Wednesday, June 12, 2024

Wideo Wednesday: So We Link Our Hands and Dance


Today is the twelfth, and in twelve more days it will be Midsummmer’s Day. In preparation for that, I offer these twelve pieces of music, either ancient or ageless, whose cadences (dreamlike or merry) seem fit to tread a measure to at such a time. There are pieces from The Lord of the Rings, Excalibur, Restoration, Shakespeare in Love, Amadeus, and Rob Roy, with performances by Kitaro, Dead Can Dance, The Chieftains, Loreena McKennitt, and Simon and Garfunkel. Listen and dream.

                          The Mummers' Dance - YouTube

 

Tuesday, June 11, 2024

Uncle Wiggily Hops into the Archive


The Uncle Wiggily Book, by Howard R. Garis (Grosset & Dunlap; text copyright 1927, 1955; Illustrations by Carl and Mary Hauge copyright 1961; this edition 1975) 

When I said I had no more books coming in this month I had forgotten this one. It is a copy of an identical volume that was in Mrs. Davenport’s fabled Third Grade library. The McQueeney School library was in its own way a repository of rather old-fashioned literature; it included multiple ‘book books’ (rather than this large anthology) of Howard R. Garis' Uncle Wiggily (not Wiggly) and Thornton Burgess' Old Mother West-Wind style books, which saw their origin and heyday in the 1910’s – 1940’s.

Between 1910 and 1947 Garis had written an Uncle Wiggily story every day except Sundays; when he quit, he had over 11,000 Uncle Wiggily stories to his name.  Selections of these became chapters in his books. Their classic illustrator was Lansing Campbell. The Wiggily books were just the tip of the iceberg of his writing. Together with his wife, Lilian, they may have been the most prolific authors of the 20th Century. 

 

Uncle Wiggily Longears is an elderly rabbit gentleman who walks with the aid of a candy-striped crutch and lives in a house made out of a stump, where he is cared for by Nurse Jane Fuzzy-Wuzzy, a muskrat. He is plagued by a number of animal foes and is the hero to several small animal children. In some stories (but not the ones in this book) he drives a car with sausage “tyres,” that he peppers to make go faster, and is bothered by a pair of fantastical creatures, the Skeezicks and the Pipsisewah, who are always up to mischief.

Uncle Wiggily, though classic, was already starting to fade from the literary scene when I was a kid. It still kept (keeps?) a foot in popular culture by the ubiquitous Uncle Wiggily board game.

I used to have a copy of
Uncle Wiggily’s Story Book, but I never much cared for its Michael Hague-like knockoff illustration.

This book, though no Lansing Campbell, still has the right nostalgic vibes for me. Carl and Mary Hauge were illustrators of many young children’s books; their style reminds me of early Richard Scarry.


 

Monday, June 10, 2024

The Lord of the Rings: Shelob’s Lair (Part Three)

 


The Tale

The narrative backs away for a moment to explain Shelob and her presence in the mountains of Mordor. She had dwelt there for ages, ‘an evil thing in spider-form’, such as Beren had fought of old in the Mountains of Terror. How she had made her way here is unknown, but she was there before Sauron and before he had built the Dark Tower. She glutted herself on all life and wove webs of shadow, ‘her vomit darkness’. The bastards of her lesser mates, ‘her own offspring,’ had spread to the hills and forests of Mirkwood. She had no master, and ‘none could rival her, Shelob the Great, last child of Ungoliant to trouble the unhappy world.’



Years ago, Gollum had found her in his prying into dark places. ‘[He] had bowed and worshipped her’ and she spared his life but ensnared his will in her dark will. He had promised her food in return; she cares nothing for rings or any other power made hands. She only wants to feed on life and grow greater, until neither mountains nor shadows can hold her. She has been hungry for ages as Sauron’s power has grown, and no Men or Elves come her way anymore, only Orcs. ‘Poor food and wary.’ But now Gollum has brought her ‘sweeter meat.’

Gollum has often thought ‘when the evil mood was on him’ about betraying the hobbits into her snares. And then when she discards their bones and clothes, he could find the Precious, and ‘save’ it in a twisting way according to his promise, ‘a reward for poor Smeagol who brings nice food.’ And then he’ll make Her pay. He’ll make everyone pay.

As for Sauron, he knows Shelob is there. He lets her stay, guarding the pass better than anything else he could have come up with. Let her eat an Orc now and then; he has plenty of those ‘useful slaves.’ Sometimes he will even release a prisoner to ‘his cat’ (his cat he calls her, but she owns him not)’ to hear report of the ‘play’ she has made with her prey.

‘So they both lived, delighting in their own devices, and feared no assault, or wrath, nor any end to their wickedness. Never yet had any fly escaped from Shelob’s webs, and the greater now was her rage and hunger.’

