Sunday, October 5, 2025

An Epic Undertaking


My acquisition of The Poem of the Cid yesterday got me thinking about national epics and how they had become something of an obsession of mine. The thing about a national Epic poem is that they were, if not immediately, at least in time, the embodiment of the ideals of a certain people at a certain period point of their development. They became touchstones of national identity and the entryway for cultures separated in time or culture to enter into an understanding of each other.

I would also qualify my categorization of the national epic to be anonymous, though perhaps translated or collected by a single author. Thus, I would qualify The Iliad and The Odyssey, attributed to Homer, to be true national epics, while The Aeneid is historically known to be by Virgil and so ‘disqualified’ in this reckoning. Other disqualifications are The Shah Nameh of Firdausi or Don Quixote of Cervantes or The Divine Comedy of Dante or the Heimskringla of Sturlason; influential as they are, they are too ‘modern’. I would not include any of the curated collections of Arthurian tales, say by Geoffrey of Monmouth or Thomas Malory. I count the Kalevala, because although it was put together and edited and written down by Lonnrot, it seems to have an authentic anonymous folk tradition.

Some ‘national’ epics had to wait a long time to become representative of a culture. Gilgamesh was only discovered relatively recently, and the sagas like The Nibilungenleid or The Saga of the Volsungs were only thrust into prominence when the newly united German state was seeking to establish a separate historical identity, and Beowulf lay ignored for centuries before being proclaimed the beginning of English Literature (despite its foreign ‘roots’).

I find them all historically, legendarily, and literarily fascinating. So often they are jumping-off places for other works, talking points sprouting out from The Great Conversation.













Saturday, October 4, 2025

Into the Archive: We're Back, Baby!


The Devil Rides Out [Blu-ray]

Christopher Lee (Actor), Charles Gray (Actor), Terence Fisher (Director)  Rated:  G   Format: Blu-ray Time: 1hour 35min

The Devil Rides Out (U.S. title: The Devil's Bride), is a 1968 British horror film directed by Terence Fisher and starring Christopher Lee and Charles Gray. It was written by Richard Matheson based on the 1934 novel of the same title by Dennis Wheatley, an English writer whose prolific output of thrillers and occult novels made him one of the world's best-selling authors from the 1930s through to the 1960s.

Set in 1930s London and the Southern England, Duc de Richleau and Rex van Ryn rescue their friend Simon Aron from a devil-worshipping cult. The groups escapes to the home of the Eatons, friends of Richleau and van Ryn, and are followed by the group's leader, Mocata. After visiting the house to discuss the matter and an unsuccessful attempt to influence the initiates to return, Mocata forces Richleau and the other occupants to defend themselves through a night of black magic attacks. During this Mocata summons the Angel of Death. After successfully defending themselves through the night the group find that Mocata has kidnapped the Eatons' daughter. – Extracted from Wikipedia articles.

I have seen this movie a couple of times ‘on the wing,’ as it were, on TCM. But it’s a rare bird on the streaming services I have access to. Christopher Lee gets to play a hero for a change (Richleau) and Charles Gray (better known to me as Mycroft Holmes in the Jeremy Brett Sherlock series) is an imposing and suave cult leader. The movie always gave me a Charles Williams ‘occult thriller vibe,’ perhaps given the fact that it’s British and set in the 1930s. I usually try to get movies in the DVD format but a copy of such was expensive and rare; the Blu-ray was under $15 and I can always watch it at John’s. Meanwhile it’s safely in the Archive. The special effects are a bit limited, but I’m used to suspending my disbelief in service to a good story.


There Would Always Be a Fairy Tale: More Essays on Tolkien (Paperback, 2017, 280 pages)

by Verlyn Flieger

Devoted to Tolkien, the teller of tales and co-creator of the myths they brush against, these essays focus on his lifelong interest in and engagement with fairy stories, the special world that he called faërie, a world they both create and inhabit, and with the elements that make that world the special place it is. They cover a range of subjects, from The Hobbit to The Lord of the Rings and their place within the legendarium he called the Silmarillion to shorter works like “The Story of Kullervo” and “Smith of Wootton Major.” - Amazon


The Poem of the Cid: Dual Language Edition (Penguin Classics) Paperback, 1985, 256 pages

by Anonymous (Author), Rita Hamilton (Translator), Ian Michael

One of the finest of epic poems, and the only one to have survived from medieval Spain, The Poem of the Cid recounts the adventures of the warlord and nobleman Rodrigo Díaz de Vivar - 'Mio Cid'. A forceful combination of heroic fiction and historical fact, the tale seethes with the restless, adventurous spirit of Castille, telling of the Cid's unjust banishment from the court of King Alfonso, his victorious campaigns in Valencia, and the crowning of his daughters as queens of Aragon and Navarre - the high point of his career as a warmonger. An epic that sings of universal human values, this is one of the greatest of all works of Spanish literature. - Amazon.


