Showing posts with label rankin/bass. Show all posts
Showing posts with label rankin/bass. Show all posts

Wednesday, November 26, 2025

Just Grand-Uncle Rambling Again


Tomorrow (the 27th) will be the 48th anniversary of the premiere of the Rankin/Bass version of The Hobbit. “When the world was young, and death was but a dream.” Gawd. I was 15 at the time, a sophomore in 10th Grade. Though I had seen a play version of The Hobbit in 1971 -72, I had only read the book when I was 11 in middle school (1973-74) and started my true engagement with Middle-earth. Although it seemed like forever, I had a very short wait for a visual adaptation compared to some who had been waiting for decades. Just like my wait for The Silmarillion in 1977. A span of just 6 or 7 years, but it seemed like an eternity at the time. Everything that came afterwards seems like mere embellishment. Looking back, somehow just a snip in time. Anyway, I thought I’d talk about it today as tomorrow will be a busy holiday and I might not have the time. Not so busy for me, as I have no cooking to do this year. So I thought I’d wander on (again) about my Tolkien obsession, and maybe take tomorrow off.



Saturday, November 15, 2025

Rankin/Bass' The Hobbit (A Gathering)



Because we are nearing the Thanksgiving season, we are also nearing the anniversary of the 1977 Rankin/Bass The Hobbit (Nov. 27). Kenny pointing out those new figures of Bilbo and Gollum brought it to my mind. People (not myself) seem to be of mixed opinions about its quality. I find it at least as faithful in an hour and thirty minutes to the source material as the Peter Jackson Hobbit trilogy (extended edition) is in eight hours and fifty-two minutes, if not more so. Still, comparisons are odious.

Probably the first merchandise we got was the boxed two record LP set (at JC Penny’s, I think). I also got that Hobbit poster (which we had to get through Susan’s Weekly Reader order). That little single was available, but I only got that lately; Susan found it at a garage sale. I got that hardback Abrams book as one of my first purchases from the Science Fiction Book Club (maybe 1979?); John got the paperback version of the same book from a Starlog (or was it Fantastic Films?) magazine order. The Hobbit game came out after the Bakshi movie and inside used a lot of artwork from the same; I think there is one tiny scrap from it left over.  

Strangely enough, the special is still producing merchandise. While I had a VHS copy taped off of Showtime, I only got a DVD copy many years later. There was a very fine series of miniature (for games?) from RN Estudios (this was in 2024). And now these? The road goes ever, ever on.












One of My Petty Pet Peeves


Because we are nearing the Christmas season, I am sure to be annoyed by one of my needling pet peeves. Because I am sure to hear the Rankin/Bass specials referred to as Claymation. For the thousandth time:

ALL CLAYMATION IS STOP MOTION. NOT ALL STOP MOTION IS CLAYMATION.

Stop motion has been used since at least the original Willis O’Brien’s King Kong in 1933, really earlier, of course, but most famously. In it, a model with an interior armature (mechanical skeleton) is covered with sponge rubber, latex, and rabbit fur. Ray Harryhausen, who can be seen as O’Brien’s heir, called his similar process Dynamation. Rankin/ Bass dubbed their stop motion puppetry process Animagic. Such branding was typical of the 60’s and 70’s as films and studios produced such labels as Cinemascope and Panavision to make their brand ‘stick out’.

Claymation was popularized mainly by Aardman Animations (Wallace and Gromit) and the works of Will Vinton (who trademarked the name ‘Claymation’ for his process). Vinton is perhaps most famous for the California Raisins. Will Vinton Studios switched from Claymation to Foamation in the early 2000’s. Vinton lost control of the studio and it changed its name to Laika, which makes stop motion (puppets, not clay) movies like Coraline and The Box Trolls.

So, in conclusion:

RANKIN/BASS IS NOT CLAYMATION AND DOES NOT USE CLAY.