Bits and Bobs

Just a couple of pages covered this week (I am not feeling very assiduous today) but as it is a sort of parenthesis in the action, explaining Shelob, it seems well enough.

In earlier drafts of the story the pass was going to be guarded by many large spiders, but Tolkien decided it would be better to have one of surpassing size and terror. Many have theorized that Tolkien had a fear of spiders because he was bitten by a tarantula (baboon spider) as a small child in Africa. He claimed to have no particular ‘phobia’ about them, though he preferred not to have anything to do with them. In a letter to W. H. Auden, he claimed to even take special care in rescuing any that got caught in the bath(tub). Still, spiders appear as monsters not only in The Lord of the Rings but also The Hobbit and The Silmarillion as well.


Gollum’s wretched and unappetizing appearance seemed to once more have served him well as far as survival has gone, as has his willingness to throw anyone or anything ‘under the bus’ to survive and be re-united with his Precious. Looking back at various descriptions, his own somewhat spidery look and actions might be linked to Shelob’s dark overshadowing. Of course, he means to betray Shelob, the minute he has the power.

This pairing of Shelob and Sauron reminds me that they have both been the objects of a certain ‘glamorization’ in popular culture lately.  Sauron has made many adoring appearances in his ‘fair form’ (here fair verging on almost pornographic), lending his ‘seduction’ of the Noldorin Elves a meaning that Tolkien never dreamed. Also, Shelob in the video game Middle-Earth: Shadow of War appears as a beautiful woman. 


Whether this is an illusion or just an alternate form is not clear. Perhaps this has been inspired by the Jorogumo, a Japanese yokai, or spirit, that changes between woman and spider.  In any case, it treads an uneasy line between the two lies, that sexy is evil and evil is sexy.


Saturday, June 8, 2024

What Ho, Wodehouse

 


Wodehouse Playhouse was one of those BBC/PBS shows we would watch now and then back in the day (1974 - 1978), adaptations of some of the comic short stories of P. G. Wodehouse, who flourished particularly well between the two World Wars and is still relished by a certain cult of readers today. P. G. Wodehouse himself was still alive enough to give introductions to the early episodes. Romance at Droitgate Spa was an episode I particularly remembered the gist of after all these years, and was pleased to find it offered on Dailymotion. Last night for movie night over at my brother's house I tried to locate it for an amusing interlude, but as I remembered the title as Romance at Droitwich Spa, the search was futile. But here is the link to the video, a humorous tale that I can appreciate now more than ever.

https://www.dailymotion.com/video/x6wfhzq 

Friday, June 7, 2024

Friday Fiction: The Death of Raldrian

 


"..And presently they came upon a river, full wide and deep, that could not be forded save by means of a bridge of wood that spanned its breadth, and there was in the middle of the bridge a great knight, dressed all in black, that bore a naked sword, and who cried, "Come no further, for here is the border of my Master's land, which none may pass without his will." And they looked and saw that there was no other means across, so that they must pass the black knight or leave off their quest.

"So Sir Gother, by aid of his esquire Clopas, dighted himself for battle, and calling to the black knight to prepare himself, pricked his horses flanks and charged him over the bridge, where in the midst of it the two knights met with a great clash of arms. And the black knight by his cunning caused Sir Gother's blade to go astray, and struck Gother a wound in his side, wherefrom, together with the shock of battle, he fell senseless from his horse and lay as one dead.

"And Raldrian, perceiving the distress of his friend, and how the false knight meant to slay him outright, though he be vanquished, came forward and stood over the body of Gother, though he had no weapon but a staff. And when the black knight saw Raldrian he was for an instant checked, and he mocked him, saying, "You fool! For you shall only encompass your own destruction." And Raldrian answered, "You may not slay me truly, for you have not that authority." Thus angered, the black knight spurred his steed forward as though to ride the old man down, but Raldrian in one swift motion cast aside his staff and lightly leapt onto the knight's saddle and bore him down, and the horse, by its instinct, vaulted over the body of Gother and galloped away upon the other side.

"Now Clopas, standing afraid on the hither shore, beheld a miracle, for though in his leap Raldrian had been impaled on the sword of the false knight, still he held him fast, and Clopas saw the knight bloody with the blood of Raldrian. And for a moment it seemed to Clopas that a great light was about the twain, and with a dolorous cry the dark knight writhed and then lay still, as dead as any stone.

"And Clopas came forward with sorrowful lament and saw to his master Gother, and with effort woke him from his swoon, and told him what had passed. Then with pain Gother arose, and using his sword as a crutch, and with the aid of Clopas, he came to where Raldrian lay, and said "Alas for thee, Raldrian! You have saved my life."