Hate Revisited! (Paperback; July 8, 2025; 124 pages)

by Peter Bagge 

Buddy Bradley and Lisa Leavenworth, now middle aged with a free-spirited young adult of their own, confront their own poor decisions as young people in the grungy 1990s. Expertly shifting between the present day (in full color) and their Gen X heyday (in glorious, crosshatched black-and-white), we learn for the first time the story of how Buddy met Lisa, Stinky, George, and Val. Meanwhile, Buddy is forced to come to terms with the tragic ― and covered-up ― circumstances of Stinky's untimely death in the original Hate series, while navigating elder care, contemporary politics, family and friendships. – Amazon

So I can hold my Autumnal Itch well-scratched and many of my interests fed. A horror/fantasy film, Tolkienity, classics, and comics. After I read Hate Revisited I will no doubt hand it over to John so his collection will be more complete than the deluxe box set of the complete Buddy Bradley story. Had to have Cid for my collection of national epics. I used to have a crummy old paperback copy of El Cid, a tie-in to the Charles Heston movie. I wonder what I did with that? Definitely a candidate for The Shadow Library.



Mistah Barlow, He Dead


Last night, as per our biweekly Movie Night over at my brother John’s, as an October/Halloween theme, we watched the 1979 miniseries, Salem’s Lot. This was a kind of a theme continuation of our watching The Shining (1980) last time. I hadn’t seen the Lot in a long time and was pleased to find that it held up surprisingly well. Perhaps not so surprising when you learn it was directed by Tobe Hooper, a name that meant little to me at the time but who is a horror legend. The show now has an added dimension for me, that of nostalgia for a bygone cultural era. I also found the ‘regular’ vampires to be more frightening than Barlow, the head vampire, whose appearance was based on the 1922 Nosferatu. Perhaps because they were more prevalent and personal, while Barlow looked more like a special effect. Old Nosey was not so ubiquitous or well-known at the time.



We had another ‘undead’ film for our second movie, Black Sunday (1960). I’d been seeing stills from it for years, but never had watched it before. It’s original title in Italian was The Mask of the Demon, and it was largely based on a story by Nikolai Gogol. “The film takes place in Moldavia and tells the story of a witch who is put to death by her brother, only to return two centuries later to seek revenge upon his descendants.” – Wikipedia. It, too, was full of period charms – not necessarily the period where the story takes place, but for a certain period of filmmaking. It was alternately lush and stark with good horror effects and scenography.  Dubbed, of course, but after a bit my mind just blipped over the fact. Full of a vampiric vibe, reportedly to appeal to the same viewers who enjoyed Hammer Film’s 1958 Dracula. John tells me that Mom remembered seeing it in the theater back in the day.

Thursday, October 2, 2025

Friday Fiction: Painful, Pretentious, Primitive, Preserved, Penitential


SCRAMASAX AT THE GABLE INN

The Gable Inn

On the Road to

Corwyn

 

To John Craft, Loremaster;

 

          Something has happened, so evil and hideous that I must write to you for aid and advice. I am not ashamed to say I am frightened, I, Scramasax, Wizard at Large! There have been many evil things that I have faced, but I always felt more angry, enraged at the wrong that I faced. But this! Even now my bones feel like water and I find it hard to write. But write I must. It is as if a geas is upon me.

          The tale is simple, and simply told. Here, in a few words, is what happened:

          I was journeying to Corwyn, to investigate some vague rumors that I had heard in Shillingsbridge. The day was cold and foggy for early Spring, and a light mist was falling. Grackle huddled deep in my hood, muttering and hissing at the weather. A chill wind blew, moaning through the hedges that gleamed in the setting sun with silvered spider webs. So I was glad, as you can imagine, to come to a small, warm, and well-lighted inn. The creaking sign read "The Gable Inn."