Sunday, September 14, 2025

They Were Busy Little Elves


Even if you take the holiday specials out of the equation, the productions of the Arthur Rankin, Jr., and Jules Bass studio were still a significant factor in my childhood. I have the vaguest memories of their King Kong show (besides a coloring book with a velveted cover), and that goes back to when I was just developing memories. I recall in first grade enjoying the Reluctant Dragon and Mr. Toad show (foolishly represented by the Disny animation here). Their 'movies' (not series as claimed here) like The Red Baron and Mad Monster Party were also favorites. Never cared much for the Jackson Five or Osmond shows; in fact I can't remember if they ever ran in our area. Then of course their fantasy specials from The Hobbit to The Flight of Dragons took me through and out middle and high school. This little show, though riddled with errors, makes an interesting look at what they did over the years. I should see if I can get a good DVD of their Family Classics.

https://www.youtube.com/watch?v=hBGp_EP6rnA

 

Wednesday, July 17, 2024

Wideo Wednesday

 


The ABC Saturday Superstar Movie — retitled The New Saturday Superstar Movie for its second season — is a series of one-hour animated made-for-television films (some of which also contained live action sequences), broadcast on the ABC television network on Saturday mornings from September 9, 1972 to November 17, 1973.

Intended as a version of the ABC Movie of the Week for kids, this series was produced by several production companies — including Hanna-Barbera, Filmation and Rankin/Bass — and mostly contained features based on popular cartoon characters and TV shows of the time, such as Yogi Bear, The Brady Bunch and Lost in Space. Some of the films served as pilots for new TV series. – Wikipedia.

The ABC Saturday Superstar Movie - Show Open - YouTube

 

And a complete list of those shows can be found on Wikipedia. This program straddled my Third and Fourth Grade years at school, and thus fall into that formative time that has been occupying my mind lately. Two of the ‘movies’ in particular impressed me; both were by Rankin/Bass.

Mad Mad Mad Monsters 1972 💀 Halloween Classic 👻 Rankin Bass HD - YouTube

The first I want to cover is The Mad, Mad, Mad Monsters (the title recalls Rankin/Bass’s earlier show The Mad, Mad, Mad Comedians 1970, itself probably modeled on It’s a Mad, Mad, Mad World 1963, and is not to be confused with their earlier stop-motion film, Mad Monster Party 1967).  In the show, Baron von Frankenstein has created a bride for his monster creation, Junior, and wants to invite all the other monsters to the wedding. Things are complicated by a jealous Igor, who covets the ‘Monstress’, a nervous hotel clerk and his celebrity-happy bellhop, and finally when the Bride is captured by Modzoola (a King Kong-like espy). I found this pristine print on Youtube: the only trouble is that it lacks the sound!

The Red Baron (1972) - YouTube

The second ‘movie’ I really enjoyed was The Red Baron. For some reason (anniversary?) World War One flying aces were big at the time, from Those Magnificent Men in Their Flying Machines to Dastardly and Muttley in Their Flying Machines to Snoopy and the Red Baron. In this version, the two Ruritanian countries of Weinerberg and Pretzelstein (populated by anthropomorphic dogs) are at war, despite the loving star-crossed offspring of their leaders. The stuffy, bumbling, but chivalric Baron von Richthofen answers his country’s call, and after building his own plane and coloring it red (the only paint he has left), takes to the skies with his faithful (and much more intelligent) cat Putzi. Originally mocked, he is later hailed as a hero for his secret weapon of a gaseous smokescreen (actually his reheated lunch, an old family recipe). Things are complicated when Weinerberg sics Mata Hari (a Pitbull) on the Baron, but then she develops a romantic passion for the old duffer. Can he (with the covert help of Putzi) straighten everything out?

I find the design of these shows very reminiscent of Rankin/Bass’s Frosty the Snowman (1969). This is because of the continuing collaboration with Topcraft Co. Ltd., a Japanese animation studio later famous for producing Hayao Miyazaki films.