"Then Raldrian opened his eyes, for somehow hardly he yet lived, and said, "Of your mercy, prince, pull this blade from me." So Clopas held him, and Gother drew the sword of the false knight from his body, which straightway gushed blood, and flinging the blade aside, he knelt down to his friend. "Alas!" said Raldrian, "For my hour is now on me. But you are hurt." And he placed his hand on Gother's wound, wheron the pain and bleeding left off, but never was that wound wholly healed in his life, for some things cannot be unmade in this world. Then he said, "Take you my staff and my cloak, for where I go I need them not, and where you go you shall have most sore need of them. Weep not, for this was willed where what is willed must be, and it is ordained that where you go, you must go alone." And blessing them, he died.

"And for a while they wept, and then bore his body to the other shore, where they set it in a great hollow oak that had stood dead for a hundred winters, and sealed it up with a stone. And Gother took his staff and his cloak as he had commanded, and he carved on the oak with his knife, "Here lies Raldrian of Highcastle, that was the truest friend." But Clopas went back to the body of the black knight to dispose of it and raised its vizard, and saw there was naught but a blackened skull, and knowing it thereby but a work of necromancy, in disgust heaved the corpse into the river, so that its evil would be cleansed from the land.

"It is told at fuller length in "The Tale of Gother" how he and his esquire continued the quest into the Ruined Land, how Clopas lured the henchmen of the Enchanter away, and how the cloak of Raldrian confounded the eyes of the Watchers, and how the staff of Raldrian lit the way of Gother through the mountain labyrinth, unto the very throne of the Enchanter himself. Then there was a great battle in which Gother was the victor, and freeing Clopas, they together made their way back home in the spring.

"And coming to the rise of a hill, they saw below them a valley through which ran a deep river, bound by a bridge of wood. And Clopas said, "Look, Master, is this not the very place where we buried Raldrian, that good old man?" And Gother answered that it was indeed, and that they should go and pray at his tomb. But, look! When they came to the tree that had stood dead for a hundred winters they found it in full leaf, and the cleft they had sealed with a stone had grown together. And they asked themselves, "Is this not the place?" until pacing about the tree they found the words that Gother had carved, and that now the letters shone like silver. And the twain said, "Surely he was a holy man," and after praying silently awhiles, they rode homeward, singing praises for the marvels they had seen." 


Notes

I wrote this little tale (I'm not sure exactly when) as a sort of experiment. Could I write what was basically a modern Fantasy story (a little part of it reminiscent of Monty Python, maybe) in the same fashion as, say, Howard Pyle or William Morris, without descending completely into what Tolkien (Letter 171) called tushery, a term "properly applied to bogus "medieval" stuff where those without knowledge inserted expletives such as tush, pish, zounds, and marry. Real archaic English is far more terse than modern and can say things our slack and frivolous idiom cannot." It also regularly plagued (for comic effect) any Warner Brothers cartoon that took place in the past ("I am he for whomst thou seekest!"); in fact, in almost every other 'Olde Englishe' cartoon setting down to Spongebob Squarepants.

I remember being a little proud of the names I came up with. Clopas (sometimes spelled Cleopas) is a rather obscure name from the New Testament, and suggested to me Topas from Chaucer, and perhaps clodhopper or clopper, a term not unfitting for a lowly squire. Gother (pronounced go-THer)suggests go there, not a bad name for a quester. Raldrian is based on names like Adrian and Caspian, and so is odd but not unfamiliar to the ear.

Well, there it is. I suppose one could produce an entire book like that (it would be the devil to make the action engaging enough, though), but I wouldn't have the patience to write it, and, indeed, who would have the patience to read it? I have the feeling that even this little segment may have taxed the attention of anyone casually passing their eye over it.

[I've noticed that my selections for Friday Fiction often echo my concerns of the week. Therefore my choice of The Death of Raldrian may have been suggested by the arrival of The Water of the Wondrous Isles or the quote from George Macdonald Fraser, who uses quite a lot of 'creative anachronism' pish-tushery for informed comic effect in The Pyrates.] 

Thursday, June 6, 2024

The Niche of Time: Puzzling Evidence


I’ve been a little puzzled lately. I seem to have about three, maybe four regular readers, who will turn in to read whatever I post. I probably know all of them personally, which would explain their interest. But every now and then I get little spurts on various posts. The numbers are still pretty low, but irregular enough to rouse my curiosity.

What causes anyone to check in on The Niche of Time? One obvious answer seems to be J. R. R. Tolkien. My summations and notes, lovingly garnished with artwork gathered from the internet, usually draw about a hundred looks over a couple of weeks’ time. Even simple, almost peripheral notations or quotations about Tolkien attract above average interest: the recent quotations by Pratchett and Tolkien got 89, and the review ‘Variety of Interests,’ which included a look at Tolkien: Lighting Up the Darkness, got 40.