          In the first half-hour of settling down to meat and drink I was oblivious to the merry company around me. But after I settled down to my second mug of ale after a hearty meal I began to take stock of the noisy patrons of the inn. There was the usual collection, gambling, drinking, talking, singing, jesting happily. In the corner near the fire the innkeeper's daughter amused a group with a game of Shakers, where one waves a pendant over an alphabet and sees what words are written.

          But the one that really caught my attention was an old hag that sat mumbling in the corner. She was withered, wore a black eye patch. An assortment of pouches lined her girdle. I thought she might be a witch, but many innocent herbal women might answer to her general description. But I marked the room she went into, nevertheless. After a time, I too entered my chamber.

          I lay on my bed, but sleep would not come. I tossed, and turned, and yet could not sleep. Something was wrong, I felt it. But nothing happened through the watches of the night, and gradually my eyes grew heavy and I slipped toward sleep.

          I was hovering in the land between sleep and waking when I saw it. It filled me with dread, and yet I could not move. It floated, at the foot of my bed. It seemed to be splotches, stains of darkness rimmed with red light. It had no definite shape, but pulsed and oozed and flowed like chaos. Then it seemed to look a little--just a little, mind you--like a wolf. The more I looked and imagined details, the more and more it came to look like a wolf, a night empty wolf with boiling black eyes. Then I was sure, it was a wolf. It stood there hideously wrong, somehow, evil and savage. It growled ravenously and dripped black venom. I lay helpless; I knew if I did not move soon, I would be slain as I lay.

          I moved. I rolled off the bed, grabbed up my staff just as the demon leapt and landed slashing into the pallet. It turned, snake quick, and I raised my staff to ward it off. I raised a strong binding, the Major Ward [or Word?] of Alu. It blazed like blue shackles of fire on the beast, held it snarling for a second. Then it broke, as if it were fog, and the beast leapt forward.

          I dodged again, burned a wall of white flame between us. It held the creature longer, but I could see it was weakening. I decided to try the Fifth Great Spell, the one we may only use thrice in our lifetime. The wall broke, the wolf hurled snarling at me. And I spoke the Word.

          Praise the Powers, it held. The wolf stopped as if frozen, began to fragment. As I intoned the spell, it began to disintegrate, lose shape, melt back into formless chaos. And then it was sucked away, into Nowhere.

          For a while I could only stand and stare, giving thanks that I lived. Never had I faced such a power before. And then I felt anger. Gripping my staff to keep steady, I left my room and went to seek the medium thru which such an evil had entered the world.

          The common room was dark and cold. Even the fire was dead. I stole to the hag's door and stealthily looked in. The old woman was asleep and snoring. I searched her mind, found no such darkness there as could have summoned that demon. I turned perturbed from the door. Then I saw the cellar door, yawning full of darkness.

          I lit my staff in dim moonlight fire, and, with a feeling of dread, descended into the black maw.

          The cellar was dust floored and bare of life. Not even a spider spun there. It was completely bare. In the center of the room, seated at a table, was the innkeeper's daughter. On the table before her was the alphabet and an unlit candle, in her cold hands the pendant hung motionless. Her eyes stared blindly at nothing.

          I came nearer and nearer. Suddenly the pendant went taut, like a fishing line. It swung first swung slowly then more and more frantically, almost malignantly.

          "Who are you?" I whispered.

          It swung and spelled. "Empty."

          "Why are you here?"

          "To have. All."

          "Go away!" I screamed. "I command you!"

          "No."

          "Begone in the Name of the Maker! I command you!"

          It swung frantically "No!"

          "I command it! Alu! Elt! Kama Sharomon! I command it! Depart to your own place! Aman Shazin Yar Lameth!"

          It swung faster and faster, more and more agitated and I continued to resist it, press it. It swung, jerked, danced till it hummed. Then it snapped, rolled in the corner. A wind from nowhere flung the alphabet against the wall. The girl slumped forward on the table.

          There came the clamor of feet and the innkeeper appeared with a lantern, followed by others. "Beware!" I said. "Magics have been worked here!" At first they were suspicious of me, but finally accepted my story.

          The girl is now tended by the old woman, who was indeed an herbalist. I await now for when she recovers, to see what happened to her.