Tuesday, February 8, 2022

The Wind in the Willows [Rankin/Bass]: Into the Archive

The Wind in the Willows is a 1987 American animated musical television film directed by Arthur Rankin, Jr. and Jules Bass, co-founders of Rankin/Bass Productions in New York, New York. It is an adaptation of Kenneth Grahame's 1908 novel The Wind in the Willows. Set in a pastoral version of England, the film focuses on four anthropomorphised animal characters (Moley, Ratty, Mr. Toad, and Mr. Badger) and contains themes of mysticism, adventure, morality, and camaraderie. The film features the voices of Charles Nelson Reilly, Roddy McDowall, José Ferrer, and Eddie Bracken. The screenplay was written by Romeo Muller, a long-time Rankin/Bass writer whose work included Rudolph the Red-Nosed Reindeer (1964), Frosty the Snowman (1969), The Hobbit (1977), and The Flight of Dragons (1982), among others. The film's animation was outsourced to James C.Y. Wang's Cuckoo's Nest Studios (also known as Wang Film Productions) in Taipei, Taiwan.

This was the last project produced by Rankin/Bass. The film was finished in 1983 and released on video in the UK in November of that year, but its US television premiere was delayed several times, before finally airing July 5, 1987 on ABC. - Wikipedia

As Wikipedia goes on to note, Rankin/Bass had used Wind in the Willows characters (designed by the great Paul Coker, Jr.) in the 1970 show "The Reluctant Dragon and Mr. Toad", which I remember watching in the 1st Grade. In this 1987 adaptation, Charles Nelson Reilly makes a strangely apt choice for Toad because of his characteristic two-syllable throaty chuckle. 

Sunday, November 28, 2021

"The Life and Adventures of Santa Claus/ Nestor, the Long-Eared Christmas Donkey"

 

          “The Life and Adventures of Santa Claus” was the last Rankin/Bass animated Christmas show to use their “Animagic” (stop-motion puppets) feature. It first aired on December 17, 1985, on CBS. The special retells the story of a more obscure book (1902) by L. Frank Baum (he of “The Wizard of Oz” fame), which gives Santa an origin narrative with a more fantastic twist. The special is paired with “Nestor, the Long-Eared Christmas Donkey” and was first released on DVD under the Warner Archive brand on November 17, 2009.

          The story is told as a flashback, framed by a meeting of the Immortals, a group of elemental spirits, who are gathered together by the Great Ak, the Master Woodsman of the World. Claus, a mortal who had been adopted as a baby by the wood-nymph Necile, has led an exemplary life of good and charitable deeds, but is now on the verge of death. Ak recounts ‘the life and adventures of Santa Claus’ to convince his fellow Immortals that the man is indeed worthy of their one and only Mantle of Immortality. Along the way his Northern residence, reindeer, gifts to children, stockings, and decorated trees are all given yet another explanation. The main villains of the piece are the Awgwas, a kind of evil goblin who try to make children do bad things by making them miserable. It ends, of course, with Claus being gifted the Mantle and becoming the immortal present-giver that he is.

          The “Life and Adventures” holds a rather odd place in the Rankin/Bass Christmas shows. Most of their other holiday specials have at least a tenuous continuity, starting with “Rudolph” in 1961 and lasting into the Eighties with only a few flat contradictions here and there. Their stories (even non-Christmas holiday specials) could be ‘calqued’ together into one long narrative.

These stories grew more fantastic (in the literary sense) and outré as time went on and less based on existing lore, with “Frosty and Rudolph’s Christmas in July” unfolding like a fever-dream Stephen R. Donaldson might have had after drinking too much eggnog; the evil Winterbolt bears a passing resemblance to his Lord Foul in machinations and manipulations. Perhaps Rankin/Bass was influenced by the fantasy works being produced in-house at the time, like “The Hobbit” or “The Last Unicorn”. Anyway, “Life and Adventures” appears in its own discrete bubble in 1985 and puts a period to the original cycle.

