Today I got Hard Reading:
Learning from Science Fiction (2016) by Tom Shippey in the mail. When it
first appeared on my Wish List it was going for $120; it has since come down to
about $50, which allowed me to finally order it. It is a collection of Shippey’s
essays on Science Fiction spanning over thirty years on the subject and
features his insights on a genre beyond his more well-known subjects of
Medieval Literature and the work of J. R. R. Tolkien. As the summation on
Amazon has it:
“The fifteen essays
collected in Hard Reading argue, first, that science fiction has its own
internal rhetoric, relying on devices such as neologism, dialogism, semantic
shifts, the use of unreliable narrators. It is a "high-information"
genre which does not follow the Flaubertian ideal of le mot juste, "the
right word", preferring le mot imprévisible, "the unpredictable
word". Both ideals shun the facilior lectio, the "easy reading",
but for different reasons and with different effects. The essays argue further
that science fiction derives much of its energy from engagement with vital
intellectual issues in the "soft sciences", especially history,
anthropology, the study of different cultures, with a strong bearing on
politics. Both the rhetoric and the issues deserve to be taken much more
seriously than they have been in academia, and in the wider world. Each essay
is further prefaced by an autobiographical introduction. These explain how the
essays came to be written and in what ways they (often) proved controversial.
They, and the autobiographical introduction to the whole book, create between
them a memoir of what it was like to be a committed fan, from teenage years,
and also an academic struggling to find a place, at a time when a declared
interest in science fiction and fantasy was the kiss of death for a career in
the humanities.” – Amazon.
While I obviously have not
had time to read much of it yet, my eye was drawn during a preliminary flip to
an essay on Ursula K. Le Guin and the first three books of Earthsea. I felt
compelled to read it, and found it to be so insightful and perceptive,
clarifying certain inchoate thoughts about the books that had been lurking on
the brink of my brain for years, that I cannot help but feel I am in for quite
an experience. Both about what I have read and about works that I have not read
yet, but which might be pointed out to me here.
The book is beautifully
bound, and the pages themselves of a dazzling whiteness that casts a bright
shadow down the line of binding between leaves. Why do I mention that? Just
because it seems an unusual circumstance to me.
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