The ABC Saturday Superstar
Movie — retitled The New Saturday Superstar
Movie for its second season — is a series of one-hour animated made-for-television
films (some of which also contained live
action sequences), broadcast on the ABC television network on Saturday mornings from
September 9, 1972 to November 17, 1973.
Intended as a version of
the ABC Movie of the Week for
kids, this series was produced by several production companies —
including Hanna-Barbera, Filmation and Rankin/Bass — and mostly
contained features based on popular cartoon characters and TV shows of the
time, such as Yogi Bear, The
Brady Bunch and Lost
in Space. Some of the films served as pilots for
new TV series. – Wikipedia.
The ABC Saturday Superstar
Movie - Show Open - YouTube
And a complete list of those
shows can be found on Wikipedia. This program straddled my Third and Fourth
Grade years at school, and thus fall into that formative time that has been
occupying my mind lately. Two of the ‘movies’ in particular impressed me; both
were by Rankin/Bass.
Mad Mad Mad Monsters 1972 💀
Halloween Classic 👻 Rankin Bass HD -
YouTube
The first I want to cover is
The Mad, Mad, Mad Monsters (the title recalls Rankin/Bass’s earlier show
The Mad, Mad, Mad Comedians 1970, itself probably modeled on It’s a
Mad, Mad, Mad World 1963, and is not to be confused with their earlier
stop-motion film, Mad Monster Party 1967). In the show, Baron von Frankenstein has created a
bride for his monster creation, Junior, and wants to invite all the other
monsters to the wedding. Things are complicated by a jealous Igor, who covets
the ‘Monstress’, a nervous hotel clerk and his celebrity-happy bellhop, and
finally when the Bride is captured by Modzoola (a King Kong-like espy). I found
this pristine print on Youtube: the only trouble is that it lacks the sound!
The Red Baron (1972) -
YouTube
The second ‘movie’ I really
enjoyed was The Red Baron. For some reason (anniversary?) World War One
flying aces were big at the time, from Those Magnificent Men in Their Flying
Machines to Dastardly and Muttley in Their Flying Machines to Snoopy
and the Red Baron. In this version, the two Ruritanian countries of Weinerberg
and Pretzelstein (populated by anthropomorphic dogs) are at war, despite the loving star-crossed offspring of their leaders. The stuffy, bumbling, but chivalric
Baron von Richthofen answers his country’s call, and after building his own
plane and coloring it red (the only paint he has left), takes to the skies with
his faithful (and much more intelligent) cat Putzi. Originally mocked, he is
later hailed as a hero for his secret weapon of a gaseous smokescreen (actually
his reheated lunch, an old family recipe). Things are complicated when Weinerberg
sics Mata Hari (a Pitbull) on the Baron, but then she develops a romantic
passion for the old duffer. Can he (with the covert help of Putzi) straighten
everything out?
I find the design of these
shows very reminiscent of Rankin/Bass’s Frosty the Snowman (1969). This
is because of the continuing collaboration with Topcraft Co. Ltd., a Japanese animation
studio later famous for producing Hayao Miyazaki films.
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