - Amazon



Who's Afraid of Virginia Woolf? by Edward Albee (Author)


A bitter marriage unravels in Edward Albee's darkly humorous play—winner of the Tony Award for Best Play.
“Twelve times a week,” answered actress Uta Hagen when asked how often she’d like to play Martha in Who’s Afraid of Virginia Woolf? In the same way, audiences and critics alike could not get enough of Edward Albee’s masterful play. A dark comedy, it portrays husband and wife George and Martha in a searing night of dangerous fun and games. By the evening’s end, a stunning, almost unbearable revelation provides a climax that has shocked audiences for years. With its razor-sharp dialogue and the stripping away of social pretense, Newsweek rightly foresaw Who’s Afraid of Virginia Woolf? as “a brilliantly original work of art—an excoriating theatrical experience, surging with shocks of recognition and dramatic fire [that] will be igniting Broadway for some time to come.” - Amazon



Inherit the Wind Publisher: Ballantine Books

Jerome Lawrence and Robert E. Lee

Inherit the Wind is an American play by Jerome Lawrence and Robert Edwin Lee, which debuted in Dallas. The story fictionalizes the 1925 Scopes trial as a means to discuss the then-contemporary McCarthy trials.

Inherit the Wind is a fictionalized account of the 1925 Scopes Monkey Trial, which resulted in John T. Scopes' conviction for teaching Charles Darwin's theory of evolution to a high school science class, contrary to a Tennessee state law. The role of Matthew Harrison Brady is intended to portray famed orator and politician William Jennings Bryan, while that of Henry Drummond resembles noted defense attorney Clarence Darrow. Bryan and Darrow, formerly close friends, opposed one another at the trial. The character of Bertram Cates corresponds to John Scopes, and the character of E. K. Hornbeck is modeled on that of H. L. Mencken, who covered the trial for The Baltimore Sun and whose sensational reports helped attract national attention.

However, the playwrights state in a note at the opening of the play that it is not meant to be a historical account, and there are numerous instances where events were substantially altered or invented. For instance, the characters of the preacher and his daughter were fictional, the townspeople were not hostile towards those who had come to Dayton for the trial, and Bryan offered to pay Scopes' fine if he was convicted. Bryan did die shortly after the trial, but this occurred five days later, in his sleep.

Political commentator Steve Benen has said of the play's inaccuracies: "Scopes issued no plea for empathy, there was no fiancĂ©e, and the real Scopes was never arrested. In fact, the popular film that was nominated for four Academy Awards and has helped shape the American understanding of the 'Scopes Monkey Trial' for decades is an inadequate reflection of history."

Playwright Lawrence explained in a 1996 interview that the drama's purpose was to criticize the then-current reign of McCarthyism and defend intellectual freedom. According to Lawrence, "we used the teaching of evolution as a parable, a metaphor for any kind of mind control [...]. It's not about science versus religion. It's about the right to think.” – Wikipedia

Ever since I got some Christmas money, I’ve been thinking I needed to get down to the Library Bookstore and see what they had to offer. This morning I girded my loins and set off down the road. I got there exactly at 10 AM (when the store opens) and was back by 11 AM on the dot. I’ve had Goodrich’s book on Merlin for years and thought her book on Arthur a good catch: $5. The O. Henry short stories seemed to be an interesting resource: $3. The plays between them were another $4; I was interested in them because their film adaptations necessarily left things out and I wanted to see what they were. So, some classics into the Archive, a lot of which I’d categorize as high school reading.

Saturday, December 4, 2021

Who's Afraid of Virginia Woolf?: from Elizabeth Taylor/Richard Burton: The Film Collection

          Who’s Afraid of Virginia Woolf? is a 1966 film based on the 1962 stage play of the same name by Edward Albee. It stars Richard Burton as the middle-aged history professor George; Elizabeth Taylor as his wife Martha, the daughter of the college president; George Segal as the young new professor in the biology department; and Sandy Dennis as Honey, his somewhat fragile wife. Martha has invited the younger couple over for a visit after a late college party, and as the night wears on and many drinks are consumed, the lacquer of appearances are stripped away, vicious mind-games are played, and bare, tragic truths are revealed about both couples.

At the end of the night, as dawn breaks and the younger couple has finally left, George recites the song that has recurred all night, “Who’s Afraid of Virginia Woolf?” (a parody, of course, of “Who’s Afraid of the Big Bad Wolf?”). Martha bleakly replies, “I am, George, I am.” This significance of this final line has been interpreted several ways, but I think it inevitably recalls the fact that Woolf killed herself when life seemed too unbearable, and what Martha fears is her own suicide.

The film has an all-star cast, a slew of nominations and awards, and wordplay at a high and engaging level. But what first drew my attention and made me watch the film (maybe ten years or so ago) was the entire setting. It really invoked for me my early childhood, from the night-time exteriors (especially when George goes out to sit on a swing) to the tank of a 1962 Ford Country Squire that George and Martha drive. The maddening full moon is visually insisted upon and makes the darkness only darker.

As I watched it, I realized that at a deep level it was also about Fantasy, in its grimmer aspects as a tool to get through life. George and Martha have been denied many avenues of fulfillment due to their circumstances. There is one aspect of the ‘fun and games’ they play that brings mitigation of their situation, especially to Martha. It is the destruction of this illusion that brings her to the film’s desolate conclusion.  

Who’s Afraid has since become one of my favorite “grown-up” films. When I went to buy a copy, I found it in Elizabeth Taylor/Richard Burton: The Film Collection, which sold for only $3.09 and $3.99 shipping. That was four movies for the price of one, including (besides Woolf), The V.I.P.s , The Sandpiper, and The Comedians. I knew of good things about at least two of them, so got the lot, and a bargain it was.