My personal memories of this show are, of course, not as steeped in nostalgia as others. Although still keenly interested in holiday specials at the time, and more so because it was based on a Baum book I had never read, I was in my early twenties and was bringing a more critical eye to any new offerings. If I’m recalling things correctly, I had to work my shift at Mr. Gatti’s the night it premiered but had someone record it via VCR for me. I was able to catch most of the beginning on the big in-store TV by lingering while I bussed some tables, then intermittently saw bits of it for the next hour or so. I certainly was impressed (and still am) by the opening number, “Ora e Sempre” (Today and Forever). [https://www.youtube.com/watch?v=LlcQ3hO-EPY]

This special is not to be confused with the 2000 animated film, the similarly named and based “The Life and Adventures of Santa Claus”, created by Mike Young Productions and starring (among others) Robby Benson, Jim Cummings, Maurice LaMarche, and Hal Holbrook. This version might be fine, but somehow I have never had the patience to watch it all the way through.

“The Life and Adventures of Santa Claus” is paired on this DVD with another Rankin/Bass Christmas Animagic special, “Nestor, the Long-Eared Christmas Donkey” (1977). It is based on a 1975 song sung by Gene Autrey, who had previously popularized “Rudolph the Red-Nosed Reindeer” and “Frosty the Snowman”. The show is more in line with the Rankin/Bass strand typified by their “The Little Drummer Boy”, although Santa and his sleigh make an early appearance. Narrated by Roger Miller (you know, the rooster Alan-a-Dale from Disney’s “Robin Hood”) as Santa’s donkey (don’t ask), he explains how Nestor, a long-eared misfit living in the Roman era, saves the first Christmas by bearing Mary and Joseph safely the Bethlehem, thus finding his place, ‘going down in history’ like a more famous quadruped with a shiny nose. It has some few similarities to Disney’s “The Small One”, released in 1978 but based on a 1947 book, and no similarity (save one) to the 1960 song "Dominick the Donkey" (Santa's Italian Christmas donkey!) . As a show, I find it neither especially memorable nor offensive. It is simply a sort of extra bonus to my Rankin/Bass collection. 


Saturday, December 12, 2020

Finding Dori

I have always loved this frame from the Rankin/Bass Hobbit, and it is in fact at the moment both the background screen of my computer and on the banner of my Facebook page. But as I've realized on and off through the years, it only contains images of twelve of the dwarves. Checking with my Abrams copy of "The Hobbit" to be sure, from left to right they are Dwalin, Balin, Kili, Fili, Thorin in the foreground, Nori, Ori, Oin, Gloin, Bifur, Bombur, and Bofur. By process of elimination that leaves Dori (probably hidden behind Thorin) as the dwarf not shown, which is rather ironic as he is one of the three or four dwarves who actually get individual speaking parts throughout the special. Here is a screen grab with Dori in the line-up, and Bombur back in his place in Thorin's roll call.

Thursday, August 13, 2020

DVD Library: Holidays and Peanuts


A Charlie Brown Christmas


It's the Great Pumpkin, Charlie Brown


A Charlie Brown Thanksgiving


Snoopy, Come Home / A Boy Named Charlie Brown


Race For Your Life, Charlie Brown


Happiness is a Warm Blanket, Charlie Brown


The Original Christmas Classics


Classic Christmas Favorites


Here Comes Peter Cottontail

Sunday, August 2, 2020

DVD Library: Fears and Fancies

Count Dracula
Wizards
The Last Unicorn
The Flight of Dragons
The Dark Crystal
Labyrinth
Coraline

Thursday, July 30, 2020

DVD Library: Tolkien

The Fellowship of the Ring
The Two Towers
The Return of the King
The Hobbit: An Unexpected Journey
The Hobbit: The Desolation of Smaug
The Hobbit: The Battle of the Five Armies
The Hobbit (Rankin/Bass)
The Lord of the Rings (Bakshi)
The Return of the King (Rankin/Bass)
National Geographic: The Lord of the Rings
J. R. R. Tolkien: Master of the Rings
J. R. R. Tolkien: The Origin of the Rings
Ringers: Lord of the Fans