But how to explain the other spurts? What draws people to Maggie (41), or ‘Fancy Rooted in Truth,’ (81), a rather long quotation from George Macdonald Fraser? The Fraser I can possibly understand, but why does Maggie have more than my regular four readers? Puzzling indeed. Perhaps it is just the results of some automated algorithm.

Anyway, views (while welcome) mean very little to me. I started the Niche as a means to catalog my books, including pictures of covers and short personal reviews (even when I’ve included someone else’s reviews from Goodreads or Amazon they always pretty closely express my own opinions). It evolved into a sort of omnium gatherum, or commonplace book, of my interests, possessions, and personal history. I now like to think of it as a sort of scrapbook my people can leaf through when I am gone, or their children can go over if they ever wonder what old Uncle Brer was all about, or at least the better parts of him, not the obvious bunch of inadequacies that goes slumping through the day and that your Aunt would no doubt gladly give you an earful about. (“Let’s recreate him, using Science!” – The Simpsons.) In this world, just a pale, enigmatic shadow cast on the mind in the end.

Wednesday, June 5, 2024

Foundational Quotes: Thomas Traherne

 


"Certainly Adam in Paradise had not more sweet and curious apprehensions of the world, than I when I was a child.

"All appeared new, and strange at the first, inexpressibly rare, and delightful, and beautiful. I was a little stranger which at my entrance into the world was saluted and surrounded with innumerable joys. My knowledge was divine: I knew by intuition those things which since my apostasy, I collected again by the highest reason. My very ignorance was advantageous. I seemed as one brought into the estate of innocence. All things were spotless and pure and glorious: yea, and infinitely mine, and joyful and precious. I knew not that there were any sins, or complaints, or laws. I dreamed not of poverties, contentions, or vices. All tears and quarrels were hidden from mine eyes. Everything was at rest, free, and immortal. I knew nothing of sickness or death or exaction; in the absence of these I was entertained like an angel with the works of God in their splendour and glory; I saw all in the peace of Eden; Heaven and earth did sing my Creator's praises, and could not make more melody to Adam, than to me. All time was eternity, and a perpetual Sabbath. Is it not strange, that an infant should be heir of the world, and see those mysteries which the books of the learned never unfold?

"The corn was orient and immortal wheat, which never should be reaped, nor was ever sown. I thought it had stood from everlasting to everlasting. The dust and stones of the street were as precious as gold. The gates were at first the end of the world, the green trees when I saw them first through one of the gates transported and ravished me; their sweetness and unusual beauty made my heart to leap, and almost mad with ecstasy, they were such strange and wonderful things. 


The men! O what venerable and and reverend creatures did the aged seem! Immortal cherubims! And young men glittering and sparkling angels and maids strange seraphic pieces of life and beauty! Boys and girls tumbling in the street, and playing, were moving jewels. I knew not that they were born and should die. But all things abided eternally as they were in their proper places. Eternity was manifest in the light of the day, and something infinite behind everything appeared: which talked with my expectation and moved my desire. The city seemed to stand in Eden, or to be built in Heaven. The streets were mine, the temple was mine, the people were mine, their clothes and gold and silver was mine, as much as their sparkling eyes, fair skins, and ruddy faces. The skies were mine, and so were the sun and moon and stars, and all the world was mine, and I the only spectator and enjoyer of it. I knew no churlish proprieties, nor bounds nor divisions; but all proprieties and divisions were mine: all treasures and the possessors of them. So that with much ado I was corrupted; and made to learn the dirty devices of this world. Which now I unlearn, and become as it were a little child again, that I may enter into the Kingdom of God."

--Thomas Traherne, 1637-1674


Thomas Traherne was an English divine about the time of the Restoration, which puts him squarely in the strong religious tradition of the time. Although he was published in his lifetime, it was mainly rather dry stuff on Church history and law; it was not until the late 19th Century that the main body of his works for which he is famous today were discovered and made known to the public. Some scholars consider him a fore-runner of the Romantic Movement and its ideas, although he was about 130 years earlier and unknown to people like Blake and Wordsworth; this seems to be another part of the trend of scholars to lump what they like together and denying that traditions they dislike could have anyone of worth, for instance considering Dante as "Renaissance" rather than "Medieval", and here Traherne "Romantic" rather than "Puritan". When I read these two paragraphs I immediately thought to myself "Yes. This is how childhood was!" Somehow, I had forgotten, but Traherne had called me back to remembrance, like a distant bell ringing in a dim wood that tells you that, wait, home is over this way.
Words of changed meanings: Centuries, means hundreds. The Meditations were written in four groups of a hundred paragraphs; the quote above is mostly paragraph 2 and 3 from the Third Century. Apprehensions: not worries, but the way you know (apprehend) the world. Saluted: greeted. Exaction: punishment. Entertained: means amused, yes, but also occupied and accompanied. Orient: shining.