Lest Darkness Fall … L.
Sprague de Camp
The Fallible Fiend … L.
Sprague de Camp
The Goblin Tower; The Clocks
of Iraz; The Unbeheaded King; The Honorable Barbarian … L. Sprague de Camp
The Complete Compleat
Enchanter …L. Sprague de Camp and Fletcher Pratt
The Enchanter Reborn … L.
Sprague de Camp & Christopher Stasheff
The Blue Star … Fletcher
Pratt
The Well of the Unicorn …
Fletcher Pratt
H. P. Lovecraft: A Biography
… L. Sprague de Camp
A Midsummer Tempest … Poul
Anderson
Hrolf Kraki’s Saga … Poul
Anderson
Three Hearts and Three Lions
… Poul Anderson
The Moon’s Fire-Eating
Daughter … John Myers Myers
Mention My Name in Atlantis
… John Jakes
Swords and Deviltry; Swords
Against Death; Swords in the Mist; Swords Against Wizardry; The Swords of
Lankhmar; Swords and Ice Magic … Fritz Leiber (but not those last two in the picture)
If I speak of Robert E.
Howard and Conan, can L. Sprague De Camp (1907 – 2000) be far behind? Part of
the heroic and foundational nerds of the Fifties and Sixties (although his
career began in the Thirties), I always picture him in the intellectual regalia
of the time: horn-rimmed glasses, a cigarette holder, a goatee, and two-piece
plaid suits. In his professional career as an aeronautical engineer, he worked
with Isaac Asimov and Robert Heinlein. What follows is a patchwork of facts
from Wikipedia:
“De Camp was a founding
member of the Swordsmen and Sorcerers'
Guild of America (SAGA), a loosely knit group of Heroic
fantasy writers that was founded during the 1960s and led
by Lin Carter, with entry by credentials
as a fantasy writer alone … De Camp and his wife moved to Plano,
Texas, in 1989, and Sprague de Camp died there on November 6,
2000 … L. Sprague de Camp is credited with [the word “extraterrestrial] first
usage as a noun with the meaning of "alien life" and with coining the
abbreviation "E.T." in the first part of his two-part article
"Design for Life", published in the May 1939 issue of Astounding
Science Fiction …
“De Camp was a materialist who
wrote works examining society, history, technology and myth. He
published numerous short stories, novels, non-fiction works and poems during
his long career … De Camp had the mind of an educator, and a common theme in
many of his works is a corrective impulse regarding similar previous works by
other authors. A highly rational and logical thinker, he was frequently
disturbed by what he regarded as logical lapses and absurdities in others'
writings.
“De Camp was best known for
his light fantasy, particularly two series written in collaboration with Pratt,
the Harold Shea stories (from 1940 et
seq.) and Gavagan's Bar (from
1950) … He was also known for his sword
and sorcery, a fantasy genre revived partly by his
editorial work on and continuation of Robert
E. Howard's Conan cycle.”
De Camp’s autobiographies
and analysis of other Fantasy authors’ books have been criticized as
downgrading their work as compared to his personal criteria. Fantasy is a
rather odd choice of genre for someone so firmly ‘materialist’ and ‘logical’,
although a loose inner consistency, a ‘plausible impossible’ does help sell a
magical tale. His most popular works (certainly the ones I’ve enjoyed) seem to
be riding still on the coattails of Fletcher Pratt and Robert E. Howard. But he
is definitely responsible for rescuing and revitalizing Howard from his pulp
obscurity; it is largely due to De Camp that Conan has such a presence in pop
culture today.
Included in this list are some swordsmen and sorcerers I equate with his type. I so much wanted to like Poul Anderson (1926 – 2001; also a SAGA founding member; also spent a period of his life in Texas!) from what I’d heard of him, but these books were not to be my entrance to his multifarious and award-winning work.
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