          I now realize that the unshaped needed me to give it a shape before it could attack me. As it was, it could do nothing. It needed the semblance of reality that my imagination gave it.

          I now await your advice. Please be good to Grackle. He has had a hard time these few days. I await here at the Gable for the next three days before going to Shillingsbridge. Please write soon.

 

                                                                             Yours,

                                                                             Scramasax

 

[Notes: This is an epistolatory story, part of the John Craft/Scramasax Letters that John and I wrote for each other in the early 1980's or late '70's, in which we impersonated two wizards in correspondence with each other. The idea was inspired by a similar device in a short story by Brian Lumley, in an anthology by Lin Carter, The Year’s Best Fantasy Stories Vol.6. I can detect that I was heavily under the influence of The Face in the Frost, A Wizard of Earthsea, Lord Foul's Bane, The Riddlemaster of Hed, and The Exorcist. The fact that the letters were in John's possession probably accounts for their surviving The Terrible Termite Devastation of the early 2000's. This letter has a final page, containing a drawing of the Spell of Sharn. A scramasax was a large, single-edged knife or short sword used as both a weapon and a tool by early Saxons and Franks in Northern Europe from before the fall of Rome through the early Middle Ages. Ranging from small utility knives to lengths approaching sword size, the scramasax was carried horizontally on the belt and served as a versatile implement for warfare, hunting, and daily camp chores. I chose it for my wizard’s name solely on its phonic qualities.]  


It Was in the Cards


The other day I was shuffling some stuff between a black trunk that contained photo albums, photo packets, memorabilia, and even three undeveloped disposable cameras, and one of the empty gray bins, with the aim to make the trunk lighter and its contents easier to access. One of the things I ran across was an elderly boxed set of Skip-Bo, which numbers 162 cards (with 144 cards numbered 1 - 12 and 18 Skip-Bo cards, which serve as wild cards and are printed with instructions). We played innumerable games to amuse Mom while she was confined to her wheelchair, but we used the brightly colored deck now familiar to all. This old deck was printed with the familiar suits of a regular deck and the instructional wild cards, and they look so pristine I doubt that anyone ever played with them.

But they did remind me of other family games. While Mom and Pop were demon poker players, regularly gathering with the uncles and aunts and cousins for endless rounds of nickel and quarter bets, we tended to tamer games around our own kitchen table. Go Fish, of course (I remember we had some happy rounds with Omi), and Battle, and Slapjack, when we were very young. But there was a more complicated game popular when we were in our teens which we played with all the intensity of poker. And that was Liverpool Rummy.

Perhaps John will remember exactly who infected our family with the game; I don’t [He says he thinks it was Larry and Irene Ranft]. Here are the rules that I remember, copied from Wikipedia; the actual article mentions some refinements and terminology I don’t recall ever using.

“The game consists of seven deals of the cards. The objective is to be holding the lowest valued cards at the end of each deal. At the end of each deal the score for each player is written down, and the player with the lowest total score at the end of the seven deals wins the game.

“In each deal, the players reduce the value of the cards held in their hands by laying on the table, melds comprising sets and sequences of cards, usually known as Books and Runs.

  • A Book consists of three or more cards of the same rank, such as 8♥ 8♣ 8♠.
  • A Run consists of four or more cards in sequence, all of the same suit (hearts, clubs, etc), such as 3♥ 4♥ 5♥ 6♥ 7♥.

“The game is played with standard 52-card packs plus the Jokers: 2 packs for three or four players or 3 for more than four players. The ranking from low-to-high is 2-3-4-5-6-7-8-9-10-J-Q-K-A. Aces can be high or low (see section on card play where aces can be used in a high run or low run but not wrap around). Jokers are wild.

“The dealer deals 10 cards to each player for the first 4 rounds, then 12 cards to each player for the last 3 rounds. After all the players' hands have been dealt, the rest are placed face down as the stock and its top card turned face-up to start the discard pile.

The player to the immediate left of the dealer plays first. Play continues, in alternating turns, until one player goes out, or has no cards left in their hand. Points are tallied and recorded by a score-keeper. All of the cards are shuffled and the next round of play commences.

