Todd McFarlane’s action
figures are an oddly special case. I like them ... and am peculiarly frustrated by them. “Todd McFarlane (born March 16,
1961) is a Canadian comic-book creator, artist, writer, filmmaker and
entrepreneur, best known for his work as the artist on The Amazing Spider-Man and as the
creator, writer, and artist on the superhero horror-fantasy
series Spawn, as well as being the current
President and a co-founder of Image
Comics. In 1992, he helped form Image
Comics, pulling the occult anti-hero character Spawn from
his high-school portfolio and updating him for the 1990s.” – Wikipedia.
In 1994 he created a toy
company to produce figures from his comic book, Spawn. The line was
first called Todd Toys but was changed to McFarlane Toys. The first run was
rather simple, though more advanced than most of the action figures of the day
to be sure. The company quickly advanced to producing increasingly accurate
sculpts of popular cultural icons, including sports figures, rock stars, horror
movie characters, and lines like The X-Files movie tie-ins.
McFarlane Toys represented a
leap forward in action figure evolution, focusing as they did on precise
sculpting and more mature themes. But what they took on in exchange was more
fragility and less playability. As they developed, it became plain their object
was not for kids to play with anymore, but for grown nerds to display like trophies,
or worse, keep them mint-in-box as an investment.
Looking back, I can see that
there were many figures I could have done without, ones that I had bought out
of boredom or the mere addict’s thrill of adding to the collection. There were
some that were more Chaos than Character. But now having them, there is little likelihood
of getting rid of them. When I mentioned the subject to Kameron, he objected,
saying that if I didn’t want them, he would take them. And so hereditary problems
are passed down.
I’m sure there are a few non-McFarlane (though similarly styled) figures mixed in this lot. Coming Soon: More McFarlane Tie-Ins.
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