“The requirements for each round of play are as follows:

  • First - 2 books of three (6 cards)
  • Second - 1 book of three & 1 run of four (7 cards)
  • Third - 2 runs of four (8 cards)
  • Fourth - 3 books of three (9 cards)
  • Fifth - 2 books of three & 1 run of four (10 cards)
  • Sixth - 1 book of three & 2 runs of four (11 cards)
  • Seventh - 3 runs of four with no remaining cards in hand, no final discard (12 cards)

“Once a player has laid down, they can then attempt to further reduce the number of cards in their hand by adding to other players' laid cards.

“For example, a 3♥ could be added to an existing set of 3s (3♦ 3♣ 3♠) or a suitable a run of hearts (4♥ 5♥ 6♥ 7♥) from another player.

At the end of each round when a player goes out, the rest of the players total their scores by counting up the value of the cards remaining in their hands. Cards are valued as follows:

  • 2 through 9 are 5 points each.
  • 10, J, Q and K are 10 points each.
  • Aces & Jokers are 15 points each.

“The player with the lowest point total at the end of final round wins, so players usually work to lower their scores by going down, playing off other players who have gone down and, secondarily, replacing high cards (such as face cards and aces) with lower ones.”

We simply called ‘books’ ‘sets’, and another part of our personal terminology was ‘black holing’, drawing an unusual number of cards off the discard pile to reach the one you want. It could be a risky strategy. The one who did so would be called a ‘Zuckuss’ because he sucked all the cards up. We had marathon sessions, and sometimes they would end up with temper tantrums. But we loved playing.

It's been many years since I’ve played a round of Liverpool Rummy, though it is sometimes mentioned rather wistfully at family gatherings. I wonder if anyone (especially the new generation) would have the patience to play it.

Wednesday, October 1, 2025

Thursday Thoughts: Isn't October Bad Enough? It Should Be Good


Yesterday was not a good day for me. I was all ready to enjoy it. New month, fresh start. I already had a few books on order, the first in months. A load of groceries coming in the cool morning air. I’d done all my morning things, prayers, Bible, penitential act, glucose reading, weight, blood pressure, cartoons on MeTV to lift my spirits. But then I remembered to tear the page off the calendar, and here my woes began.

I saw I had an upcoming appointment next week with Dr. Nash. The doctor is my leg guy, and he had made me this appointment back in January. I had been thinking that October would be free from this sort of thing (I’d just seen my regular doctor and my foot guy). I had, as it were, completely forgotten about Nash. I was supposed to be working on losing weight in preparation for a possible knee replacement, and while I have lost some weight, I know it is not as much as it would be if I had applied myself more consistently.

Not only did I have a sudden schedule, but I also suddenly had a bit of a weaselly scramble. Should I postpone the appointment? Would that do any good in the long run? Probably if I went now, he’d just tell me to do what I’d want to do with the postponement, try to lose some more weight, come for another appointment. Probably best to just face the music and fess up. Either way, though, it’s a bit of a headache.

Still, I hate to look – weak? inadequate? – in front of a doctor. Even if that’s what I am. He’s a man with a job, a business, a degree. It’s like going in front of a teacher when you haven’t done your homework. At my age there aren’t too many people who can call you on the carpet, but a doctor (no matter the age) is one of them. At least that’s the way I feel.

Besides these anxiety woes, I had to carry my groceries in by myself. Andy will usually lend me a hand, but today he had to go out on a record call. And this time I had tried to buy enough to last two weeks, so the load was particularly large. It left me with an aching knee all day.

I was also reminded there were some dark anniversaries coming up.

I tried to distract myself with my usual shows on YouTube, but it was all bad news and none of it held my attention. “I asked her for some happy news, but she just smiled and turned away.” And it just got worse as the day wore on. Even the good news was bad news. Probably the climax was learning that Jane Goodall had passed away. Not unexpected, but depressing. I had been hearing about her since at least middle school. I was kind of surprised to hear she had still been alive. It was a final flip on the nose.

One thing I was glad I had done and that consoled me was my Script for the day. That was before the bad day had started, of course; I just hope I feel up to the next bit. It’s at a rather dark point of the story; I don’t think it will cheer me up any, but maybe I can take some satisfaction in the process. Of having it done. If I can get it done.

Moan over. I do have good things to look forward to if I just keep them in mind. Tomorrow is another day; oh wait, it’s already tomorrow. Well, we’ll see how things look in the morning light. “And I don’t want to hear any bad news!”


 

Present Political Situation


https://www.youtube.com/watch?v=Zc0WbAQhVTs